After the End
Page 12

 Amy Plum

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The flame in my chest burns brighter. Once I’m reunited with my clan, we will discover together what’s actually happened to the world during the last three decades. But right now I have to find them.
I scan the names of the cities as I consider which could possibly be the answer to my oracle’s cryptic clue, “You must go to your source.” And then I see it. Seattle. That’s where my parents came from. Where they lived before I was born. It is my source, in a manner of speaking. And there’s a boat leaving for the city today.
“How much is a ticket to Seattle?” I ask the teenage boy behind the counter. I keep my eyes lowered. The startled reactions of the salespeople and the woman at the kennels when they saw me up close have confirmed to me that my starburst is not a common occurrence in the outside world. No one I’ve come across has eyes like mine, and Whit’s captors even used it to describe me.
“Round-trip that’ll be one thousand ninety-four dollars,” the boy says, “two thousand if you want a private cabin.”
“I only need to go one way,” I say, digging into my pack for money. “How long does it take?”
“Four days, eight hours,” he responds. “When do you want to leave?”
“Today.”
“You’re in luck. We have a boat embarking in a half hour,” he says, pointing to a shiny blue-and-white ship at the far end of the harbor. A thrill passes through me as I realize that I will actually be riding on a boat. A few days ago, I wouldn’t have ever expected to see one. I feel like I’m in a dream—like I’ve suddenly been popped into some sort of strange new world.
A long line of people pull rolling suitcases up the boat’s lowered gangplank. I hoist my pack onto my back and shove the ticket the boy gives me into my parka pocket. “Have a good trip,” he says in a voice that indicates he couldn’t care less whether my trip is good or not.
I am three steps away from the ticket office when I see the men. They are dressed the same as the ones who held Whit in the fire-Reading vision. And they are seated yards away from the loading ferry.
Slowly, I back up behind the edge of the ticket office, careful not to draw their attention. Once I’m out of sight, I poke my head out to watch them and am paralyzed by fear. They are checking out every passenger who gets on the boat. Carefully.
I reach automatically for my dogs. It takes a second for me to remember that I no longer have Beckett and Neruda for protection, and at that thought I’m struck breathless by grief. They couldn’t help against these men anyway, I tell myself, remembering the bloody masses of fur throughout our village. I suck the cold air into my lungs and accept the fact that from now on, I am truly on my own.
I peer into the mirrored window beside me. I look like an adolescent boy. It’s only when I speak that I give myself away. Even so, I wonder how quickly it will take these men to figure out that the adolescent boy boarding the ferry by himself is actually the girl they’re searching for. Not long, I think.
I remove the baseball cap and run my fingers through my spiky hair. It is short—really short—but it’s still black. And it’s not like I was able to change my height—I’m still five foot five and fine-boned. From where they’re sitting, they’ll be too far away to notice my eyes. But if they come within a few feet of me, they’re sure to see the starburst.
My neck muscles tense as my fear is replaced with anger. At myself. For being naive enough to believe that I could fool my pursuers with these weak attempts at a transformation.
Transformation. The word plants a seed of inspiration in my mind, which springs into a fully formed idea. I plunge my hand into the backpack and rummage around until my fingers touch a soft lump of fur. I pull it from the pack to see Whit’s rabbits’-feet amulet: one foot white and another brown, bound together by a thin copper wire. The snowshoe hare in its winter and summer incarnations. I think back to the day when he taught me about transformation.
“An animal that changes color with the season. Nature’s metamorphosis. Can you get any more magical than that?” Whit said as he instructed me to bind the two feet together. “Camouflage is one of nature’s most crafty defenses,” he continued. “A temporary form of metamorphosis. Watch what the Yara allows, Juneau.” And taking the rabbit feet between his fingers he suddenly—and startlingly—changed color. His skin turned a dark earthen color like the yurt around him, and his hair transformed from black to chestnut brown. Even his hazel eyes morphed into a deep chocolate color. Then, setting the furry amulet down on the table, he instantly changed back.
“This is the amulet I use when I camouflage the yurts from brigands. You’ll need to know how. Try it,” he said, handing me the amulet, and showed me how to use it by visualizing the rabbit’s seasonal transformation.
That is the only Conjuring I have done by myself. Whit demonstrated things for me but was waiting until I turned twenty and underwent the Rite before letting me Conjure on my own.
Whit had explained that because Conjuring actually has an effect on nature, unlike Reading, it shouldn’t be used lightly.
But now I have no choice. I have to try. I hold the furry amulet between my fingers and open myself to the Yara. As usual, I feel the tingling the second my mind taps into the stream of nature’s consciousness, and begin picturing a snowshoe hare in summer with rusty brown fur and mahogany eyes.
I speed time up, flashing through a few months, and watch the animal forage for soft flower buds in the browning tundra grasses. I watch its fur begin its transformation just before winter’s first snowfall, and soon its pelt is pure white, except for the black tufts tipping its ears.
I switch my focus to my image in the mirrored glass and watch, astonished, as my body begins to take on the colors of the snowy harbor around me. My suntanned skin fades to milky white. My black hair transforms to a pearl-white blond. And as I lean toward the mirror I see that my eyes match those of the rabbit whose feet I hold: dark brown, almost black. No starburst in sight.
Size, I think. Make me bigger. Taller. But my shape in the reflection stays the same. This is the extent of the Conjuring. Now I must make it last long enough to get me safely past the men and into the boat.
I swing the pack onto my back and stride purposefully toward the boat, adding what I imagine to be a boyish gait to my steps. My stomach twists itself in knots as I near the men, but I keep my gaze steadfastly on the ferry and try to ignore them.