Animal Dreams
Page 49
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"Hallie." He stands in the doorway to their room and repeats her name quietly. "Hallie." She is reading in poor light, ruining her eyes. She looks up, her eyes nearly marble-white under the small, high-intensity lamp above her bed.
"Your sister has asked for you. Can you please find out what she needs?"
She puts her open book face down on the bed and gets up without a word. The two of them confer through the bathroom door. He tries to hear their whispers from the kitchen. He sees that Codi is not letting her in.
"The black one. That old one that was mother's."
Hallie is gone for only a minute, then comes back. "I can't find it. I got your green jacket."
"No!" Codi says something else that he can't hear. He washes the cast-iron skillet and sets it on the stove on low heat, to drive out the moisture. He goes into the living room, where he can't see but can hear better. Hallie glances up as he walks past her in the hall, and she lowers her voice.
"Why do you have to have that exact sweater, Codi? Are you going outside? It's not even cold."
"Just bring me the black sweater. I mean it, Hallie, find it. It's in the bottom of one of my drawers."
After a long while Hallie comes back with it. He hears the bolt slide back, then lock again; the door was not open even for a full second. Hallie returns to her reading.
In another fifteen minutes he hears scrubbing. She is cleaning the floor. The toilet has flushed more than two dozen times. There are rules concerning all of these things.
Much later he watches without lamplight from the living room. The house is dark. Her curtain of hair falls as she leans out, looking down toward the kitchen. She comes out. The small bundle in her arms she carries in the curl of her upper body, her spine hunched like a dowager's, as if this black sweater weighed as much as herself. When he understands what she has, he puts his knuckle to his mouth to keep from making a sound. Quiet as a cat she has slipped out the kitchen door.
He follows her down to the arroyo. She takes the animal path that cuts steeply down the bank. Round volcanic boulders flank her, their surfaces glowing like skin in the moonlight. She is going down to the same dry river where they nearly drowned ten years ago, in the flood. This tributary carved out Tortoise Canyon; it would be the Tortoise River if it had a name, but it never runs. It did years ago when he was a boy, hiking these banks to escape his mother's pot-black kitchen, but now it does not run except during storms. The land around Grace is drying up.
He stands a hundred yards away from Codi, above her, in the shadow of cottonwood trees. She has reached the spot where the rock bank gives over to the gravel and silt of riverbed. Even in the semi-dark there is a clear demarcation where the vegetation changes. She stoops down into the low acacias and he can see nothing but her back to him, her bent spine through the sleeveless cotton blouse. It is a small white square, like a handkerchief. In better light he could photograph it and make it into that, or into a sheet on a clothesline. It's shaking just exactly that way, like a forgotten sheet left out in a windstorm. She stays kneeling there for a long time being whipped like that.
Then her head pushes up through the fringe of acacias and she moves toward him, her face shining beautifully with its own privacy of tears. He sees how deeply it would hurt her if she understood what he knows: that his observations have stolen the secrets she chose not to tell. She is a child with the dignity of an old woman. He moves back up through the cottonwoods and into the house, into his workroom. He can't know who she has buried down there but he can mark the place for her. At least he can do that. To save it from animals. Before he goes to bed he'll cover it with a pile of stones, the heaviest he can move.
He pretends for a long time to be busy in his workroom, periodically coming out to feign a need in the kitchen. Where has he put the Piper forceps? Codi is emptied out and exhausted and still stays up half the night doing homework. Six volumes of the Britannica lie open on the kitchen table; she states that she is doing a report on the marsupial mammals.
So many times he comes close to speaking, but the sentences take absurd forms in his mind: "I notice that you've been pregnant for the last six months. I meant to talk with you about this earlier." He would sell his soul to back up the time, but even if he could do that, could begin where he chose, he can't locate the point where it would have been safe to start. Not ten weeks ago, or ten years. If he has failed his daughters he's failed them uniformly. For their whole lives, since Alice died, they've been too far away to touch. It's as if she pulled them with her through a knothole halfway into the other world, and then at the last minute left them behind, two babies stranded together in this stone cold canyon.
"Your sister has asked for you. Can you please find out what she needs?"
She puts her open book face down on the bed and gets up without a word. The two of them confer through the bathroom door. He tries to hear their whispers from the kitchen. He sees that Codi is not letting her in.
"The black one. That old one that was mother's."
Hallie is gone for only a minute, then comes back. "I can't find it. I got your green jacket."
"No!" Codi says something else that he can't hear. He washes the cast-iron skillet and sets it on the stove on low heat, to drive out the moisture. He goes into the living room, where he can't see but can hear better. Hallie glances up as he walks past her in the hall, and she lowers her voice.
"Why do you have to have that exact sweater, Codi? Are you going outside? It's not even cold."
"Just bring me the black sweater. I mean it, Hallie, find it. It's in the bottom of one of my drawers."
After a long while Hallie comes back with it. He hears the bolt slide back, then lock again; the door was not open even for a full second. Hallie returns to her reading.
In another fifteen minutes he hears scrubbing. She is cleaning the floor. The toilet has flushed more than two dozen times. There are rules concerning all of these things.
Much later he watches without lamplight from the living room. The house is dark. Her curtain of hair falls as she leans out, looking down toward the kitchen. She comes out. The small bundle in her arms she carries in the curl of her upper body, her spine hunched like a dowager's, as if this black sweater weighed as much as herself. When he understands what she has, he puts his knuckle to his mouth to keep from making a sound. Quiet as a cat she has slipped out the kitchen door.
He follows her down to the arroyo. She takes the animal path that cuts steeply down the bank. Round volcanic boulders flank her, their surfaces glowing like skin in the moonlight. She is going down to the same dry river where they nearly drowned ten years ago, in the flood. This tributary carved out Tortoise Canyon; it would be the Tortoise River if it had a name, but it never runs. It did years ago when he was a boy, hiking these banks to escape his mother's pot-black kitchen, but now it does not run except during storms. The land around Grace is drying up.
He stands a hundred yards away from Codi, above her, in the shadow of cottonwood trees. She has reached the spot where the rock bank gives over to the gravel and silt of riverbed. Even in the semi-dark there is a clear demarcation where the vegetation changes. She stoops down into the low acacias and he can see nothing but her back to him, her bent spine through the sleeveless cotton blouse. It is a small white square, like a handkerchief. In better light he could photograph it and make it into that, or into a sheet on a clothesline. It's shaking just exactly that way, like a forgotten sheet left out in a windstorm. She stays kneeling there for a long time being whipped like that.
Then her head pushes up through the fringe of acacias and she moves toward him, her face shining beautifully with its own privacy of tears. He sees how deeply it would hurt her if she understood what he knows: that his observations have stolen the secrets she chose not to tell. She is a child with the dignity of an old woman. He moves back up through the cottonwoods and into the house, into his workroom. He can't know who she has buried down there but he can mark the place for her. At least he can do that. To save it from animals. Before he goes to bed he'll cover it with a pile of stones, the heaviest he can move.
He pretends for a long time to be busy in his workroom, periodically coming out to feign a need in the kitchen. Where has he put the Piper forceps? Codi is emptied out and exhausted and still stays up half the night doing homework. Six volumes of the Britannica lie open on the kitchen table; she states that she is doing a report on the marsupial mammals.
So many times he comes close to speaking, but the sentences take absurd forms in his mind: "I notice that you've been pregnant for the last six months. I meant to talk with you about this earlier." He would sell his soul to back up the time, but even if he could do that, could begin where he chose, he can't locate the point where it would have been safe to start. Not ten weeks ago, or ten years. If he has failed his daughters he's failed them uniformly. For their whole lives, since Alice died, they've been too far away to touch. It's as if she pulled them with her through a knothole halfway into the other world, and then at the last minute left them behind, two babies stranded together in this stone cold canyon.
