Animal Dreams
Page 5
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"Stop it!" I yelled. My heart was thumping. "You're killing that bird!"
The boy froze like a rabbit in headlights. The other kids, down on their knees, stared too. I'd arrested them in the act of grabbing fistfuls of bright paper and candy that sparkled on the ground. The mute peacock swung over their heads on a wire. Its fractured body hung in clay shards the size of plate, held together by a crepe-paper skin.
When I was ten I'd demolished a pinata exactly like this one, with blue paper wings and a long glossy tail of real feathers. At a birthday party. At some time or other every child in Grace had done the same.
After an impossible few seconds they went back to scrambling for their prize. Two older girls helped the smallest kids scoop candy into piles in their laps. A cluster of boys elbowed and slapped each other behind the girls' backs.
I felt disoriented and disgraced, a trespasser on family rites. I walked away from the little group of kids back toward the place in the center of the orchard where I must have left my suitcases. I wondered in what dim part of Grace I'd left my childhood.
Chapter 3
HOMERO
3 The Flood
The leaves shine like knife blades in the beam of his flashlight. The rain has slowed, but the arroyo is still a fierce river of mud and uprooted trees that won't crest until dawn. He is wet and chilled to his spine. The girls are lost. The sound of the flood makes his blood cold.
They wanted to gather prickly-pear fruits for jelly. They knew a storm was coming and they went anyway, while he was in his workroom. He follows the narrow animal path between thickets of thorn scrub along the bank, shining his light along the edge of the rising water. Acacias lean into the river with their branches waving wildly in the current, like mothers reaching in for lost babies. The girls ignore his cautions because they are willful children who believe nothing can harm them. Hallie is bad but Cosima is worse, pretty and stubborn as a wild horse but without an animal's instincts for self-preservation-and she's the older. She should have some sense.
He forces his body through the bank of oleanders near the house and turns back toward the riverbed to search the arroyo to the south. He has no idea which way they would have gone; they roam this desert like pocket mice. And everything in a desert is poisonous or thorned. Good Lord, he has already lost a wife, and did not think his heart would live beyond her. Wished it wouldn't. He slashes at the oleanders with the metal flashlight. He'd meant to cut these down when Cosima was born. One well-chewed leaf could bring on cardiac arrest in a child. He'd seen a case years ago, or was it later, after the girls left home? That blue girl?
Doc Homer sits up in his bed and stares at the orange pill bottles on the windowsill. There is light at the window. It's a Sunday morning in August. It is only a month ago he lost that blue girl. His own daughters are grown and living somewhere else, looking after themselves, but his heart is still pumping hard. His circulatory system believes they are still lost.
He turns his pillow and rests his head on it carefully because his brain gets jostled and things move around inside his head like olives in a jar of brine. Think about the flood. He is going south on the near side of the arroyo. He stops to look back upstream and his light finds them, by pure luck, on the opposite bank. Cosima's thin, waving arms shine like the crisscrossing blades of scissors. They are screaming but he only sees their mouths stretched open like the mouths of fledgling birds. Absolute expectation, Papa will save us. The road is washed out, and he has to think how else he will get to them. He realizes, stunned, that they have been huddled there for half a day. The road has been washed out that long.
How does he reach them? A boat? No, that wouldn't have been possible. He sits up again. He has no clear image of reaching them, no memory of their arms on his neck, he only hears them crying over the telephone. And then he understands painfully that he wasn't able to go to them. There is no memory because he wasn't there. He had to call Uda Dell on the other side of the arroyo. Her husband was alive then, and went down the bank on his mule to find them in a washed-open coyote burrow with seven pups the girls wanted to save.
"There were seven," she'd wailed over the telephone. "I could carry four but Hallie could only get one in each hand and we didn't want to leave the other one. He would have gotten drowned." Cosima is sobbing because in the end, after crouching for half a day in the small shelter of that gravel bank, waiting for the mother coyote to come back and save her children, they had to leave them. He hears Hallie shrieking in the background. They're both crying as if they are drowning themselves. Drowning pups.
The boy froze like a rabbit in headlights. The other kids, down on their knees, stared too. I'd arrested them in the act of grabbing fistfuls of bright paper and candy that sparkled on the ground. The mute peacock swung over their heads on a wire. Its fractured body hung in clay shards the size of plate, held together by a crepe-paper skin.
When I was ten I'd demolished a pinata exactly like this one, with blue paper wings and a long glossy tail of real feathers. At a birthday party. At some time or other every child in Grace had done the same.
After an impossible few seconds they went back to scrambling for their prize. Two older girls helped the smallest kids scoop candy into piles in their laps. A cluster of boys elbowed and slapped each other behind the girls' backs.
I felt disoriented and disgraced, a trespasser on family rites. I walked away from the little group of kids back toward the place in the center of the orchard where I must have left my suitcases. I wondered in what dim part of Grace I'd left my childhood.
Chapter 3
HOMERO
3 The Flood
The leaves shine like knife blades in the beam of his flashlight. The rain has slowed, but the arroyo is still a fierce river of mud and uprooted trees that won't crest until dawn. He is wet and chilled to his spine. The girls are lost. The sound of the flood makes his blood cold.
They wanted to gather prickly-pear fruits for jelly. They knew a storm was coming and they went anyway, while he was in his workroom. He follows the narrow animal path between thickets of thorn scrub along the bank, shining his light along the edge of the rising water. Acacias lean into the river with their branches waving wildly in the current, like mothers reaching in for lost babies. The girls ignore his cautions because they are willful children who believe nothing can harm them. Hallie is bad but Cosima is worse, pretty and stubborn as a wild horse but without an animal's instincts for self-preservation-and she's the older. She should have some sense.
He forces his body through the bank of oleanders near the house and turns back toward the riverbed to search the arroyo to the south. He has no idea which way they would have gone; they roam this desert like pocket mice. And everything in a desert is poisonous or thorned. Good Lord, he has already lost a wife, and did not think his heart would live beyond her. Wished it wouldn't. He slashes at the oleanders with the metal flashlight. He'd meant to cut these down when Cosima was born. One well-chewed leaf could bring on cardiac arrest in a child. He'd seen a case years ago, or was it later, after the girls left home? That blue girl?
Doc Homer sits up in his bed and stares at the orange pill bottles on the windowsill. There is light at the window. It's a Sunday morning in August. It is only a month ago he lost that blue girl. His own daughters are grown and living somewhere else, looking after themselves, but his heart is still pumping hard. His circulatory system believes they are still lost.
He turns his pillow and rests his head on it carefully because his brain gets jostled and things move around inside his head like olives in a jar of brine. Think about the flood. He is going south on the near side of the arroyo. He stops to look back upstream and his light finds them, by pure luck, on the opposite bank. Cosima's thin, waving arms shine like the crisscrossing blades of scissors. They are screaming but he only sees their mouths stretched open like the mouths of fledgling birds. Absolute expectation, Papa will save us. The road is washed out, and he has to think how else he will get to them. He realizes, stunned, that they have been huddled there for half a day. The road has been washed out that long.
How does he reach them? A boat? No, that wouldn't have been possible. He sits up again. He has no clear image of reaching them, no memory of their arms on his neck, he only hears them crying over the telephone. And then he understands painfully that he wasn't able to go to them. There is no memory because he wasn't there. He had to call Uda Dell on the other side of the arroyo. Her husband was alive then, and went down the bank on his mule to find them in a washed-open coyote burrow with seven pups the girls wanted to save.
"There were seven," she'd wailed over the telephone. "I could carry four but Hallie could only get one in each hand and we didn't want to leave the other one. He would have gotten drowned." Cosima is sobbing because in the end, after crouching for half a day in the small shelter of that gravel bank, waiting for the mother coyote to come back and save her children, they had to leave them. He hears Hallie shrieking in the background. They're both crying as if they are drowning themselves. Drowning pups.
