Beautiful Creatures
Page 17
- Background:
- Text Font:
- Text Size:
- Line Height:
- Line Break Height:
- Frame:
I walked up to the gate and hesitantly laid my hand on the mangled iron. The gate creaked open. And then, nothing happened. No lightning, no combustion, no storms. I don’t know what I was expecting, but if I had learned anything about Lena by now, it was to expect the unexpected, and to proceed with caution.
If anyone had told me a month ago that I would ever walk past those gates, up that hill, and set foot anywhere on the grounds of Ravenwood, I would’ve said they were crazy. In a town like Gatlin, where you can see everything coming, I wouldn’t have seen this. Last time, I had only made it as far as the gates. The closer I got, the easier it was to see that everything was falling apart. The great house, Ravenwood Manor, looked just like the stereotypical Southern plantation that people from up North would expect to see after all those years of watching movies like Gone with the Wind.
Ravenwood Manor was still that impressive, at least in scale. Flanked by palmetto and cypress trees, it looked like it could have been the kind of place where people sat on the porch drinking mint juleps and playing cards all day, if it wasn’t falling apart. If it wasn’t Ravenwood.
It was a Greek Revival, which was unusual for Gatlin. Our town was full of Federal-style plantation houses, which made Ravenwood stand out even more like the sore thumb it was. Huge white Doric pillars, paint peeling from years of neglect, supported a roof that sloped too sharply to one side, giving the impression that the house was leaning over like an arthritic old woman. The covered porch was splintered and falling away from the house, threatening to collapse if you dared set so much as a foot on it. Thick ivy grew so densely over the exterior walls that in some places it was impossible to see the windows underneath. As if the grounds had swallowed up the house itself, trying to take it back down into the very dirt it had been built upon.
There was an overlapping lintel, the part of the beam that lies over the door of some really old buildings. I could see some sort of carving in the lintel. Symbols. They looked like circles and crescents, maybe the phases of the moon. I took a tentative step onto a groaning stair so I could get a closer look. I knew something about lintels. My mom had been a Civil War historian, and she had pointed them out to me on our countless pilgrimages to every historical site within a day’s drive of Gatlin. She said they were really common in old houses and castles, in places like England and Scotland. Which is where some of the people from around here were from, well, before they were from around here.
I had never seen one with symbols carved into it before, only words. These were more like hieroglyphs, surrounding what looked like a single word, in a language I didn’t recognize. It had probably meant something to the generations of Ravenwoods who lived here before this place was falling apart.
I took a breath and vaulted up the rest of the porch steps, two at a time. Figured I increased my odds of not falling through them by fifty percent if I only landed on half of them. I reached for the brass ring suspended from a lion’s mouth that served as a knocker, and I knocked. I knocked again, and again. She wasn’t home. I had been wrong, after all.
But then I heard it, the familiar melody. Sixteen Moons. She was here somewhere.
I pushed down on the calcified iron of the door handle. It groaned, and I heard a bolt responding on the other side of the door. I prepared myself for the sight of Macon Ravenwood, who nobody had seen in town, not in my lifetime anyway. But the door didn’t open.
I looked up at the lintel, and something told me to try. I mean, what was the worst that could happen—the door wouldn’t open? Instinctively, I reached up and touched the central carving above my head. The crescent moon. When I pressed on it, I could feel the wood giving way under my finger. It was some kind of trigger.
The door swung open without so much as a sound. I stepped past the threshold. There was no going back now.
Light flooded through the windows, which seemed impossible considering the windows on the outside of the house were completely covered with vines and debris. Yet, inside it was light, bright, and brand new. There was no antique period furniture or oil paintings of the Ravenwoods who came before Old Man Ravenwood, no antebellum heirlooms. This place looked more like a page out of a furniture catalog. Overstuffed couches and chairs and glass-topped tables, stacked with coffee table books. It was all so suburban, so new. I almost expected to see the delivery truck still parked outside.
“Lena?”
The circular staircase looked like it belonged in a loft; it seemed to keep winding upward, far above the second-floor landing. I couldn’t see the top.
“Mr. Ravenwood?” I could hear my own voice echo against the high ceiling. There was nobody here. At least, nobody interested in talking to me. I heard a noise behind me, and jumped, nearly tripping over some kind of suede chair.
It was a jet-black dog, or maybe a wolf. Some kind of scary house pet, because it wore a heavy leather collar with a dangling silver moon that jingled when it moved. It was staring right at me like it was plotting its next move. There was something odd about its eyes. They were too round, too human-looking.
The wolf-dog growled at me and bared its teeth. The growl became loud and shrill, more like a scream. I did what anyone would do.
I ran.
I stumbled down the stairs before my eyes had even adjusted to the light. I kept running, down the gravel path, away from Ravenwood Manor, away from the frightening house pet and the strange symbols and the creepy door, and back into the safe, dim light of the real afternoon. The path wound on and on, snaking through unkempt fields and groves of uncultivated trees, wild with brambles and bushes. I didn’t care where it led, as long as it was away.
If anyone had told me a month ago that I would ever walk past those gates, up that hill, and set foot anywhere on the grounds of Ravenwood, I would’ve said they were crazy. In a town like Gatlin, where you can see everything coming, I wouldn’t have seen this. Last time, I had only made it as far as the gates. The closer I got, the easier it was to see that everything was falling apart. The great house, Ravenwood Manor, looked just like the stereotypical Southern plantation that people from up North would expect to see after all those years of watching movies like Gone with the Wind.
Ravenwood Manor was still that impressive, at least in scale. Flanked by palmetto and cypress trees, it looked like it could have been the kind of place where people sat on the porch drinking mint juleps and playing cards all day, if it wasn’t falling apart. If it wasn’t Ravenwood.
It was a Greek Revival, which was unusual for Gatlin. Our town was full of Federal-style plantation houses, which made Ravenwood stand out even more like the sore thumb it was. Huge white Doric pillars, paint peeling from years of neglect, supported a roof that sloped too sharply to one side, giving the impression that the house was leaning over like an arthritic old woman. The covered porch was splintered and falling away from the house, threatening to collapse if you dared set so much as a foot on it. Thick ivy grew so densely over the exterior walls that in some places it was impossible to see the windows underneath. As if the grounds had swallowed up the house itself, trying to take it back down into the very dirt it had been built upon.
There was an overlapping lintel, the part of the beam that lies over the door of some really old buildings. I could see some sort of carving in the lintel. Symbols. They looked like circles and crescents, maybe the phases of the moon. I took a tentative step onto a groaning stair so I could get a closer look. I knew something about lintels. My mom had been a Civil War historian, and she had pointed them out to me on our countless pilgrimages to every historical site within a day’s drive of Gatlin. She said they were really common in old houses and castles, in places like England and Scotland. Which is where some of the people from around here were from, well, before they were from around here.
I had never seen one with symbols carved into it before, only words. These were more like hieroglyphs, surrounding what looked like a single word, in a language I didn’t recognize. It had probably meant something to the generations of Ravenwoods who lived here before this place was falling apart.
I took a breath and vaulted up the rest of the porch steps, two at a time. Figured I increased my odds of not falling through them by fifty percent if I only landed on half of them. I reached for the brass ring suspended from a lion’s mouth that served as a knocker, and I knocked. I knocked again, and again. She wasn’t home. I had been wrong, after all.
But then I heard it, the familiar melody. Sixteen Moons. She was here somewhere.
I pushed down on the calcified iron of the door handle. It groaned, and I heard a bolt responding on the other side of the door. I prepared myself for the sight of Macon Ravenwood, who nobody had seen in town, not in my lifetime anyway. But the door didn’t open.
I looked up at the lintel, and something told me to try. I mean, what was the worst that could happen—the door wouldn’t open? Instinctively, I reached up and touched the central carving above my head. The crescent moon. When I pressed on it, I could feel the wood giving way under my finger. It was some kind of trigger.
The door swung open without so much as a sound. I stepped past the threshold. There was no going back now.
Light flooded through the windows, which seemed impossible considering the windows on the outside of the house were completely covered with vines and debris. Yet, inside it was light, bright, and brand new. There was no antique period furniture or oil paintings of the Ravenwoods who came before Old Man Ravenwood, no antebellum heirlooms. This place looked more like a page out of a furniture catalog. Overstuffed couches and chairs and glass-topped tables, stacked with coffee table books. It was all so suburban, so new. I almost expected to see the delivery truck still parked outside.
“Lena?”
The circular staircase looked like it belonged in a loft; it seemed to keep winding upward, far above the second-floor landing. I couldn’t see the top.
“Mr. Ravenwood?” I could hear my own voice echo against the high ceiling. There was nobody here. At least, nobody interested in talking to me. I heard a noise behind me, and jumped, nearly tripping over some kind of suede chair.
It was a jet-black dog, or maybe a wolf. Some kind of scary house pet, because it wore a heavy leather collar with a dangling silver moon that jingled when it moved. It was staring right at me like it was plotting its next move. There was something odd about its eyes. They were too round, too human-looking.
The wolf-dog growled at me and bared its teeth. The growl became loud and shrill, more like a scream. I did what anyone would do.
I ran.
I stumbled down the stairs before my eyes had even adjusted to the light. I kept running, down the gravel path, away from Ravenwood Manor, away from the frightening house pet and the strange symbols and the creepy door, and back into the safe, dim light of the real afternoon. The path wound on and on, snaking through unkempt fields and groves of uncultivated trees, wild with brambles and bushes. I didn’t care where it led, as long as it was away.
