Bitter Blood
Chapter SIX

CLAIRE
Claire really wanted to confront Eve about what Miranda had overheard-she and Michael couldn't really be considering moving out, could they?- but in the morning, Eve was gone early, and Michael was sleeping late; she wasn't quite gutsy enough to go knock on his door and demand to know the truth. Michael was grouchy in the mornings.
Miranda, of course, had kept Claire up talking into the wee hours; she'd been getting more and more chatty since taking up residence, which was great in a way, because the kid had been so repressed and isolated before, but bad for Claire's sleep cycle. It also cut into the time she could spend with Shane; he tended to steer clear when Miranda was around, and although he wasn't above just moving the girl firmly out of the room when he felt it was necessary, he hadn't done it last night.
So Claire woke up short of sleep, yawning, and a little cranky. Not her best morning ever, but in a matter of minutes it got drastically better; she was still stretching and trying to wearily decide what to wear, when there was a thumping knock on her door, one very different from Miranda's tentative taps.
She grabbed her robe and threw it on as she answered. She didn't open up allthe way, just peeked through. There was Shane, balancing one coffee cup precariously on top of another. He'd given her the giant Snoopy cup this morning, which was nice. "What's the password?" she asked him.
"Um, you look hot with your hair standing up?"
"Good enough." She stepped back and relieved Shane of the Snoopy cup as he came inside; then she set it hastily down when he stepped in to slide his free hand around her waist and kiss her. She had morning breath, but it didn't seem to matter to him; he tasted of mint toothpaste and coffee, but she forgot allthat in seconds and then it was just allincredibly delicious. Her whole body tingled with warmth.
"Morning," he murmured, his lips close to hers. They were so tasty, she licked them, which made him smile and kiss her again. "Too bad you're dressed."
"I'm not dressed. I just have on a robe."
"Oh?"
"Hey," she said, and put a hand flat on his chest. "None of that, mister. A girl's got to have boundaries."
"You'l let me know when I get there," he said, and untied her robe. "You lied. You've got on jammies."
"Wel , yeah, those, too." She was short of breath, and when his hands found their way under the flannel of her pajama top, the air in her lungs rushed away. "You really shouldn't..."
"Do this? Yeah, I know." He undid the first button on her pajama top and put a kiss in its place. "But I've been thinking about doing it allnight."
So had she, actually, and allthe logical objections to why this wasn't a good idea kind of vanished under the heat of his touch...until Claire realized he'd left her bedroom door wide-open, and someone was standing in the doorway.
"Your coffee's getting cold," Eve said. She was clearly on her way to the bathroom, arms ful of black clothes, hair untied and in a multicolored mess around her pale face. She blew the two of them a kiss.
Claire yelped and jumped away, rebuttoning her top and retying her robe at light speed. Shane hardly seemed bothered at all, but she could feel the hot blush staining her cheeks. "Um, hi, Eve," she said. "Sorry."
"I'm not sorry," Shane said, and gave Eve a mean glare. Eve gave Shane a wicked grin. "Don't you have better things to do?"
"Than mess up your morning sexytime? Nope, never. Dibs on the shower! And you might want to remember this thing actually swings shut. Pro tip." Eve slammed the door between them.
Shane picked up a handy book and started to throw it, but Claire grabbed it out of his hands. "Not the advanced calc book!" She searched around and found a history text instead. He shook his head sadly.
"Moment's over," he said, and he wasn't just talking about the opportunity to throw something. He retrieved his coffee and sipped it, and she tried to get her racing heartbeat under control as she tasted hers. It was good and strong, and although it wasn't as good as what might have been her morning wake-up, it wasn't shabby. "What was Miranda in here gabbing about last night?"
"Things." Claire shrugged. "You know. She's lonely."
"I know the feeling, believe me." He gave her a puppy-dog look, and she aimed a kick in his direction, which he dodged.
"But she did say something weird."
"Miranda? Go figure!"
"She said-" Should she even repeat this? Somehow, saying it aloud, to Shane, made it more...real. But he needed to know. "She said Michael and Eve were talking about moving."
"Moving," he repeated, as if he didn't know the word. "Moving what?"
"I guess out. To another house."
"Why would we move?"
"Not we, Shane. Them. Michael and Eve. As a couple. Moving."
"Oh," he said, as if he still didn't get it, and then he did. "Oh." He looked as if someone had shot his dog, and he sat down on the unmade bed and stared down into his coffee cup. It was one of Eve's, black with purple bats allover it. "You mean, leave us behind."
He'd just distil ed it down to the sharp, hurting point: leave us. Because that was what it was, really: not that they needed space, but that Michael and Eve were leaving Claire and Shane behind, in their past.
"They need space, is what Miranda said. Y'know, together-type space."
"They're not the only ones," Shane said. He didn't look up. "Hel . Michael didn't say anything."
"Neither did Eve. So maybe it's just, you know..."
"Talk? Maybe. But if they're talking about it, it's real enough to matter." He pulled in a breath and let it out slowly. "I've been thinking about it myself."
"Michael and Eve moving out?" Was she the only one who hadn't seen this coming?
"No. Moving out myself."
Claire couldn't have been more stunned if he'd announced he'd decided to turn vampire. She sat down too fast and just managed not to slop coffee allover herself; even that barely registered as a blip, because her attention was suddenly and completely on her boyfriend, and there was a sick, hurting knot in her stomach. "What?"
"It's just-" He gestured vaguely at the door. "We're in one another's pockets around here. Sometimes it'd be nice to just have it be..."
"You want to move out," Claire said. "By yourself."
"No!" Shane finally glanced up, startled. "I mean-we could...find a place-"
The moment froze, with the two of them staring at each other; this was a conversation Claire had never expected to have, and certainly not in the early morning in her pajamas with her hair in a mess. It clearly wasn't something Shane had thought through, either. The whole thing suddenly felt raw, fragile, wrong. And she didn't know why. It made the aching lump in her guts hurt even worse.
"Anyway," Shane finally said, in that we're-going-to-pretend-that-never-happened kind of tone, "it's just that this is Michael's house. It ought to be Michael and Eve's, if it's anybody's. I could always-we could-" He couldn't seem to get his words together, either, and she saw the same growing panic in him that she was feeling. Not ready for this, she thought. Really not ready. It reminded her of what her mother had said, so prophetically, last night on the phone. Are you sure you're not moving too fast? She hated it when her mom was right.
"Okay, clearly, this is crazy talk anyway," Shane said, in a deliberately blow-off tone. "Let us never speak of it again. Wrestle you for dibs on the shower after Eve gets done with it."
"You take it," Claire said. Her lips felt numb. She drank coffee, but that was just to have something to do; she didn't taste it, and her brain felt overwhelmed with allthe surges of emotion. Too many things were happening too quickly, none of them in tune. "I'l wait."
"Okay." He wanted to say something else, and even opened his mouth to do it, but whatever it was, his courage failed. He covered up by drinking, and Claire stared at the purple cartoon bats on his cup and wondered if somehow she could reset the morning back to the kissing. The kissing had been so wonderful.
But as Shane had pointed out, that moment was gone, and it apparently wasn't coming back anytime soon.
After an awkward few moments, with the coffee cups drained, Shane finally ventured, "I made up more posters."
"Good," Claire said. "Let's get them up."
She thought they were both relieved to have something to do.
Shane must have made up twenty posters, which was definitely overkil in a town like Morganville. Claire and Eve both had giggle fits over the variety of pictures-mostly wildly unflattering-that Shane had chosen.
"Gotta give it up for Monica," he said, admiring his handiwork. "That girl has a Photobucket album you would not believe. I think it runs to fifteen pages of pics. Even the Kardashians would say it was too much. Lucky for me she likes taking drunk pics."
"Isn't the idea to actually get her elected?" Eve finally managed to wheeze out, then broke out into another uncontrol ed burst of laughter. "Oh, my God, this one. This is my favorite." She tugged one poster out and set it on top. It had Monica in her trademark tight-and-short, standing posed with her hands on her hips, puckering her lips into a duckface. "So many things wrong with this."
"This won't stop her from getting elected," Shane said. "Stupider people get elected allthe time. It's America. We love the sleazy. And the crazy."
"I would like to think better of us," Claire said, "but yeah. You're right."
He offered a high five, which she reluctantly accepted, and then they split up the posters between them. They were heavier than Claire had imagined, and she oofed a little under the weight. Shane, without asking, redistributed, taking on the rest, and winked at Eve. "Wanna go with?"
"Somebody has to work around here," she said. "I suppose that turns out to be me. Again."
"Have fun with that day-job thing."
"Slacker!"
"And proud of it, wage slave."
Out on the sidewalk, Shane juggled the heavy cardboard until Claire caught up, with her backpack settled on her shoulder. "Did you bring the stapler?"
"Got it," she said. The stapler in question was a giant, ancient, industrial kind of thing, heavy steel that probably could fire its fastener through a car if it had to. "Also brought some stakes in case we need to put things on lawns."
"Like, say, this one?" Shane gazed longingly at the front yard of the Glass House, and Claire laughed out loud. She opened up her backpack and handed him a stake (funny, these had so not been meant for putting up signs). He hammered it into the ground and stapled the poster to it, and they stepped back to admire the effect. "A thing of beauty."
Eve opened up the window in the front room and peered out suspiciously. "Hey! You crazy kids, what are you doing?"
"You forgot to say 'Get off my lawn!'" Shane cal ed back.
"Oh no, you didn't put that thing out there!"
"Relax-I used your favorite photo." Shane said to Claire as she zipped up her backpack, "We'd better make a moving target."
The first three signs went up without incident. At the fourth telephone pole, in Morganville's very sparse shopping district, Claire was stapling the sign in place when she heard the squeal of brakes on the street, and then the blare of a car horn. She turned and saw a bright red convertible and a blur of movement as the driver bailed out. Objectively, it was impressive that Monica could maintain her balance on those heels while moving that fast.
"What in the hel are you doing?" she asked, and shoved Claire out of the way as she faced the bright neon poster, which was flapping a bit in the wind. Her face went blank. Not angry, just...blank. "What is this?"
"What does it look like?" Shane asked. He took the stapler from Claire and finished fastening the poster to the pole, then spun the thing like a very awkward six-gun as he admired the effect from a few feet back. "Looks like you're running for mayor."
Monica's glossy lips parted, and she just...stared. As if she couldn't think of a single thing to say. Wait for it, Claire thought, and readied herself for the inevitable attack. Monica was about to achieve thermonuclear critical mass, and she intended to get to minimum safe distance before she blew.
But instead, a soft, delighted smile curled around Monica's lips, and she said, "Wait a minute. You did this?"
"Claire did," Shane said. "I'm just the incredibly awesome graphic designer. Also, head of the entertainment committee. Every campaign needs one of those."
"That's...incredible," Monica said. "I don't know-okay, well , you know, nobody's probably voting for me. I mean, I'm not Richard. I haven't gone out of my way to be responsible or anything."
"You're a Morrel ," Shane said. "Lots of people figure that's in your blood. Three generations of mayors in your family, right?"
"Wel , they'd be wrong."
"We know that," Shane said cheerfully. "But hey, you'l make a hel of a seat-fil er, and I know you love a good photo op, being such a big fan of yourself." He lost his smile, and allthe levity that went with it. "Al this comes with one condition, you know," he said. "You do what's good for humans. Not what the vamps say."
Monica arched a single well -plucked eyebrow. "You have that backward, Col ins. I don't do what you say. You do what I say. After all, I'll be the one with the fancy nameplate on the door."
"As long as you don't dance puppet for the vamps, I don't really care," Shane said. "But as to us doing what you say...Yeah. Good luck with that."
Monica's attention went back to the poster, and her eyes narrowed. "Wait a second. Is that one of my Facebook photos?"
"Maybe."
"Hmmm." She cocked her head, lips pursed. "Could have picked a better one."
"You always said you can't take a bad picture," he said, straight-faced.
"True." She gave the poster a slow, wicked smile, and said, "Okay, then. Just so long as I don't have to pay for anything, or show up for a lot of meetings. Oh, and make sure people know I can be bribed."
"Deal."
She stared at him for a second, then at Claire. "What exactly are you up to? Don't even pretend that you're into this, because you don't think that much of me."
"We're not," Claire said. "Don't worry about it. It doesn't concern you. allthat concerns you is making sure you act nice and wave to people.
Pretend it's a popularity contest, because that's what it is."
"You don't win popularity contests by being nice," Monica said. "You win them by making people scared to vote against you. So consider this one in the bag."
She walked back to her il egally parked car, climbed in, and was gone. Claire shook her head as she watched the red convertible screech around the corner, and said, "Only Monica could think Vote for me or I'll break your leg is a decent campaign slogan."
"In Morganville, it probably is."
They made another ten stops before grabbing a snack. Reaction had varied from place to place where they'd asked to put up the signs, from laughter to consternation to, at the last stop, outright rage.
Claire had never seen anyone tear a tough cardboard poster apart with such enthusiasm, but the dry cleaner four blocks away definitely wasn't a Morrel for Mayor fan.
"What was that dry cleaner guy so cheesed off about?" she asked Shane as they ate their breakfast burritos sitting outside at a rickety metal table. It was still cool enough outside to do that in relative comfort, though the flies and mosquitoes (new and unwelcome visitors, since the draug's watery arrival) were already dive-bombing them for snacks. They wisely kept the lids on their soft drinks.
"Him? His name's Wil iam Batiste. We used to cal him Billy Bats. I think Monica might have kissed him once back in junior high. To be fair, she kissed most of the school who stood in one place long enough. Billy's kind of a hard-core resistance guy. Doesn't like the Morrel s from way back."
"I suppose not everybody can be a yes," Claire said.
"I think we're lucky if she gets the terror and apathy vote," Shane said. "We've still got another ten to put up this afternoon. You still up for it?"
"Sure," Claire said. "It's my free day, anyway. If you don't mind, though, could we stop in at the lab? Just to check on Myrnin?"
Shane wasn't enthusiastic, but he shrugged; he probably figured it was a smal price to pay, since he had her allday long. "We just need to be done before dark," he said. "I'm not that dedicated a campaign staffer. Especially for Monica."
The town seemed calm and back to normal, and the sounds of construction were everywhere-saws, grinders, hammers. It allsounded industrious and positive. There were more Protection signs visible, too; many shops were displaying them in the windows now, or at least at the counters, and she was seeing more Morganville residents wearing bracelets with their Protectors' symbols on them, too. Morganville was on its way back...but to what? Not the same town it had been before the draug. Maybe it was turning the clock allthe way back to what it had been in the beginning, with the vampires in iron control.
Not if we have anything to say about it, she thought, and helped Shane staple another poster to a telephone pole outside Common Grounds.
They stepped back to admire their work, and Claire became aware of someone standing in the shadow of the awning next to her. She hadn't felt him arrive, but suddenly Oliver was just...there.
He was a solid, daunting presence even though he was wearing what Claire thought of as his nice-hippie disguise-gray-threaded hair tied back in a ponytail, a dark T-shirt, and jeans under the long tie-dyed apron with the Common Grounds logo on it. He smel ed like coffee, a warm and welcoming kind of scent even though under it he was cold as marble.
He was staring at the poster with an oddly blank expression. "I see," he finally said. "You've alllost your minds."
"Nope," Shane said, and tossed the stapler up in the air in a fine display of both bravado and stupidity; he could have lost a finger to that thing if it had gone off. "Found our cal ing. We're activists. And hey, Monica takes a decent picture. That's allyou really need in a candidate, right?"
Shane got a ful -on glare for that one, and Claire felt the burn even from the edges of it. "Don't test me, boy," Oliver said, velvet-soft. "I'm no one you should play games with these days. I've been too gentle with you; I've let you and your friends run riot. No more. You'l take that down."
Shane raised his eyebrows. "Why?"
Because I said so was the obvious answer, but Oliver smiled thinly and said, "It's against code."
Their poster wasn't the only one on the pole; there were flyers for lost pets, missing persons, a new band playing (probably badly) at Common Grounds over the weekend, cheap insurance, babysitting.... Claire said, "You never had a problem with it before."
"And now I do." Oliver stepped out in the sunlight, even though his skin immediately began to turn a little pink where the glare touched it, and he began ripping things off the pole without any regard for splinters. His fingernails left gouges in the wood half an inch deep. He shredded Monica's poster in half with a casual swipe, dropped the pieces to the ground, and kicked them back toward Shane. "And now you're littering as well . Pick it up."
Shane didn't move. He didn't speak. He just stood there, stapler in his hand, and it looked...dangerous.
"Pick it up or I'll have you arrested," Oliver said. "Both of you. And no one wil be coming to baillyou out this time. If Eve tries, she'l join you."
"Michael-"
"I can handle Michael Glass." Oliver's words guil otined whatever Shane was going to say as he stepped back into the shadows. There was a faint wisp of smoke coming off his skin, but it stopped as soon as he was out of the sun, and the burn faded almost as quickly. On the other hand, the glow of his eyes was eerily specific. "Pick. It. Up."
Shane still didn't move, and Claire sensed, with fatal dismay, that he didn't intend to-so she did. She bent over and grabbed up the poster and the other shredded paper, walked over, and deposited it into the Common Grounds trash can next to the entry door. And it might have been okay, except that Oliver just had to purr, "Good girl," at her as if she were his personal pet, and Shane-
Shane punched him.
The vampire never saw it coming, because he was looking straight at Claire, enjoying his little moment of triumph; Shane's fist caught him on the side of the jaw, and the power behind it was massive enough that Oliver actually staggered before turning with supernatural litheness and springing on her boyfriend so fast, it was as if he'd been launched from a catapult. He slammed Shane back into the brick wal next to the window and pinned him there with an arm across his throat. When Shane tried to push him back, Oliver caught his hand and wrenched it hard to the side. Shane froze.
"Nothing's broken," Oliver said, "but it's half an inch away. So please, do that again, boy. I'll crush every bone you have, a handful at a time, and have you pleading for me to finish-"
He cut off abruptly because Claire made him shut up, by the simple expedient of putting the point of a thin-bladed silver knife against his back, just over where it needed to go to reach his heart. "Let go," she said. "I picked up the trash, just like you said. We're even."
They weren't, and she knew it without him even bothering to say it, but Oliver silently released Shane's hand. Claire stepped away, knife still drawn and ready, as Shane pushed Oliver back with a violent shove and picked up the stapler from where it had fal en on the pavement.
"You owe us for a poster," Shane said. "They cost me five bucks apiece. I'll expect a free drink in exchange."
"So wil I," Oliver said, "from the vein, the next time I catch either of you in less...visible circumstances." He showed teeth, and walked back into the coffee shop.
"I guess that means Monica can't count on his vote, either," Shane said. It sounded like a joke, but he was trembling, and clenching the stapler way too hard. He knew, as Claire did, that they'd just passed over some kind of line. Maybe permanently.
"Why?" she asked him, a little plaintively. "Why did you do that?"
"Nobody talks to you that way," he said. "Not even him."
He draped his arm around her shoulders, picked up the other signs, and they continued on to the next stop.
At the next stop Claire and Shane made to put up Monica's poster, they found someone else there before them stapling notices: a serious-looking older woman and a younger man, probably her son. He was about Shane's height, but thin as a whip. He nodded to Claire as if he knew her (and she didn't think they'd ever met), then fixed his gaze on Shane. "Hey, man," he said, and offered his hand. "What's up?"
"Nothing much. How are you?"
"Good, good. You remember my mom, Flora Ramos, right?"
"Mrs. Ramos, sure, I remember the burritos you used to make for Enrique in grade school," Shane said. "He used to trade them to me if I gave up my M&Ms. I always made the deal; that's how good they were."
"You gave away my burritos, 'Rique?" Mrs. Ramos said, and raised her eyebrows at her son. He spread his hands and shrugged.
"You gave 'em to me every day," he said. "So yeah."
"They were delicious," Shane said. "Hey, he made a profit. He used to cut them in half and trade each separately."
"Enrique."
"I was an entrepreneur, Mama." Enrique gave her a devastating grin. "What, you want my M&Ms now?" In answer, she handed him a smal letter- sized sheet of paper, and he held it against the telephone pole as she stapled it in place.
The flyer said, captain obvious for mayor, and it had a big question mark underneath the caption where a picture ought to go. The slogan said, vote human. That was all.
"What the hel ?" Shane asked, and pointed at the blank picture. "Mrs. Ramos, Captain Obvious left town. You can't ask people to vote for somebody who isn't even here."
"Maybe an empty seat is better than one filled by another useless bootlicker," she said, and as friendly as she seemed, her eyes were chilly and dark allof a sudden. "I've seen these Morrel posters. How can you of allpeople support such a thing, Shane? I know what that evil bruja did to you and your family!"
"It's not..." Shane took a step back, frowning. "It's not what it looks like. Look, Monica's a whole lot of things, but a bootlicker? Not so I've ever noticed. She's more likely to be wearing the boots, and kicking with them. Weak, she's not. And we need somebody on that council who wil stand up to the vampires for us."
Anger flared in Mrs. Ramos's lined face. "She is part of the cancer that eats at this town. She and her whole disgusting family! I thank God that her father and brother are gone-"
"Wait a second," Shane interrupted, and it was his serious voice now, the one that meant he wasn't going to let it go. "Richard Morrel was okay. He tried. Don't-"
"He was a corrupt man from a corrupt family." Her voice had gone hard now, as unyielding as the flinty distance in her eyes. "Enough. I've finished talking with you."
Claire tried a different approach. Emotion clearly wasn't getting them anywhere. "But-they won't let you write in someone who doesn't even exist!"
"Captain Obvious does exist," Flora said. "He always has, always wil . Until he stands up again, I'll stand for him."
"You," Claire said. "You're the new Captain Obvious?"
Enrique had gone quiet now, and when he wasn't smiling and being friendly, he looked a little bit dangerous. "Why? You got a problem with that? My mom's not good enough for you?"
"No, I just-" Claire didn't know how to finish that.
Shane did. "Dude, she's your mom. She used to throw bake sales. She made cookies. How can she be Captain Obvious?"
"How can any mother not want to be against the evil that lives here?" Flora said. "I raised kids in this town. Enrique, Hector, Donna, and Leticia. You tel me, Shane. You tel me what happened to three of my kids."
He just looked at her mutely for a long few seconds, and then away. "That wasn't anybody's fault. It was an accident."
"So they said."
Claire cleared her throat; she felt-as always-as though someone had failed to fil her in, and here she was standing in the middle of a scene clearly ful of tension, and she didn't understand any of it. "Uh, sorry, but...what happened?"
Mrs. Ramos didn't reply, and Shane didn't seem to want to, now that he'd tripped over the land mine. So Enrique finally sighed and dived in. "My sister Donna was driving," he said. "She was seventeen, just got her license. She was taking my brother Hector to work-he was nineteen -and my sister Letty to school. It was the middle of winter, a little icy like it gets sometimes. Black ice, the kind you can't see. She hadn't ever driven on it before. They hit a pole." He didn't finish the story, but Claire guessed how it would end: in funerals. That was confirmed by a sideways glance at Shane. He had that quiet, closed-in look he got when people talked about their lost friends and relatives; he'd had so much of it himself, losing his sister, then his mom, and finally his dad. He always seemed to guard against emotion, even when it came from other people.
"That wasn't allof it," Flora Ramos said, with a suppressed anger that made the hair shiver at the nape of Claire's neck. "My children were out there lying hurt and alone, and they took their lives. I know they did."
"Mama, it was an accident. They bled out; you know what the doctors said."
"The doctors, the doctors, like they don't work for the monsters just as we alldo? No, Enrique. It was the vampiros. It wasn't an accident. You should know that!" She sounded weary and furious at the same time; whenever it had happened, it was still fresh in her mind. "I have one child left they haven't taken from me. And they won't. Not while I have breath left in my body."
"You could leave town," Shane said quietly. "You had a chance."
"And our house? Our life? No. My husband is buried here, and my children. This is our home. The monsters must leave it before we do." She raised her chin, and Claire saw that despite the wrinkles, the gray hair, she was determined, and dangerous. "Don't play these games, Shane; politics here means our lives. I wil not let you make it a joke."
Shane stared at her for a long moment. He felt sorry for her; Claire could see it. He knew how it felt, to blame the vamps for the loss of people he loved. But above all, Shane was practical. "You can't win," he said. "Don't do this. We've got a plan. Trust us."
"You two?" Flora laughed. "Your girlfriend, she's a vampire's pet-the Founder's pet. And you, you are too much in love to see it, and too much of a child. She's with them, not you." She dismissed them both with a flip of her hand. "Enough. Enrique. Vamanos."
He sent Shane an apologetic look and lifted his hands in a what-can-you-do? kind of gesture. "She's my mother," he said. "Sorry."
"It's okay." Shane nodded back. "But you should talk her out of this. Seriously. It's dangerous."
"I know, man. I know."
Enrique hurried to catch up. His mother was already half a block away.
Claire stood with Shane, staring at the poster promoting Captain Obvious, and Shane finally took Monica's bigger, brighter poster and firmly stapled it right over the top.
"Let's go," he said. "I guarantee this isn't over."