Everything, Everything
Page 39
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I’m alive and don’t want to be.
Readmitted
My mom has transformed my bedroom into a hospital ward. I’m propped up by pillows in my bed and attached to an IV. I’m surrounded by monitoring equipment. I eat nothing but Jell-O.
Each time I awake, she’s by my side. She touches my forehead and speaks to me. Sometimes I try to focus, to understand what she’s saying, but the sound is just out of my reach.
I wake again sometime (hours? days?) later to find her standing over me, frowning at her clipboard. I close my eyes and take inventory of my body. Nothing hurts or, more accurately, nothing hurts too badly. I check in on my head, my throat, my legs. They’re all fine. I open my eyes again to find her about to put me back to sleep.
“No!” I sit up much too quickly. I’m dizzy and nauseous at once. I mean to say I’m OK, but no sound comes out.
I clear my throat and try again. “Please don’t make me sleep anymore.” I at least need to be awake if I’m going to be alive.
“Am I OK?” I ask.
“You’re OK. You’re going to be OK,” she says. Her voice trembles until it breaks.
I pull myself to seated and look at her. Her skin is pale, almost translucent, and it’s stretched too tight across her face. A painful-looking blue vein stretches down from her hairline to her eyelid. I can see other blue veins just under the skin of her forearms and wrists. She has the frightened, disbelieving eyes of someone who witnessed something horrible and is waiting for more horrors to come.
“How could you do this to yourself? You could’ve died,” she whispers.
She steps closer, hugs a clipboard to her chest. “How could you do this to me? After everything?”
I want to say something. I open my mouth to say it, but nothing comes out.
My guilt is an ocean for me to drown in.
I remain in bed after she leaves. I don’t get up to stretch my body. I turn my face away from the window. What do I regret? That I went outside in the first place. That I saw and fell in love with the world. That I fell in love with Olly. How can I live the rest of my life in this bubble now that I know all that I’m missing?
I close my eyes and try to sleep. But the sight of my mom’s face earlier, all the desperate love in her eyes, won’t leave me. I decide then that love is a terrible, terrible thing. Loving someone as fiercely as my mom loves me must be like wearing your heart outside of your body with no skin, no bones, no nothing to protect it.
Love is a terrible thing and its loss is even worse.
Love is a terrible thing and I want nothing to do with it.
Released, PART TWO
Wednesday, 6:56 P.M.
Olly: jesus, where have you been?
Olly: are you ok?
Madeline: Yes.
Olly: what does your mom say?
Olly: are you going to be ok?
Madeline: I’m OK, Olly.
Olly: i tried to visit you but your mom wouldn’t let me
Madeline: She’s protecting me.
Olly: i know
Madeline: Thanks for saving my life.
Madeline: I’m sorry I put you through all that.
Olly: you don’t have to thank me
Madeline: Thank you anyway.
Olly: are you sure you’re OK?
Madeline: Please don’t ask me that anymore.
Olly: sorry
Madeline: Don’t be.
Later, 9:33 P.M.
Olly: it’s nice being able to IM you again
Olly: you were a terrible mime
Olly: say something
Olly: I know you’re disappointed Mad but at least you’re alive
Olly: we’ll talk to your mom once you’re better again. maybe i can visit
Olly: I know it’s not everything Mad but it’s better than nothing
Later, 12:05 A.M.
Madeline: It’s not better than nothing. It’s absolutely worse than nothing
Olly: what?
Madeline: Do you think we can go back to the way it was before?
Madeline: You want to go back to decontamination, and short visits, and no touching and no kissing and no future?
Madeline: You’re saying that’s enough for you?
Olly: it’s better than nothing
Madeline: No it’s not. Stop saying that.
Later, 2:33 A.M.
Olly: what about the pills?
Madeline: What about them?
Olly: they worked for a couple of days. maybe they’ll get them right eventually
Olly: maddy?
Madeline: There were no pills
Olly: what do you mean?
Madeline: There were never any pills. I told you that so that you would go with me.
Olly: you lied to me?
Olly: but you could’ve died and it would’ve been my fault
Madeline: I’m not your responsibility.
Later, 3:42 A.M.
Madeline: I wanted everything, Olly. I wanted you and the whole wide world. I wanted everything.
Madeline: I can’t do this anymore.
Olly: can’t do what?
Madeline: No more IM. No more e-mail. It’s too hard. I can’t go back. My mom was right. Life was better before.
Olly: better for who?
Olly: don’t do this Maddy
Olly: my life is better with you in it
Madeline: but mine isn’t
<Madeline has logged out>
Life is Short™
Spoiler Reviews by Madeline
Invisible Man by Ralph Ellison
Spoiler alert: You don’t exist if no one can see you.
Geography
I’m in an endless field filled with red poppies. The poppies reach waist-high on single green stalks and are so red they seem to bleed color. In the distance I see one Olly, and then two, and then multiple Ollys marching toward me. They’re wearing gas masks and holding handcuffs and crushing the poppies under black-booted feet as they march toward me, silent and determined.
Readmitted
My mom has transformed my bedroom into a hospital ward. I’m propped up by pillows in my bed and attached to an IV. I’m surrounded by monitoring equipment. I eat nothing but Jell-O.
Each time I awake, she’s by my side. She touches my forehead and speaks to me. Sometimes I try to focus, to understand what she’s saying, but the sound is just out of my reach.
I wake again sometime (hours? days?) later to find her standing over me, frowning at her clipboard. I close my eyes and take inventory of my body. Nothing hurts or, more accurately, nothing hurts too badly. I check in on my head, my throat, my legs. They’re all fine. I open my eyes again to find her about to put me back to sleep.
“No!” I sit up much too quickly. I’m dizzy and nauseous at once. I mean to say I’m OK, but no sound comes out.
I clear my throat and try again. “Please don’t make me sleep anymore.” I at least need to be awake if I’m going to be alive.
“Am I OK?” I ask.
“You’re OK. You’re going to be OK,” she says. Her voice trembles until it breaks.
I pull myself to seated and look at her. Her skin is pale, almost translucent, and it’s stretched too tight across her face. A painful-looking blue vein stretches down from her hairline to her eyelid. I can see other blue veins just under the skin of her forearms and wrists. She has the frightened, disbelieving eyes of someone who witnessed something horrible and is waiting for more horrors to come.
“How could you do this to yourself? You could’ve died,” she whispers.
She steps closer, hugs a clipboard to her chest. “How could you do this to me? After everything?”
I want to say something. I open my mouth to say it, but nothing comes out.
My guilt is an ocean for me to drown in.
I remain in bed after she leaves. I don’t get up to stretch my body. I turn my face away from the window. What do I regret? That I went outside in the first place. That I saw and fell in love with the world. That I fell in love with Olly. How can I live the rest of my life in this bubble now that I know all that I’m missing?
I close my eyes and try to sleep. But the sight of my mom’s face earlier, all the desperate love in her eyes, won’t leave me. I decide then that love is a terrible, terrible thing. Loving someone as fiercely as my mom loves me must be like wearing your heart outside of your body with no skin, no bones, no nothing to protect it.
Love is a terrible thing and its loss is even worse.
Love is a terrible thing and I want nothing to do with it.
Released, PART TWO
Wednesday, 6:56 P.M.
Olly: jesus, where have you been?
Olly: are you ok?
Madeline: Yes.
Olly: what does your mom say?
Olly: are you going to be ok?
Madeline: I’m OK, Olly.
Olly: i tried to visit you but your mom wouldn’t let me
Madeline: She’s protecting me.
Olly: i know
Madeline: Thanks for saving my life.
Madeline: I’m sorry I put you through all that.
Olly: you don’t have to thank me
Madeline: Thank you anyway.
Olly: are you sure you’re OK?
Madeline: Please don’t ask me that anymore.
Olly: sorry
Madeline: Don’t be.
Later, 9:33 P.M.
Olly: it’s nice being able to IM you again
Olly: you were a terrible mime
Olly: say something
Olly: I know you’re disappointed Mad but at least you’re alive
Olly: we’ll talk to your mom once you’re better again. maybe i can visit
Olly: I know it’s not everything Mad but it’s better than nothing
Later, 12:05 A.M.
Madeline: It’s not better than nothing. It’s absolutely worse than nothing
Olly: what?
Madeline: Do you think we can go back to the way it was before?
Madeline: You want to go back to decontamination, and short visits, and no touching and no kissing and no future?
Madeline: You’re saying that’s enough for you?
Olly: it’s better than nothing
Madeline: No it’s not. Stop saying that.
Later, 2:33 A.M.
Olly: what about the pills?
Madeline: What about them?
Olly: they worked for a couple of days. maybe they’ll get them right eventually
Olly: maddy?
Madeline: There were no pills
Olly: what do you mean?
Madeline: There were never any pills. I told you that so that you would go with me.
Olly: you lied to me?
Olly: but you could’ve died and it would’ve been my fault
Madeline: I’m not your responsibility.
Later, 3:42 A.M.
Madeline: I wanted everything, Olly. I wanted you and the whole wide world. I wanted everything.
Madeline: I can’t do this anymore.
Olly: can’t do what?
Madeline: No more IM. No more e-mail. It’s too hard. I can’t go back. My mom was right. Life was better before.
Olly: better for who?
Olly: don’t do this Maddy
Olly: my life is better with you in it
Madeline: but mine isn’t
<Madeline has logged out>
Life is Short™
Spoiler Reviews by Madeline
Invisible Man by Ralph Ellison
Spoiler alert: You don’t exist if no one can see you.
Geography
I’m in an endless field filled with red poppies. The poppies reach waist-high on single green stalks and are so red they seem to bleed color. In the distance I see one Olly, and then two, and then multiple Ollys marching toward me. They’re wearing gas masks and holding handcuffs and crushing the poppies under black-booted feet as they march toward me, silent and determined.
