Glass Sword
Page 68
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“I’m sorry, Mare,” he says, and his apology almost knocks me down again.
“You’re sorry?” I ask, almost laughing at the absurdity. “Sorry for what?”
He doesn’t answer, ashamed. A chill that has nothing to do with temperature runs through me as he steps back, allowing me to see past the mouth of the archway.
There’s a square beyond, clearly meant for Red use. Battle Garden. It’s plain but well maintained, with fresh greenery and gray stone statues of warriors all over. The one in the center is the largest, a rifle slung across his back, one dark arm extended into midair.
The statue’s hand points east.
A rope dangles from the statue’s hand.
A body swings from the rope.
The corpse is not naked, and wears no medallion of the Red Watch. He’s young and short, his skin still soft. He was not executed long ago, probably an hour or so. But the square is clear of mourners and guards. No one is here to see him swing.
Even though the sandy hair falls into his eyes, obscuring some of his face, I know exactly who this boy is. I saw him in the records, smiling out from an ID photograph. Now he will never smile again. I knew this would happen. I knew it. But that doesn’t make the pain, or the failure, any easier.
He is Wolliver Galt, a newblood, reduced to a lifeless corpse.
I weep for the boy I never knew, for the boy I was not fast enough to save.
SIXTEEN
I try not to remember the faces of the dead. Running for my life makes for an effective distraction, but even the constant threat of annihilation can’t block out everything. Some losses are impossible to forget. Walsh, Tristan, and now Wolliver occupy the corners of my mind, catching like deep, gray cobwebs. My existence was their death sentence.
And of course, there are the ones I’ve killed outright, by choice, with my own two hands. But I don’t grieve for them. I can’t think about what I’ve done, not now. Not when we’re still in so much danger.
Cal is the first to turn his back on Wolliver’s swaying body. He has his own parade of dead faces, and doesn’t want to add another ghost to the march. “We need to keep moving.”
“No—” Farley leans hard against the wall. She presses a hand to her mouth, gulping in disgust, trying not to throw up again.
“Easy,” Shade says, putting a steadying hand on her shoulder. She tries to wave him off, but he stands firm, watching her spit into the garden flowers. “We needed to see this,” he adds, burning a righteous glare at Cal and me. “This is what happens when we fail.”
His anger is justified. After all, we sparked a firefight in the heart of Harbor Bay, wasting the last hour of Wolliver’s life, but I’m too tired to let him berate me.
“This isn’t the place for a lesson,” I reply. This is a grave, and even speaking here feels wrong. “We should take him down.”
Before I can take a step toward Wolliver’s corpse, Cal hooks one arm in mine, steering me in the opposite direction. “Nobody touch the body,” he growls. He sounds so much like his father it shocks me.
“The body has a name,” I snarl when I collect myself. “Just because his blood isn’t your color doesn’t mean we can leave him like that!”
“I’ll get him,” Farley grumbles, pushing off her knees.
Shade moves with her. “I’ll help.”
“Stop! Wolliver Galt had a family, didn’t he?” Cal presses on. “Where are they?” He casts his free hand around at the garden, gesturing to the empty trees and shuttered windows looking down on us. Despite the distant echoes of a city marching on toward nightfall, the square is still and quiet. “Certainly his mother wouldn’t leave him here alone? Are there no mourners? No officers to spit on his body? Not even a crow to pick his bones? Why?”
I know the answer.
A trap.
My grip tightens on Cal’s arm, until my nails dig into his hot flesh threatening to burst into flame. Horror to match my own bleeds across Cal’s face as he looks, not at me, but into the shadowed alleyway. Out of the corner of my eye, I catch sight of a crown—the one a foolish boy insists on wearing everywhere he goes.
And then, a clicking sound—like a metallic bug snapping its pincers, ready to devour a juicy meal.
“Shade,” I whisper, extending my other hand toward my teleporting brother. He’ll save us; he’ll take us away from all of this.
He doesn’t hesitate. He lunges.
But he never reaches me.
I watch in horror as a pair of swifts catch him under either arm, slamming him back against the ground. His head cracks against stone and his eyes roll. Dimly, I hear Farley scream as the swifts speed him away, their bodies blurring. They’re at the main archway before I shoot a blast of lightning in their direction, forcing them to turn back. Pain bites up and down my arm, flashing white knives of heat. But there’s nothing there but my own sparks, my own strength. It shouldn’t hurt at all.
The clicking continues, echoing in my skull, faster with every second. I try to ignore it, try to fight, but my eyes dim. My vision spots, fading in and out with every tick. What is this sound? Whatever it is, it’s tearing me apart.
Through the haze, I see two fires explode around me. One bright and burning, the other dark, a snake of smoke and flame. Somewhere, Cal roars in pain. Run, I think he says. I certainly try.
I end up crawling over the cobblestones, unable to see more than a few inches in front of me. Even that is difficult. What is this, what is this, what is happening to me?
“You’re sorry?” I ask, almost laughing at the absurdity. “Sorry for what?”
He doesn’t answer, ashamed. A chill that has nothing to do with temperature runs through me as he steps back, allowing me to see past the mouth of the archway.
There’s a square beyond, clearly meant for Red use. Battle Garden. It’s plain but well maintained, with fresh greenery and gray stone statues of warriors all over. The one in the center is the largest, a rifle slung across his back, one dark arm extended into midair.
The statue’s hand points east.
A rope dangles from the statue’s hand.
A body swings from the rope.
The corpse is not naked, and wears no medallion of the Red Watch. He’s young and short, his skin still soft. He was not executed long ago, probably an hour or so. But the square is clear of mourners and guards. No one is here to see him swing.
Even though the sandy hair falls into his eyes, obscuring some of his face, I know exactly who this boy is. I saw him in the records, smiling out from an ID photograph. Now he will never smile again. I knew this would happen. I knew it. But that doesn’t make the pain, or the failure, any easier.
He is Wolliver Galt, a newblood, reduced to a lifeless corpse.
I weep for the boy I never knew, for the boy I was not fast enough to save.
SIXTEEN
I try not to remember the faces of the dead. Running for my life makes for an effective distraction, but even the constant threat of annihilation can’t block out everything. Some losses are impossible to forget. Walsh, Tristan, and now Wolliver occupy the corners of my mind, catching like deep, gray cobwebs. My existence was their death sentence.
And of course, there are the ones I’ve killed outright, by choice, with my own two hands. But I don’t grieve for them. I can’t think about what I’ve done, not now. Not when we’re still in so much danger.
Cal is the first to turn his back on Wolliver’s swaying body. He has his own parade of dead faces, and doesn’t want to add another ghost to the march. “We need to keep moving.”
“No—” Farley leans hard against the wall. She presses a hand to her mouth, gulping in disgust, trying not to throw up again.
“Easy,” Shade says, putting a steadying hand on her shoulder. She tries to wave him off, but he stands firm, watching her spit into the garden flowers. “We needed to see this,” he adds, burning a righteous glare at Cal and me. “This is what happens when we fail.”
His anger is justified. After all, we sparked a firefight in the heart of Harbor Bay, wasting the last hour of Wolliver’s life, but I’m too tired to let him berate me.
“This isn’t the place for a lesson,” I reply. This is a grave, and even speaking here feels wrong. “We should take him down.”
Before I can take a step toward Wolliver’s corpse, Cal hooks one arm in mine, steering me in the opposite direction. “Nobody touch the body,” he growls. He sounds so much like his father it shocks me.
“The body has a name,” I snarl when I collect myself. “Just because his blood isn’t your color doesn’t mean we can leave him like that!”
“I’ll get him,” Farley grumbles, pushing off her knees.
Shade moves with her. “I’ll help.”
“Stop! Wolliver Galt had a family, didn’t he?” Cal presses on. “Where are they?” He casts his free hand around at the garden, gesturing to the empty trees and shuttered windows looking down on us. Despite the distant echoes of a city marching on toward nightfall, the square is still and quiet. “Certainly his mother wouldn’t leave him here alone? Are there no mourners? No officers to spit on his body? Not even a crow to pick his bones? Why?”
I know the answer.
A trap.
My grip tightens on Cal’s arm, until my nails dig into his hot flesh threatening to burst into flame. Horror to match my own bleeds across Cal’s face as he looks, not at me, but into the shadowed alleyway. Out of the corner of my eye, I catch sight of a crown—the one a foolish boy insists on wearing everywhere he goes.
And then, a clicking sound—like a metallic bug snapping its pincers, ready to devour a juicy meal.
“Shade,” I whisper, extending my other hand toward my teleporting brother. He’ll save us; he’ll take us away from all of this.
He doesn’t hesitate. He lunges.
But he never reaches me.
I watch in horror as a pair of swifts catch him under either arm, slamming him back against the ground. His head cracks against stone and his eyes roll. Dimly, I hear Farley scream as the swifts speed him away, their bodies blurring. They’re at the main archway before I shoot a blast of lightning in their direction, forcing them to turn back. Pain bites up and down my arm, flashing white knives of heat. But there’s nothing there but my own sparks, my own strength. It shouldn’t hurt at all.
The clicking continues, echoing in my skull, faster with every second. I try to ignore it, try to fight, but my eyes dim. My vision spots, fading in and out with every tick. What is this sound? Whatever it is, it’s tearing me apart.
Through the haze, I see two fires explode around me. One bright and burning, the other dark, a snake of smoke and flame. Somewhere, Cal roars in pain. Run, I think he says. I certainly try.
I end up crawling over the cobblestones, unable to see more than a few inches in front of me. Even that is difficult. What is this, what is this, what is happening to me?
