Hemlock Bay
Page 49

 Catherine Coulter

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“I’m divorcing him, Mr. Russo. Please don’t call me that again.”
“All right. ‘Frasier’ is a rather common sort of name anyway, doesn’t have much interest. What would you like to be called, ma’am?”
“I think I’ll go back to my maiden name. You can call me Ms. Savich. Yes, I’ll be Lily Savich again.”
Her brother said from the doorway, “I like it, sweetheart. Let’s wipe out all reminders of Tennyson.”
“Tennyson? What sort of name is that?”
Lily actually smiled. If it wasn’t exactly at him, it was still in his vicinity. “His father told me that Lord or Alfred just wouldn’t do, so he had to go with Tennyson. He was my father-in-law’s favorite poet. Odd, but my mother-in-law hates the poet.”
“Perhaps Tennyson, the poet—not your nearly ex-husband—is a bit on the ‘pedantic’ side.”
“You’ve never read Tennyson in your life,” Lily said.
He gave her the most charming smile and nodded. “You’re right. I guess ‘pedantic’ isn’t quite right?”
“I don’t know. I haven’t read him either.”
“Here’s coffee and apple pie,” Savich said, then cocked his head, looking upward. He said, “I hear Sherlock singing to Sean. He loves a good, rousing Christmas carol in the bathtub. I think she’s singing ‘Hark! The Herald Angels Sing.’ You guys try to get along while I join the sing-along. You can trust him, Lily.”
When they were alone again, Lily heard the light slap of rain on the windows for the first time. Not a hard, drenching rain, just an introduction, maybe, to the winter rains that were coming. It had been overcast when they’d landed in Washington, and there was a stiff wind.
Simon sipped Savich’s rich black coffee, sighed deeply, and sat back, closing his eyes. “Savich makes the best coffee in the known world. And he rarely drinks it.”
“His body is a temple,” she said. “I guess his brain is, too.”
“Nah, no way. Your brother is a good man, sharp, steady, but he ain’t no temple. I bet Savich would fall over in shock if he heard you say that about him.”
“Probably so, but it’s true nonetheless. Our dad taught all of us kids how to make the very best coffee. He said if he was ever in an old-age home, at least he’d know he could count on us for that. Our mom taught Dillon how to cook before he moved to Boston to go to MIT.”
“Did she teach all of you?”
“No, just Dillon.” She stopped, listening to the two voices singing upstairs. “They’ve moved on to ‘Silent Night.’ It’s my favorite.”
“They do the harmony well. However, what Savich does best is country and western. Have you ever heard him at the Bonhomie Club?”
She shook her head, drank a bit of coffee, and knew her stomach would rebel if she had any more.
“Maybe if you’re feeling recovered enough, we could all go hear him sing at the club.”
She didn’t say anything.
“Why do you distrust me, Ms. Savich? Or dislike me? Whatever it is.”
She looked at him for a good, long time, took a small bit of apple pie, and said finally, “You really don’t want to know, Mr. Russo. And I’ve decided that if Dillon trusts you, why, then, I can, too.”
12
Raleigh Beezler, co-owner of the Beezler-Wexler Gallery of Georgetown, New York City, and Rome, gave Lily the most sorrowful look she’d seen in a very long time, at least as hangdog as Mr. Monk’s at the Eureka museum.
He kissed his fingers toward the paintings. “Ah, Mrs. Frasier, they are so incredible, so unique. No, no, don’t say it. Your brother already told me that they cannot remain here. Yes, I know that and I weep. They must make their way to a museum so the great unwashed masses can stand in their wrinkled walking shorts and gawk at them. But it brings tears to my eyes, clogs my throat, you understand.”
“I understand, Mr. Beezler,” Lily said and patted his arm. “But I truly believe they belong in a museum.”
Savich heard a familiar voice speaking to Dyrlana, the gorgeous twenty-two-year-old gallery facilitator, hired, Raleigh admitted readily, to make the gentlemen customers looser with their wallets. Savich turned and called out, “Hey, Simon, come on back here.”
Lily looked through the open doorway of the vault and watched Simon Russo run the distance to the large gallery vault in under two seconds. He skidded to a stop, sucked in his breath at the display of the eight Sarah Elliott paintings, each lovingly positioned against soft black velvet on eight easels, and said, “My God,” and nothing else.