Hemlock Bay
Page 65
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Simon said, “He has beautiful eyes? Bedroom eyes? You women think and say the strangest things.”
“Like men don’t? If it were Mrs. Monk, you’d probably go on about her cleavage.”
“Well, yeah, maybe. And your point would be?”
“You’d probably never even get to her face. You men are all one-celled.”
“You think? Really?”
She laughed, she just couldn’t help it. He pushed his sunglasses up his nose, and she saw that he was grinning at her. He said with a good deal of satisfaction, “You’re feeling better. You’ve got a nice laugh, Lily. I like hearing it. Mind you, I’m still mad because you followed me out here, but I will admit that this is the first time I’ve seen you that you don’t look like you want to curl up and take a long nap.”
“Get over it, Simon. We must be nearly to Abraham Turkle’s cottage. Just up ahead, Highway 211 turns left to go to Hemlock Bay. To the right there’s this asphalt one-lane track that goes the mile out to the ocean. That’s where the cottage is?”
“Yes, those were my directions. You’ve never been out to the ocean on that road?”
“I don’t think so,” she said.
“Okay now, listen up. Abe has a bad reputation. He’s got a real mean side, so we want to be careful with him.”
They came to the fork. Simon turned right, onto the narrow asphalt road. “This is it,” Simon said. “There’s no sign and there’s no other road. Let’s try it.”
The ocean came into view almost immediately, when they were just atop a slight rise. Blue and calm as far as you could see, white clouds dotting the sky, a perfect day.
“Look at this view,” Lily said. “I always get a catch in my throat when I see the ocean.”
They reached the end of the road very quickly. Abe Turkle’s cottage was a small gray clapboard, weathered, perched right at the end of a promontory towering out over the ocean. There were two hemlock trees, one on either side of the cottage, just a bit protected from the fierce ocean storms. They were so gnarly and bent, though, that you wondered why they even bothered to continue standing.
There was no road, just a dirt driveway that forked off the narrow asphalt. In front of the cottage was a black Kawasaki 650 motorcycle.
Simon switched off the ignition and turned to Lily. She held up both hands. “No, don’t say it. I’m coming with you. I can’t wait to meet Abe Turkle.”
Simon said as he came around to open her car door, “Abe only eats snails and he grows them himself.”
“I’m still coming in with you.”
She carefully removed the seat belt, laid the small pillow on the backseat, and took his hand. “Stop looking like I’m going to fall over. I’m better every day. It’s just that getting out of a car is still a little rough.” He watched her swing her legs over and straighten, slowly.
Simon said, “I want you to follow my lead. No reason to let him know who we are just yet.”
When he reached the single door, so weathered it had nearly lost all its gray paint, he listened for a moment. “I don’t hear any movement inside.”
He knocked.
There was no answer at first, and then a furious yell. “Who the hell is that and what the hell do you want?”
“The artist is apparently home,” Simon said, cocking a dark eyebrow at Lily, and opened the door. He kept her behind him and walked into the cottage to see Abraham Turkle, a brush between his teeth, another brush in his right hand, standing behind an easel, glaring over the top toward them.
There was no furniture in the small front room, just painting supplies everywhere, at least twenty canvases stacked against the walls. The place smelled of paint and turpentine and french fries and something else—maybe fried snails. There was a kitchen separated from the living room by a bar, and a small hallway that probably led to a bedroom and a bathroom.
The man, face bearded, was indeed Abe Turkle; Simon had seen many photos of him.
“Hi,” Simon said and stuck out his hand.
Abe Turkle ignored the outstretched hand. “Who the hell are you? Who is she? Why the hell is she standing behind you? She afraid of me or something?”
Lily stepped around Simon and said, extending her hand, “I like snails. I hear you do, too.”
Abraham Turkle smiled, a huge smile that showed off three gold back teeth. He had big shoulders and hands the size of boxing gloves. He didn’t look at all like an artist, Simon thought. Wasn’t an artist supposed to wear paint-encrusted black clothes and have long hair in a ponytail? Instead, Abraham Turkle looked like a lumberjack. He was wearing a flannel shirt and blue jeans and big boots that were laced halfway to his knees. There were, however, paint splotches all over him, including his tangled dark beard and grizzled hair.
“Like men don’t? If it were Mrs. Monk, you’d probably go on about her cleavage.”
“Well, yeah, maybe. And your point would be?”
“You’d probably never even get to her face. You men are all one-celled.”
“You think? Really?”
She laughed, she just couldn’t help it. He pushed his sunglasses up his nose, and she saw that he was grinning at her. He said with a good deal of satisfaction, “You’re feeling better. You’ve got a nice laugh, Lily. I like hearing it. Mind you, I’m still mad because you followed me out here, but I will admit that this is the first time I’ve seen you that you don’t look like you want to curl up and take a long nap.”
“Get over it, Simon. We must be nearly to Abraham Turkle’s cottage. Just up ahead, Highway 211 turns left to go to Hemlock Bay. To the right there’s this asphalt one-lane track that goes the mile out to the ocean. That’s where the cottage is?”
“Yes, those were my directions. You’ve never been out to the ocean on that road?”
“I don’t think so,” she said.
“Okay now, listen up. Abe has a bad reputation. He’s got a real mean side, so we want to be careful with him.”
They came to the fork. Simon turned right, onto the narrow asphalt road. “This is it,” Simon said. “There’s no sign and there’s no other road. Let’s try it.”
The ocean came into view almost immediately, when they were just atop a slight rise. Blue and calm as far as you could see, white clouds dotting the sky, a perfect day.
“Look at this view,” Lily said. “I always get a catch in my throat when I see the ocean.”
They reached the end of the road very quickly. Abe Turkle’s cottage was a small gray clapboard, weathered, perched right at the end of a promontory towering out over the ocean. There were two hemlock trees, one on either side of the cottage, just a bit protected from the fierce ocean storms. They were so gnarly and bent, though, that you wondered why they even bothered to continue standing.
There was no road, just a dirt driveway that forked off the narrow asphalt. In front of the cottage was a black Kawasaki 650 motorcycle.
Simon switched off the ignition and turned to Lily. She held up both hands. “No, don’t say it. I’m coming with you. I can’t wait to meet Abe Turkle.”
Simon said as he came around to open her car door, “Abe only eats snails and he grows them himself.”
“I’m still coming in with you.”
She carefully removed the seat belt, laid the small pillow on the backseat, and took his hand. “Stop looking like I’m going to fall over. I’m better every day. It’s just that getting out of a car is still a little rough.” He watched her swing her legs over and straighten, slowly.
Simon said, “I want you to follow my lead. No reason to let him know who we are just yet.”
When he reached the single door, so weathered it had nearly lost all its gray paint, he listened for a moment. “I don’t hear any movement inside.”
He knocked.
There was no answer at first, and then a furious yell. “Who the hell is that and what the hell do you want?”
“The artist is apparently home,” Simon said, cocking a dark eyebrow at Lily, and opened the door. He kept her behind him and walked into the cottage to see Abraham Turkle, a brush between his teeth, another brush in his right hand, standing behind an easel, glaring over the top toward them.
There was no furniture in the small front room, just painting supplies everywhere, at least twenty canvases stacked against the walls. The place smelled of paint and turpentine and french fries and something else—maybe fried snails. There was a kitchen separated from the living room by a bar, and a small hallway that probably led to a bedroom and a bathroom.
The man, face bearded, was indeed Abe Turkle; Simon had seen many photos of him.
“Hi,” Simon said and stuck out his hand.
Abe Turkle ignored the outstretched hand. “Who the hell are you? Who is she? Why the hell is she standing behind you? She afraid of me or something?”
Lily stepped around Simon and said, extending her hand, “I like snails. I hear you do, too.”
Abraham Turkle smiled, a huge smile that showed off three gold back teeth. He had big shoulders and hands the size of boxing gloves. He didn’t look at all like an artist, Simon thought. Wasn’t an artist supposed to wear paint-encrusted black clothes and have long hair in a ponytail? Instead, Abraham Turkle looked like a lumberjack. He was wearing a flannel shirt and blue jeans and big boots that were laced halfway to his knees. There were, however, paint splotches all over him, including his tangled dark beard and grizzled hair.
