Here on Earth
Page 55
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Nothing but leaves and silence; March would have thought she’d imagined what passed before her, but Sister is scratching at the window, barking like mad. Then, from beneath a hedge of evergreens, the creature takes off again. It’s one of the last of the foxes, a great-great-grandson of one who survived the open hunting season all those years ago. It’s running as fast as it can, headed for the open fields west of the cemetery. Red lightning that doesn’t look back, it’s gone in the blink of an eye.
March remains there, with her foot on the brake, and Sister’s barks echoing. As a little girl, March used to wait out on the front porch in the dark, hoping to see one of the foxes who were so numerous back then. She could never stay up late enough, so she came up with a plan. She’d catch one for her own and keep him in a box in the kitchen, in one of those crates they used to store potatoes and yams. She’d make certain he stayed warm under a flannel blanket, she’d feed him buttered toast and train him to dance to music, in a circle, on his toes. On some nights, she’d allow him to sleep beside her in her bed, his pointed nose on her pillow, and she’d sing him to sleep.
“Don’t be silly,” Judith Dale told her one summer night, when March wasn’t more than seven or eight, and Mrs. Dale had discovered her out past her bedtime, poised on the porch with a fishing net, a hammer, and the vegetable crate. “You’ll never catch a fox that way.”
Mrs. Dale brought March to the chestnut tree, where she drew a circle in the dirt with a stick. She took some sugar cubes from her pocket, the kind she favored for her coffee and tea. She let March crush the sugar cubes, then sprinkle them around the circle.
“Spread it thin,” Judith told her, and March was especially pleased that Judith clapped her hands, approving her work when it was done.
“Bullshit,” Alan had responded when March informed him that she’d trap a fox by the morning. And when indeed all the sugar was found to be gone, Alan laughed out loud. “Anything could have eaten that sugar, dummy. Raccoons, stray dogs, mice. There are any number of explanations, Marcheline, and none are as stupid as yours.”
But later that day, Mrs. Dale took March inside the circle and pointed out the tracks of a fox’s lovely, sly paws. That’s when March decided that if she couldn’t keep a fox in the kitchen, she’d have one in the woods. For a very long time, she left out treats. Even after Hollis had come to live with them, she was sometimes found drawing a circle with a stick, setting out bits of sugar, or some cookies, or a fresh corn muffin she’d stolen from the pantry.
“Is that for your boyfriend?” Hollis said to her once, when she was distributing slices of apple around the circle.
“No,” she said, and then she’d turned her back on him. You’re my boyfriend, is what she was thinking, and after all this time, she’s thinking it still.
When the fox disappears, March turns onto Route 22 and heads for Guardian Farm, hoping that Hollis will be back from Boston. The autumn light is sharp, and March reaches for her sunglasses. She switches on the radio and sings along to a song she didn’t think she knew the words to. She has the sense that she’s driving backward in time; the sky is so much smaller here than it is out west, a bowl of heaven set above their pastures and their town. She eases into the turn off Route 22 carefully, since it’s a place where it’s difficult to see oncoming traffic. She drives along the fields the Coopers always planted, but which are now thick with little more than wild clematis and witch hazel. There’s only one tended patch, where Hank has been raising pumpkins, and that crop has done well. There are several rows of huge, fat pumpkins, still on their thick, ropy vines.
March remembers coming here with Hollis and wishing the Farm belonged to them. The house looked so much grander and more elegant back then, and Annabeth Cooper’s perennial gardens were amazing, especially her rose garden, where the blooms were as big as cabbages. March used to study Richard and Belinda with real interest. How strange it was that a rich girl would wear torn sweaters and keep her hair bunched into a rubber band. How odd that Richard should cry when he discovered a worthless old crow someone had shot for sport. She found them so curious, like creatures from a distant planet; she couldn’t help but be interested, and she stayed interested long after Hollis grew tired of their spying game.
It’s Hollis she spies now, out by his truck, back from Boston, where he’s met with one of his lawyers concerning an acquisition of more condos in Orlando. The dogs are milling around, and every once in a while he calls to them harshly, when one nips another, or when they all begin to bark, an off-key plaintive sound that carries over the hill. Still, Hollis is in a better mood than usual; he always gets this way when he buys something. For a brief time at least, he’s not concerned with getting more. There’s enough for everyone, Judith Dale always told him when he sat down at the dinner table, but anyone could tell he didn’t believe her.
March remains there, with her foot on the brake, and Sister’s barks echoing. As a little girl, March used to wait out on the front porch in the dark, hoping to see one of the foxes who were so numerous back then. She could never stay up late enough, so she came up with a plan. She’d catch one for her own and keep him in a box in the kitchen, in one of those crates they used to store potatoes and yams. She’d make certain he stayed warm under a flannel blanket, she’d feed him buttered toast and train him to dance to music, in a circle, on his toes. On some nights, she’d allow him to sleep beside her in her bed, his pointed nose on her pillow, and she’d sing him to sleep.
“Don’t be silly,” Judith Dale told her one summer night, when March wasn’t more than seven or eight, and Mrs. Dale had discovered her out past her bedtime, poised on the porch with a fishing net, a hammer, and the vegetable crate. “You’ll never catch a fox that way.”
Mrs. Dale brought March to the chestnut tree, where she drew a circle in the dirt with a stick. She took some sugar cubes from her pocket, the kind she favored for her coffee and tea. She let March crush the sugar cubes, then sprinkle them around the circle.
“Spread it thin,” Judith told her, and March was especially pleased that Judith clapped her hands, approving her work when it was done.
“Bullshit,” Alan had responded when March informed him that she’d trap a fox by the morning. And when indeed all the sugar was found to be gone, Alan laughed out loud. “Anything could have eaten that sugar, dummy. Raccoons, stray dogs, mice. There are any number of explanations, Marcheline, and none are as stupid as yours.”
But later that day, Mrs. Dale took March inside the circle and pointed out the tracks of a fox’s lovely, sly paws. That’s when March decided that if she couldn’t keep a fox in the kitchen, she’d have one in the woods. For a very long time, she left out treats. Even after Hollis had come to live with them, she was sometimes found drawing a circle with a stick, setting out bits of sugar, or some cookies, or a fresh corn muffin she’d stolen from the pantry.
“Is that for your boyfriend?” Hollis said to her once, when she was distributing slices of apple around the circle.
“No,” she said, and then she’d turned her back on him. You’re my boyfriend, is what she was thinking, and after all this time, she’s thinking it still.
When the fox disappears, March turns onto Route 22 and heads for Guardian Farm, hoping that Hollis will be back from Boston. The autumn light is sharp, and March reaches for her sunglasses. She switches on the radio and sings along to a song she didn’t think she knew the words to. She has the sense that she’s driving backward in time; the sky is so much smaller here than it is out west, a bowl of heaven set above their pastures and their town. She eases into the turn off Route 22 carefully, since it’s a place where it’s difficult to see oncoming traffic. She drives along the fields the Coopers always planted, but which are now thick with little more than wild clematis and witch hazel. There’s only one tended patch, where Hank has been raising pumpkins, and that crop has done well. There are several rows of huge, fat pumpkins, still on their thick, ropy vines.
March remembers coming here with Hollis and wishing the Farm belonged to them. The house looked so much grander and more elegant back then, and Annabeth Cooper’s perennial gardens were amazing, especially her rose garden, where the blooms were as big as cabbages. March used to study Richard and Belinda with real interest. How strange it was that a rich girl would wear torn sweaters and keep her hair bunched into a rubber band. How odd that Richard should cry when he discovered a worthless old crow someone had shot for sport. She found them so curious, like creatures from a distant planet; she couldn’t help but be interested, and she stayed interested long after Hollis grew tired of their spying game.
It’s Hollis she spies now, out by his truck, back from Boston, where he’s met with one of his lawyers concerning an acquisition of more condos in Orlando. The dogs are milling around, and every once in a while he calls to them harshly, when one nips another, or when they all begin to bark, an off-key plaintive sound that carries over the hill. Still, Hollis is in a better mood than usual; he always gets this way when he buys something. For a brief time at least, he’s not concerned with getting more. There’s enough for everyone, Judith Dale always told him when he sat down at the dinner table, but anyone could tell he didn’t believe her.
