“I’m going to go track down one of the girls with sushi,” I said. “I didn’t eat dinner and I think I’m feeling a little lightheaded.” I didn’t mention that he was the reason my head was spinning.
“Stay.” He reached out and closed his fingers around my wrist. His hand was huge, but his grip was surprisingly tender. His skin was rough, though, and I remembered how much of the work in the gallery he’d done himself, assembling frames, hanging canvases, moving furniture. Not to mention painting his own canvases. He must spend hours holding a wooden brush, moving carefully and meticulously in order to get exactly what he wanted—color, texture, total sensuality.
Slowly, as if he was intentionally trying to drive me crazy, he let his eyes drift over me. I fought the urge to shiver—to close my eyes and soak in the fantasy of this deliberate caress.
Instead, I watched his face. Watched his expression grow hot, almost feral, as if he wanted nothing more in that moment than to touch me—to take me.
Do it, I thought. Right here, right now, just do it and let me have thought and reason back. Take me, dammit, and free me.
But he didn’t pull me close. Didn’t press his hands to my ass and grind his cock against my thighs. Didn’t slam me against the wall and press his mouth to mine while one hand closed tight around my breast and the other yanked up my skirt.
He did nothing but look at me—and in looking made me feel as though he’d done all those things.
He also made me feel better about the abuse I’d put my credit card through to buy this outfit. The dress was fire engine red, had a plunging neckline, and hugged every one of my curves. And while I might sometimes think that my curves were more appropriate for a 1940s film noir wardrobe, I can’t deny that I filled out the dress in a way that Cole seemed to appreciate.
I’d worn my mass of blond curls clipped up, letting a few tendrils dangle loose to frame my face. My red stilettos perfectly matched the dress and added four inches to my already ample height, putting me just about eye level with this man. If you looked up “fuck me heels” in the dictionary, a picture of these shoes would be on the page.
I wanted to stay right there, lost in the way he was looking at me.
At the same time, I wanted to run. To get away and regroup. To figure out how in hell I could manage to control a seduction when I couldn’t even control myself.
Escape won out, and I tugged gently at my arm to free it.
To my surprise, his grip tightened. I frowned at him, a little confused, a whole lot hopeful.
“I’d like to hear your thoughts.”
“My thoughts?”
“The painting,” he said. “What do you think of it?”
“Oh.” Cold disappointment washed over me. “The painting.”
I gave my arm another tug and this time, to my regret, he released me.
“You like it?”
“I love it,” I said, both automatically and truthfully. “But there’s something—I don’t know—sad about it.”
His brows lifted slightly, and for a moment I thought he looked mildly amused. As if he’d understood the punch line of a joke a few moments before I did. Except I never got there at all.
“It’s not sad?” I asked, turning back to look at the image.
“I don’t know,” he said. “Art is what you make of it. If you think it’s sad, then I suppose it is.”
“What is it to you?”
“Longing,” he said.
I turned from the painting to him, sure that my face showed my question.
“Not sadness so much as desire,” he said, as if that explained his response. “Her desires are like gemstones, and she holds them close, and each one presses sharp edges into the palm of her hand.”
I thought about that as I looked back at the painting. “Do you think that way because you are an artist? Or are you an artist because you think that way?”
He chuckled, the sound both mild and engaging. “Shit, Catalina. I don’t know. I don’t think I could separate one from the other.”
“Well, the most eloquent thing I can say is that I like it. I realize it’s not one of the featured pieces, but I hope you’re going to show more of the artist’s work. It’s compelling.” I leaned closer, looking for a signature on the canvas or an information card on the wall. I found neither. “Who’s the artist?”
“Don’t worry, blondie,” Cole said, his eyes flicking quickly to the painting. “We’ll keep him around.” Now I was certain I heard amusement in his voice, and since I wasn’t sure what the joke was, it ticked me off.
I cocked my head, feeling more in control now that he was irritating me. “Okay, tell me. What am I missing?”
He moved to step in front of me, blocking the painting. Hell, blocking everything. He filled all of my senses, making me a little drunk merely from his proximity. From the sight of him before me and the scent of his cologne, all spice and wood and male. Even the echo of his voice played in my head, those radio-quality tones making me want to shiver.
I didn’t have his touch, but the sensation of his hand upon my skin still lingered, and I clung tight to the memory. And as for taste—well, a girl could only hope.
Eternity passed in the space of seconds, and when he spoke, there was a musing note to his voice, as if he were speaking more to himself than to me. “How do you do it?”
“Do what?” I asked, but by the time the words escaped my lips, the spell was broken, and it was as if he hadn’t spoken at all.
“It’s an important night for Tyler and me,” he said, his voice now tight with formality. “I’m glad you came, but I should get back to the rest of the guests.”
The abrupt change in his tone disappointed me, but I clung greedily to the words themselves, and tried to ignore the rest. He’d said I’m glad. Not we’re glad.
And I, apparently, had reached a new level of pathetic if I’d sunk so low as to be analyzing pronouns.
“I wouldn’t have missed it for the world,” I said, hoping my own voice didn’t reveal the loose grip I had on my sanity.
He flashed me that killer smile, then turned toward the main gallery. But after only two steps, he stopped, then looked back at me. “By the way, you owe me,” he said, and this time there was no denying the humor on his face.
“Oh, really? And why is that?”
“How is it you started working here three months ago and I didn’t notice? That’s not like me at all. And, frankly, Kat, if you’d spent that much time at my side, I assure you it would have caught my attention.”
That spark of heat was back in his voice, but I barely noticed it. Instead, I’d turned a little cold. A string of curses whipped through my mind, and I had to force myself not to spit out a choice one or two.
Instead, I did what I’d been trained my whole life to do—I got my shit together and ran with it. “Oh my god, Cole, I’m so sorry. I meant to mention weeks ago that the mortgage company might be calling, but I got caught up in helping Angie with wedding prep stuff, and now I’m closing next week and I’ve been packing, and then—”
“It’s okay,” he said. “I get it.”
“It’s just that my hours at the coffee shop haven’t ever been steady, and I didn’t want the underwriting people to think I don’t have the means to make my payments.”
“Stay.” He reached out and closed his fingers around my wrist. His hand was huge, but his grip was surprisingly tender. His skin was rough, though, and I remembered how much of the work in the gallery he’d done himself, assembling frames, hanging canvases, moving furniture. Not to mention painting his own canvases. He must spend hours holding a wooden brush, moving carefully and meticulously in order to get exactly what he wanted—color, texture, total sensuality.
Slowly, as if he was intentionally trying to drive me crazy, he let his eyes drift over me. I fought the urge to shiver—to close my eyes and soak in the fantasy of this deliberate caress.
Instead, I watched his face. Watched his expression grow hot, almost feral, as if he wanted nothing more in that moment than to touch me—to take me.
Do it, I thought. Right here, right now, just do it and let me have thought and reason back. Take me, dammit, and free me.
But he didn’t pull me close. Didn’t press his hands to my ass and grind his cock against my thighs. Didn’t slam me against the wall and press his mouth to mine while one hand closed tight around my breast and the other yanked up my skirt.
He did nothing but look at me—and in looking made me feel as though he’d done all those things.
He also made me feel better about the abuse I’d put my credit card through to buy this outfit. The dress was fire engine red, had a plunging neckline, and hugged every one of my curves. And while I might sometimes think that my curves were more appropriate for a 1940s film noir wardrobe, I can’t deny that I filled out the dress in a way that Cole seemed to appreciate.
I’d worn my mass of blond curls clipped up, letting a few tendrils dangle loose to frame my face. My red stilettos perfectly matched the dress and added four inches to my already ample height, putting me just about eye level with this man. If you looked up “fuck me heels” in the dictionary, a picture of these shoes would be on the page.
I wanted to stay right there, lost in the way he was looking at me.
At the same time, I wanted to run. To get away and regroup. To figure out how in hell I could manage to control a seduction when I couldn’t even control myself.
Escape won out, and I tugged gently at my arm to free it.
To my surprise, his grip tightened. I frowned at him, a little confused, a whole lot hopeful.
“I’d like to hear your thoughts.”
“My thoughts?”
“The painting,” he said. “What do you think of it?”
“Oh.” Cold disappointment washed over me. “The painting.”
I gave my arm another tug and this time, to my regret, he released me.
“You like it?”
“I love it,” I said, both automatically and truthfully. “But there’s something—I don’t know—sad about it.”
His brows lifted slightly, and for a moment I thought he looked mildly amused. As if he’d understood the punch line of a joke a few moments before I did. Except I never got there at all.
“It’s not sad?” I asked, turning back to look at the image.
“I don’t know,” he said. “Art is what you make of it. If you think it’s sad, then I suppose it is.”
“What is it to you?”
“Longing,” he said.
I turned from the painting to him, sure that my face showed my question.
“Not sadness so much as desire,” he said, as if that explained his response. “Her desires are like gemstones, and she holds them close, and each one presses sharp edges into the palm of her hand.”
I thought about that as I looked back at the painting. “Do you think that way because you are an artist? Or are you an artist because you think that way?”
He chuckled, the sound both mild and engaging. “Shit, Catalina. I don’t know. I don’t think I could separate one from the other.”
“Well, the most eloquent thing I can say is that I like it. I realize it’s not one of the featured pieces, but I hope you’re going to show more of the artist’s work. It’s compelling.” I leaned closer, looking for a signature on the canvas or an information card on the wall. I found neither. “Who’s the artist?”
“Don’t worry, blondie,” Cole said, his eyes flicking quickly to the painting. “We’ll keep him around.” Now I was certain I heard amusement in his voice, and since I wasn’t sure what the joke was, it ticked me off.
I cocked my head, feeling more in control now that he was irritating me. “Okay, tell me. What am I missing?”
He moved to step in front of me, blocking the painting. Hell, blocking everything. He filled all of my senses, making me a little drunk merely from his proximity. From the sight of him before me and the scent of his cologne, all spice and wood and male. Even the echo of his voice played in my head, those radio-quality tones making me want to shiver.
I didn’t have his touch, but the sensation of his hand upon my skin still lingered, and I clung tight to the memory. And as for taste—well, a girl could only hope.
Eternity passed in the space of seconds, and when he spoke, there was a musing note to his voice, as if he were speaking more to himself than to me. “How do you do it?”
“Do what?” I asked, but by the time the words escaped my lips, the spell was broken, and it was as if he hadn’t spoken at all.
“It’s an important night for Tyler and me,” he said, his voice now tight with formality. “I’m glad you came, but I should get back to the rest of the guests.”
The abrupt change in his tone disappointed me, but I clung greedily to the words themselves, and tried to ignore the rest. He’d said I’m glad. Not we’re glad.
And I, apparently, had reached a new level of pathetic if I’d sunk so low as to be analyzing pronouns.
“I wouldn’t have missed it for the world,” I said, hoping my own voice didn’t reveal the loose grip I had on my sanity.
He flashed me that killer smile, then turned toward the main gallery. But after only two steps, he stopped, then looked back at me. “By the way, you owe me,” he said, and this time there was no denying the humor on his face.
“Oh, really? And why is that?”
“How is it you started working here three months ago and I didn’t notice? That’s not like me at all. And, frankly, Kat, if you’d spent that much time at my side, I assure you it would have caught my attention.”
That spark of heat was back in his voice, but I barely noticed it. Instead, I’d turned a little cold. A string of curses whipped through my mind, and I had to force myself not to spit out a choice one or two.
Instead, I did what I’d been trained my whole life to do—I got my shit together and ran with it. “Oh my god, Cole, I’m so sorry. I meant to mention weeks ago that the mortgage company might be calling, but I got caught up in helping Angie with wedding prep stuff, and now I’m closing next week and I’ve been packing, and then—”
“It’s okay,” he said. “I get it.”
“It’s just that my hours at the coffee shop haven’t ever been steady, and I didn’t want the underwriting people to think I don’t have the means to make my payments.”