Ink Exchange
Page 43
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He hadn't moved yet, staying as still as when he'd seen her walking toward him. "Taking a long swim in the cold river?
She stepped slightly closer. "No."
He swallowed. "If I keep suggesting things, will you keep saying no?"
"Maybe." She smiled, feeling brave, confident with him in a way she hadn't felt with a guy in longer than she wanted to consider. "Do you want me to?"
"Yes. No. Maybe." He gave her a shaky smile. "I'd almost forgotten how much fun this dance was, the wanting without having."
"Is it okay if I lead?" She actually blushed when she said it. She was far from innocent, but he made her feel like this mattered, like they mattered.
"I'm rather liking it." He cleared his throat. "Not that pursuing you—"
"Shh."
"Okay." He watched her curiously. He still hadn't moved, feet and hands in precisely the same position as when she'd approached. It was odd.
"Did you go to military school or something?" she asked before she could stop herself. What a dumb question!
But he wasn't laughing at her or acting like she ruined the moment. He answered seriously, "Not like you're thinking, but I've had to learn a number of things because Keenan's father needed me to do so. Training … It's good to know how to protect yourself and those you care for."
"Oh."
"I can teach you how to defend yourself some. Not" — he held her gaze—"that it will always keep you safe. There are times when no amount of training will stop what others would do."
"So why …" She let the question drift away.
"Because it helps me sleep at night, because it helps me focus, because sometimes I like knowing that maybe if I were in danger again it would help." He kissed her forehead. "And sometimes because it gives me hope that it'll make me strong enough to be loved and protect the one I would try to love."
"Oh." She was at a loss once more.
He stepped back. "But you were going to lead this dance, so I'll work on following … after I ask if we could pause at the loft so I might bathe."
And just like that he eased her fears and brought the tension back to that comfortable zinging feeling they'd shared before he started talking about violence and love.
An hour later, Leslie walked through Huntsdale with Niall—sure that once she stepped away from him, the near illusory connection they had would end. It was so different from their walk the night before, when they'd stopped to kiss in alcoves and dark doorways.
Eventually he gestured at a tall old building in front of them. "We're here."
They stood at the edge of a small park that felt forbidden, as if the air before her had taken form and made a barricade around the greenery. Trees of all sorts bloomed in a riot of contrasting colors and scents; the grass, though, was trampled flat, browned as though by a fair or concert. The park was clean, too; there was no litter or debris at all. It was also empty of people: not even a vagrant lay on any of the odd wooden benches that were scattered throughout the park. Old stone sculptures glistened like they belonged in a museum, and the water in a fountain rose and fell as if a song controlled its flow. Leslie stared at it, the curiously enticing park, wondering how something so beautiful could be here and unused.
"Can we go there?"
"The park?" Niall looked from her face to the park, where she'd been staring. "I suppose."
"It's not private?" She watched as the flow of water shimmered like a girl undulating in some dance that she should remember, that her bones once knew.
There is a girl. The woman danced, hands lifted over her head, face tilted upward like she was speaking to the sun or moon. Leslie stepped closer, leaning into the weighty air that seemed to prevent her passing, to stop her from reaching the fountain. Without looking for traffic or for any conscious reason why, Leslie went toward the park. She paused, caught between longing and fear and not sure she truly felt either one.
"Leslie? Are you with me?" Niall took her hand, stopping her from entering the park.
She blinked. The image of the dancing girl vanished. The statues looked dim, and there weren't nearly as many as she'd thought. Nor were the trees all blooming: there weren't even as many trees as she'd thought. Instead, there were people she somehow hadn't seen: girls, many of whom seemed to be watching her and Niall, wandered around the park in small groups, giggling and talking to the guys who stood where she had thought there were only trees.
"Nothing makes sense, Niall." Leslie felt the edge of panic push against her, but it was less than real—more a murmur of an emotion that rose and faded before it found form. "I feel like … I don't know what I feel lately. I don't get scared, can't stay angry. And when I feel it, it's like it's not mine. I see things that aren't right—people with thorns on their faces, tattoos that move, horns. I keep seeing things that aren't real; I should be afraid. Instead I look away. Something's wrong with me."
He didn't offer her empty promises that it would be okay or that she was imagining it; instead he looked pained, leading her to believe that he knew something more than she did.
Which should make me angry.
She tried to summon it up, but her growing emotional instability had become so pronounced that it was like being a visitor in her own body. Calmly, as if the question didn't matter, she asked, "Do you know what's wrong with me?"
She stepped slightly closer. "No."
He swallowed. "If I keep suggesting things, will you keep saying no?"
"Maybe." She smiled, feeling brave, confident with him in a way she hadn't felt with a guy in longer than she wanted to consider. "Do you want me to?"
"Yes. No. Maybe." He gave her a shaky smile. "I'd almost forgotten how much fun this dance was, the wanting without having."
"Is it okay if I lead?" She actually blushed when she said it. She was far from innocent, but he made her feel like this mattered, like they mattered.
"I'm rather liking it." He cleared his throat. "Not that pursuing you—"
"Shh."
"Okay." He watched her curiously. He still hadn't moved, feet and hands in precisely the same position as when she'd approached. It was odd.
"Did you go to military school or something?" she asked before she could stop herself. What a dumb question!
But he wasn't laughing at her or acting like she ruined the moment. He answered seriously, "Not like you're thinking, but I've had to learn a number of things because Keenan's father needed me to do so. Training … It's good to know how to protect yourself and those you care for."
"Oh."
"I can teach you how to defend yourself some. Not" — he held her gaze—"that it will always keep you safe. There are times when no amount of training will stop what others would do."
"So why …" She let the question drift away.
"Because it helps me sleep at night, because it helps me focus, because sometimes I like knowing that maybe if I were in danger again it would help." He kissed her forehead. "And sometimes because it gives me hope that it'll make me strong enough to be loved and protect the one I would try to love."
"Oh." She was at a loss once more.
He stepped back. "But you were going to lead this dance, so I'll work on following … after I ask if we could pause at the loft so I might bathe."
And just like that he eased her fears and brought the tension back to that comfortable zinging feeling they'd shared before he started talking about violence and love.
An hour later, Leslie walked through Huntsdale with Niall—sure that once she stepped away from him, the near illusory connection they had would end. It was so different from their walk the night before, when they'd stopped to kiss in alcoves and dark doorways.
Eventually he gestured at a tall old building in front of them. "We're here."
They stood at the edge of a small park that felt forbidden, as if the air before her had taken form and made a barricade around the greenery. Trees of all sorts bloomed in a riot of contrasting colors and scents; the grass, though, was trampled flat, browned as though by a fair or concert. The park was clean, too; there was no litter or debris at all. It was also empty of people: not even a vagrant lay on any of the odd wooden benches that were scattered throughout the park. Old stone sculptures glistened like they belonged in a museum, and the water in a fountain rose and fell as if a song controlled its flow. Leslie stared at it, the curiously enticing park, wondering how something so beautiful could be here and unused.
"Can we go there?"
"The park?" Niall looked from her face to the park, where she'd been staring. "I suppose."
"It's not private?" She watched as the flow of water shimmered like a girl undulating in some dance that she should remember, that her bones once knew.
There is a girl. The woman danced, hands lifted over her head, face tilted upward like she was speaking to the sun or moon. Leslie stepped closer, leaning into the weighty air that seemed to prevent her passing, to stop her from reaching the fountain. Without looking for traffic or for any conscious reason why, Leslie went toward the park. She paused, caught between longing and fear and not sure she truly felt either one.
"Leslie? Are you with me?" Niall took her hand, stopping her from entering the park.
She blinked. The image of the dancing girl vanished. The statues looked dim, and there weren't nearly as many as she'd thought. Nor were the trees all blooming: there weren't even as many trees as she'd thought. Instead, there were people she somehow hadn't seen: girls, many of whom seemed to be watching her and Niall, wandered around the park in small groups, giggling and talking to the guys who stood where she had thought there were only trees.
"Nothing makes sense, Niall." Leslie felt the edge of panic push against her, but it was less than real—more a murmur of an emotion that rose and faded before it found form. "I feel like … I don't know what I feel lately. I don't get scared, can't stay angry. And when I feel it, it's like it's not mine. I see things that aren't right—people with thorns on their faces, tattoos that move, horns. I keep seeing things that aren't real; I should be afraid. Instead I look away. Something's wrong with me."
He didn't offer her empty promises that it would be okay or that she was imagining it; instead he looked pained, leading her to believe that he knew something more than she did.
Which should make me angry.
She tried to summon it up, but her growing emotional instability had become so pronounced that it was like being a visitor in her own body. Calmly, as if the question didn't matter, she asked, "Do you know what's wrong with me?"
