Where is my advice? I wonder. Where are my words? Whose kid am I?
WESSEX, a street cobbled with crack, crack whores, dealers, drunks, girls who had barely dried the milk from their own chins before giving suckle to their little undernourished babies. It is pitiful, this thing we call life. I know that, but I’m not sure they do. One grows accustomed to suffering, especially in a place like Bone Harbor. You take your first steps, everyone claps, and then you cease to be remarkable. Nearly surrounded by water, it used to be a harbor before they moved it farther south to be closer to Seattle. But that was before my grandmother was born. The people around here call the area the Bone. A kind of joke that developed after all the business dried up. I kind of like that they call it that. No use calling yellow, blue. And that’s what we are, rubbed down to the bone.
Six days a week I take the bus to work. To get to the bus, I have to walk up Wessex and down Carnation. Carnation is only slightly better than Wessex. The windows aren’t broken, and a couple people mow their grass. The people who live on Carnation Street call us trash. I suppose in a world such as this, unbroken windows and mowed grass make all the difference.
God is not in the houses that stand side-by-side down Wessex. I wonder if God lifted Himself from this place and put us behind a veil to suffer alone. It’s a nightmare street. The people in the outside world don’t know we exist. They don’t want to know. But our houses stand, almost collapsing under the weight of the sin they contain. Before the eating house comes the crack house. Before the crack house comes Mother Mary’s house. Mother Mary can see the future, but not any future. She can only tell you how you’ll die, and she’ll charge you forty dollars to do it. Which brings us to the bad people house. I only call it that because it’s where the ex-cons hole up after they’re released from prison. I don’t know what they get up to in there, but once a week there’s an ambulance outside and someone is hauled out on a stretcher.
There is only one house I like on Wessex Street. It’s the very first house on the block, and it belongs to Delaney Grant. Delaney grows pot in her garage. She doesn’t even sell it. She just smokes it all herself. Everyone calls her greedy. Sometimes, when there’s a pot shortage at the crack house, you can see people knocking on Delaney’s door. But she chases them away with a shotgun she calls Horace.
The reason I like Delaney’s house is because her son, Judah, lives there. Part of the time. The times he’s not with Delaney, he’s with his dad. We’ve never actually spoken, but he sits out in the yard a lot, and he always waves when I walk by. When you look at him you forget that he’s in a wheelchair. He’s handsome, and he’d be tall if he stood up. Six feet at least. He never went to school with the rest of us. A bus came to pick him up every morning. It could fit his wheelchair, and it drove all the way from the city. Delaney pissed her own life to shit, but when it came to Judah, she made sure the world saw him. You had to kind of like her for that. Especially when you had a mother like mine.
The bus is late. I tap my foot impatiently and crane my neck to peer down the street. If the 712 gets here in the next five minutes, I can still make it to the Rag O Rama in time for my shift.
“Good times,” I whisper as I see it bouncing around the corner. There are three of us who climb onto the 712: myself, Cuoco, one of the neighborhood heroin addicts, and little Nevaeh Anthony who catches the bus to her grandmother’s house every afternoon while her mother works.
“Hi Margo,” she says.
“Hi, little girl. You going to Granny’s house?”
She nods.
“Good. Walk fast once you get off the bus. You know how it is after dark.” Nevaeh nods. She knows. We all know. Splintered in between the normal things like school, grocery shopping, and work are the things that belong to the Bone. A fear that wanders like a mist through the streets. We live with it chained to our ankles. It’s so tangible that there are rarely visitors, and when they come, whether to visit a family member or to pass through, they hurry out, usually cutting their trips short.
“Let me fix your hair,” I say, and Nevaeh scoots closer to me on the bench. “Have to look pretty for Granny,” I tell her. She nods in agreement. My fingers work deftly as rain pounds against the windows. I finish her braids as the bus stops and right as she finishes telling me about her good report card, counting out the ten dollars her granny gave her as a reward. I watch her pull out a marker and draw a heart on each one. We climb off together, pulling our hoods up over our hair. She waves to me as we head in opposite directions, her fingers spread like starfish. I watch for a minute as she bounces down the street, her Hello Kitty backpack slung over her shoulder, bright colors cast against a gloomy day. I look at Destiny’s old house as I walk by. It’s green now, with white flower boxes on the windows. Her family moved to Oregon a few years ago. After she moved, she wrote me a letter, and then I never heard from her again. I wrote twenty before they started to come back with RETURN TO SENDER stamped on the envelope. Oh well. Letter writing is a luxury anyway.
The Rag O Rama smells like shit. Literally. The sewage plant is right across the river. Sandy, the manager, has those room deodorizers all over the shop, stuck in corners and up on shelves, but all it does is make the Rag smell like shit covered in apple blossom.
Because I’m thirty minutes late, Sandy makes me sort through inventory in the back room. I eye the black garbage bags lined against the wall, stuffed so full that half of them have split open, pant legs and shirtsleeves spilling out like intestines. There are only seven to sort through today. Sandy makes us save the bags that aren’t damaged. “Money don’t grow on no trees,” she says. “This is a thrift shop. We reuse everything.” Which leaves me plucking at the knots, swearing under my breath as sweat runs down my back and between my breasts. I untie the first one and spread the bag open. The musty smell has become familiar to me; it is the smell of un-wash, of people’s homes, mothballs, and occasionally—if we get a bag from an Indian family—tumeric and cumin. I separate the things inside: clothes in one pile, toys in another, household items in the third. It’s funny how one person’s crap can be so valuable to someone else. Employees get half off anything on the sale rack. It’s the things people don’t want times two. I finish off a bag and start to fold it when I feel something I missed at the bottom. I pull out a large canvas bag—the kind rich people take to the store to avoid using plastic. “Groceries & Shit” is stenciled on the front. I laugh. Its last owner drew stars around the words in purple sharpie.
WESSEX, a street cobbled with crack, crack whores, dealers, drunks, girls who had barely dried the milk from their own chins before giving suckle to their little undernourished babies. It is pitiful, this thing we call life. I know that, but I’m not sure they do. One grows accustomed to suffering, especially in a place like Bone Harbor. You take your first steps, everyone claps, and then you cease to be remarkable. Nearly surrounded by water, it used to be a harbor before they moved it farther south to be closer to Seattle. But that was before my grandmother was born. The people around here call the area the Bone. A kind of joke that developed after all the business dried up. I kind of like that they call it that. No use calling yellow, blue. And that’s what we are, rubbed down to the bone.
Six days a week I take the bus to work. To get to the bus, I have to walk up Wessex and down Carnation. Carnation is only slightly better than Wessex. The windows aren’t broken, and a couple people mow their grass. The people who live on Carnation Street call us trash. I suppose in a world such as this, unbroken windows and mowed grass make all the difference.
God is not in the houses that stand side-by-side down Wessex. I wonder if God lifted Himself from this place and put us behind a veil to suffer alone. It’s a nightmare street. The people in the outside world don’t know we exist. They don’t want to know. But our houses stand, almost collapsing under the weight of the sin they contain. Before the eating house comes the crack house. Before the crack house comes Mother Mary’s house. Mother Mary can see the future, but not any future. She can only tell you how you’ll die, and she’ll charge you forty dollars to do it. Which brings us to the bad people house. I only call it that because it’s where the ex-cons hole up after they’re released from prison. I don’t know what they get up to in there, but once a week there’s an ambulance outside and someone is hauled out on a stretcher.
There is only one house I like on Wessex Street. It’s the very first house on the block, and it belongs to Delaney Grant. Delaney grows pot in her garage. She doesn’t even sell it. She just smokes it all herself. Everyone calls her greedy. Sometimes, when there’s a pot shortage at the crack house, you can see people knocking on Delaney’s door. But she chases them away with a shotgun she calls Horace.
The reason I like Delaney’s house is because her son, Judah, lives there. Part of the time. The times he’s not with Delaney, he’s with his dad. We’ve never actually spoken, but he sits out in the yard a lot, and he always waves when I walk by. When you look at him you forget that he’s in a wheelchair. He’s handsome, and he’d be tall if he stood up. Six feet at least. He never went to school with the rest of us. A bus came to pick him up every morning. It could fit his wheelchair, and it drove all the way from the city. Delaney pissed her own life to shit, but when it came to Judah, she made sure the world saw him. You had to kind of like her for that. Especially when you had a mother like mine.
The bus is late. I tap my foot impatiently and crane my neck to peer down the street. If the 712 gets here in the next five minutes, I can still make it to the Rag O Rama in time for my shift.
“Good times,” I whisper as I see it bouncing around the corner. There are three of us who climb onto the 712: myself, Cuoco, one of the neighborhood heroin addicts, and little Nevaeh Anthony who catches the bus to her grandmother’s house every afternoon while her mother works.
“Hi Margo,” she says.
“Hi, little girl. You going to Granny’s house?”
She nods.
“Good. Walk fast once you get off the bus. You know how it is after dark.” Nevaeh nods. She knows. We all know. Splintered in between the normal things like school, grocery shopping, and work are the things that belong to the Bone. A fear that wanders like a mist through the streets. We live with it chained to our ankles. It’s so tangible that there are rarely visitors, and when they come, whether to visit a family member or to pass through, they hurry out, usually cutting their trips short.
“Let me fix your hair,” I say, and Nevaeh scoots closer to me on the bench. “Have to look pretty for Granny,” I tell her. She nods in agreement. My fingers work deftly as rain pounds against the windows. I finish her braids as the bus stops and right as she finishes telling me about her good report card, counting out the ten dollars her granny gave her as a reward. I watch her pull out a marker and draw a heart on each one. We climb off together, pulling our hoods up over our hair. She waves to me as we head in opposite directions, her fingers spread like starfish. I watch for a minute as she bounces down the street, her Hello Kitty backpack slung over her shoulder, bright colors cast against a gloomy day. I look at Destiny’s old house as I walk by. It’s green now, with white flower boxes on the windows. Her family moved to Oregon a few years ago. After she moved, she wrote me a letter, and then I never heard from her again. I wrote twenty before they started to come back with RETURN TO SENDER stamped on the envelope. Oh well. Letter writing is a luxury anyway.
The Rag O Rama smells like shit. Literally. The sewage plant is right across the river. Sandy, the manager, has those room deodorizers all over the shop, stuck in corners and up on shelves, but all it does is make the Rag smell like shit covered in apple blossom.
Because I’m thirty minutes late, Sandy makes me sort through inventory in the back room. I eye the black garbage bags lined against the wall, stuffed so full that half of them have split open, pant legs and shirtsleeves spilling out like intestines. There are only seven to sort through today. Sandy makes us save the bags that aren’t damaged. “Money don’t grow on no trees,” she says. “This is a thrift shop. We reuse everything.” Which leaves me plucking at the knots, swearing under my breath as sweat runs down my back and between my breasts. I untie the first one and spread the bag open. The musty smell has become familiar to me; it is the smell of un-wash, of people’s homes, mothballs, and occasionally—if we get a bag from an Indian family—tumeric and cumin. I separate the things inside: clothes in one pile, toys in another, household items in the third. It’s funny how one person’s crap can be so valuable to someone else. Employees get half off anything on the sale rack. It’s the things people don’t want times two. I finish off a bag and start to fold it when I feel something I missed at the bottom. I pull out a large canvas bag—the kind rich people take to the store to avoid using plastic. “Groceries & Shit” is stenciled on the front. I laugh. Its last owner drew stars around the words in purple sharpie.
