It opens.
“Oh my God.”
I slap my hand over my mouth and clutch my weapon tighter. I don’t lower my knife, I keep it up and ready. I step onto the carpet, my toes curling around the shag like they need to hold onto something. A canopy bed sits against the far wall, facing me. It looks like a child’s bed in design but it is larger than an adult king. Two of its posters are life-sized carousel horses, their poles disappearing into the wooden beams of the ceiling. There is a fireplace to my left, a window seat to my right. I am having trouble breathing. First the lighters, then the key, then … this.
I can’t get out of there fast enough. I close the door behind me. One more door. This one feels more frightening than the last. Is it just my intuition or is this the last place my kidnapper could be hiding? I stand facing it for the longest time, my breath curling into the air, and the frozen fingers of my good hand clutching my little knife. I reach for the knob with my injured hand and flinch when pain shoots up my arm. I push it open and wait. The room is dark, but so far no one has jumped out at me. I take a step forward, feel for a light switch. Then I hear it; a man’s moan—deep and guttural. I back out of the room, pointing my knife at the sound. I want to run, climb back up the ladder and lock myself in the round room. I don’t. If I do not go looking for what brought me here, it will come looking for me. I will not be a victim. Not again. My heart is beating erratically. The moaning suddenly stops as if he’s realized I’m there. I can hear him breathing. I wonder if he can hear me. The noise starts again, muffled words this time as if he’s speaking through something. Words … words that sound like HELP ME! This could be a trap. What do I do? I walk right into it.
Chapter Three
No one attacks me, but my body is wound up and ready to spring. The deep cries of Eeeel, eeeeel become more persistent. I search for a light switch, which means I have to transfer my knife to my injured hand. It doesn’t matter—if someone comes at me, I’ll take every bit of pain to cut them open. I find it: a broad, flat square that I have to push down with two fingers. In the time it takes for the lights to turn on, I quickly switch the knife back to my good hand. The room is suddenly washed in a urine-yellow glow. It flickers before gripping whatever power it’s using, and starts to hum. I blink at the sudden change. My knife hand extends as I stab at air. There is nothing in front of me—no attacker—but there is a bed. In it is a man, his arms and legs bound to the four posters with bright white rags. He is blindfolded and gagged with the same white cloth. I watch in shock as his head thrashes from side to side. The muscles in his arms are pulled so taut I can see the outlines of where each one starts and ends. I start to rush forward to help him, then stop. I could still be in danger. This could be a trap. He could be the trap.
I walk cautiously, keeping my eyes on the corners of the room as though someone might emerge from the wood walls. Then I spin toward the door from which I entered, to make sure no one is sneaking up behind me. I continue this cycle until I reach the side of the bed, and my heart is racing painfully. I rotate the wrist that is clutching the knife in a circle. There is a door next to the bed. I kick it open and he goes perfectly still, his face angled toward me, his breathing coming hard. He has dark hair … lots of scruff on his face. The bathroom is empty, the shower curtain pulled back as if my captor had thought—at the last minute—to reassure me he wasn’t there. I leave the bathroom. The man is no longer struggling. Angling my back to the wall, I reach over and yank away his blindfold and gag. I am half leaning over him when we see each other for the first time. I can see his shock. He can see mine. He blinks rapidly as if he’s trying to clear his vision. I drop my knife.
“Oh my God.” That’s the second time I’ve said that. I don’t want to make a habit of it. I don’t believe in God.
“Oh my God,” I say again. I bend slowly at the knees, keeping my eyes on him and the door until I’ve retrieved my weapon. I back up. I need distance between us. I’m moving toward the door, but then I realize I could be ambushed from behind. I spin. I extend my knife. There is nothing behind me. I spin again—point my knife at the man in the bed. This can’t be happening. This is crazy. I’m acting crazy. I press my back to the nearest wall. This is the only way I feel relatively safe, when I can survey the room and not feel like someone is sneaking up from behind.
“Senna?” I hear my name. I look back at his face. Any minute I expect to wake from this nightmare. I will be in my own bed, underneath my white comforter, wearing my own pajamas.
“Senna,” he chokes. “Cut me loose … please…”
I hesitate.
“Senna,” he says again. “I’m not going to hurt you. It’s me.”
He leans his head back against the pillow and closes his eyes like he can’t stand the pain.
I hold the knife tightly and chop at the white fabric that is binding his arms. I can barely breathe—never mind see. I slice his skin with the tip of the knife. He flinches, but doesn’t make a sound. I watch his blood pool in fascination before it streams down his arm.
“I’m sorry,” I say. “My hands are shaking. I can’t—”
“It’s all right, Senna. Take your time.”
Funny, I think. He’s the one tied up and he’s reassuring me.
I make it through his other hand binding, and he takes the knife from me, cutting his own legs free. I silently panic. I shouldn’t have handed over my knife. He could be … he could be the one…
It doesn’t make sense.
When he’s through, he springs off the bed, massaging his wrists. I take a step away from him … toward the door. The only thing he has on is a thin pair of pajama pants. Someone put those on him too, I think.
And then I say his name in my mind: Isaac Asterholder.
When he looks at me he narrows his eyes. “Is anyone else here? Have you seen—”
“No,” I cut him off. “I don’t think anyone is here.”
He immediately makes for the door. I flinch as he passes me. I want my knife. I linger in the doorway, not sure what to trust. Then I follow him. He searches the rooms while I cradle my wrist. If someone attacks us, he will be their first target. I need something sharp to hold in my hand. We descend the stairs and Isaac tries the front door, yanks hard when it won’t open, slams his fist against the wood and swears. I see him eye the keypad, but he doesn’t touch it. A keypad on the inside of the house. Whoever put us here gave us the option of getting out.
“Oh my God.”
I slap my hand over my mouth and clutch my weapon tighter. I don’t lower my knife, I keep it up and ready. I step onto the carpet, my toes curling around the shag like they need to hold onto something. A canopy bed sits against the far wall, facing me. It looks like a child’s bed in design but it is larger than an adult king. Two of its posters are life-sized carousel horses, their poles disappearing into the wooden beams of the ceiling. There is a fireplace to my left, a window seat to my right. I am having trouble breathing. First the lighters, then the key, then … this.
I can’t get out of there fast enough. I close the door behind me. One more door. This one feels more frightening than the last. Is it just my intuition or is this the last place my kidnapper could be hiding? I stand facing it for the longest time, my breath curling into the air, and the frozen fingers of my good hand clutching my little knife. I reach for the knob with my injured hand and flinch when pain shoots up my arm. I push it open and wait. The room is dark, but so far no one has jumped out at me. I take a step forward, feel for a light switch. Then I hear it; a man’s moan—deep and guttural. I back out of the room, pointing my knife at the sound. I want to run, climb back up the ladder and lock myself in the round room. I don’t. If I do not go looking for what brought me here, it will come looking for me. I will not be a victim. Not again. My heart is beating erratically. The moaning suddenly stops as if he’s realized I’m there. I can hear him breathing. I wonder if he can hear me. The noise starts again, muffled words this time as if he’s speaking through something. Words … words that sound like HELP ME! This could be a trap. What do I do? I walk right into it.
Chapter Three
No one attacks me, but my body is wound up and ready to spring. The deep cries of Eeeel, eeeeel become more persistent. I search for a light switch, which means I have to transfer my knife to my injured hand. It doesn’t matter—if someone comes at me, I’ll take every bit of pain to cut them open. I find it: a broad, flat square that I have to push down with two fingers. In the time it takes for the lights to turn on, I quickly switch the knife back to my good hand. The room is suddenly washed in a urine-yellow glow. It flickers before gripping whatever power it’s using, and starts to hum. I blink at the sudden change. My knife hand extends as I stab at air. There is nothing in front of me—no attacker—but there is a bed. In it is a man, his arms and legs bound to the four posters with bright white rags. He is blindfolded and gagged with the same white cloth. I watch in shock as his head thrashes from side to side. The muscles in his arms are pulled so taut I can see the outlines of where each one starts and ends. I start to rush forward to help him, then stop. I could still be in danger. This could be a trap. He could be the trap.
I walk cautiously, keeping my eyes on the corners of the room as though someone might emerge from the wood walls. Then I spin toward the door from which I entered, to make sure no one is sneaking up behind me. I continue this cycle until I reach the side of the bed, and my heart is racing painfully. I rotate the wrist that is clutching the knife in a circle. There is a door next to the bed. I kick it open and he goes perfectly still, his face angled toward me, his breathing coming hard. He has dark hair … lots of scruff on his face. The bathroom is empty, the shower curtain pulled back as if my captor had thought—at the last minute—to reassure me he wasn’t there. I leave the bathroom. The man is no longer struggling. Angling my back to the wall, I reach over and yank away his blindfold and gag. I am half leaning over him when we see each other for the first time. I can see his shock. He can see mine. He blinks rapidly as if he’s trying to clear his vision. I drop my knife.
“Oh my God.” That’s the second time I’ve said that. I don’t want to make a habit of it. I don’t believe in God.
“Oh my God,” I say again. I bend slowly at the knees, keeping my eyes on him and the door until I’ve retrieved my weapon. I back up. I need distance between us. I’m moving toward the door, but then I realize I could be ambushed from behind. I spin. I extend my knife. There is nothing behind me. I spin again—point my knife at the man in the bed. This can’t be happening. This is crazy. I’m acting crazy. I press my back to the nearest wall. This is the only way I feel relatively safe, when I can survey the room and not feel like someone is sneaking up from behind.
“Senna?” I hear my name. I look back at his face. Any minute I expect to wake from this nightmare. I will be in my own bed, underneath my white comforter, wearing my own pajamas.
“Senna,” he chokes. “Cut me loose … please…”
I hesitate.
“Senna,” he says again. “I’m not going to hurt you. It’s me.”
He leans his head back against the pillow and closes his eyes like he can’t stand the pain.
I hold the knife tightly and chop at the white fabric that is binding his arms. I can barely breathe—never mind see. I slice his skin with the tip of the knife. He flinches, but doesn’t make a sound. I watch his blood pool in fascination before it streams down his arm.
“I’m sorry,” I say. “My hands are shaking. I can’t—”
“It’s all right, Senna. Take your time.”
Funny, I think. He’s the one tied up and he’s reassuring me.
I make it through his other hand binding, and he takes the knife from me, cutting his own legs free. I silently panic. I shouldn’t have handed over my knife. He could be … he could be the one…
It doesn’t make sense.
When he’s through, he springs off the bed, massaging his wrists. I take a step away from him … toward the door. The only thing he has on is a thin pair of pajama pants. Someone put those on him too, I think.
And then I say his name in my mind: Isaac Asterholder.
When he looks at me he narrows his eyes. “Is anyone else here? Have you seen—”
“No,” I cut him off. “I don’t think anyone is here.”
He immediately makes for the door. I flinch as he passes me. I want my knife. I linger in the doorway, not sure what to trust. Then I follow him. He searches the rooms while I cradle my wrist. If someone attacks us, he will be their first target. I need something sharp to hold in my hand. We descend the stairs and Isaac tries the front door, yanks hard when it won’t open, slams his fist against the wood and swears. I see him eye the keypad, but he doesn’t touch it. A keypad on the inside of the house. Whoever put us here gave us the option of getting out.
