No Humans Involved
Page 36
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My impulse was to say: "Put my life at risk for a difficult, longdistance relationship that might never work? It's Jeremy. Sign me up." But I had to approach this with my head, not my heart. It wasn't something I could just leap into.
"We should get you back to the house," Jeremy said finally. "I presume you have a segment to film tomorrow?"
"In the afternoon, plus an interview midmorning."
He helped me to my feet. "When things settle down with your costars, I'd like to watch a segment or two. I'm looking forward to that."
"It's not nearly as much fun as you'd think. It's a lot of standing around doing nothing."
"I'm not here to be entertained, Jaime."
He put his hand on my back and led me from the park.
SPIRITUALIST BIG BROTHER
BACK AT THE HOUSE, I grabbed a cold drink from the kitchen before heading to bed. I was backing away from the fridge when something moved along the far wall. I turned and braced myself, waiting for a ghost to materialize. Another flicker-just a flashlight beam from a guard doing a walk-around outside. As I'd stared at the wall, though, something else caught my eye. Resting above the chair rail was a dark dot, smaller than a dime. I walked over. The dot became a hole, and recessed within the hole was the lens of a camera.
There could be a logical explanation for this. Maybe the family that lived here suspected the cook of spitting in their food. Or they had a dieter with a midnight fridge-raiding habit. But tiny wood shavings still clung to the hole, meaning it'd been drilled recently.
Time to take a tour of the house.
I FOUND four pinhole cameras in the shared rooms where we spiritualists were most likely to congregate. The crew-only areas were surveillance-free.
So we were being taped. By whom? My first thought was the crew. But if someone hoped for an ugly photo he could sell to a tabloid or a compromising video to post on the Internet, he'd be filming in the private areas.
I thought of Todd Simon. Beer-commercial director turned reality-show producer.
Becky said we were all in this house for budget reasons. Entirely plausible, and I was sure she believed that. But someone was hoping for Big Brother-style footage. Was it legal? That depended on our contract.
I went upstairs, pulled out my contract and gave it a good read. I never sign without studying the contract and consulting with my lawyer. I don't care if it looks just like the boilerplate I've signed a hundred times-I don't take chances. But Hollywood contracts are notorious for their legalese and for their sheer size, and this one had covered every eventuality from Raising Marilyn Monroe: The Musical to Jaime Vegas action figures.
I found the clause about agreeing to be filmed at the Brentwood house. Seemed obvious-I was going to the house to tape segments, so naturally I'd agreed to be filmed. When I reread that clause after finding pinholecameras, it took on a whole new meaning.
I'd run this past my lawyer, but even if I had grounds for raising a fuss, I'd be labeled difficult, and my hopes for my own show would fly out the window. Better to tuck the knowledge into my back pocket and use it to my advantage. If I knew I was being taped, I could put on a good performance. And I could make damned sure I didn't pick my nose, scratch my ass or badmouth anyone in the common rooms. As long as they weren't taping me in my bedroom
I put down the contract and searched. No cameras. Whew.
AS I headed to breakfast the next morning, Becky called to me from the living room. When I caught up with her, she was already vanishing into the study that now served as a communal office.
"I wanted to thank you for helping us out with Grady yesterday," she said as she shut the door. "I really appreciate it, and I want you to be the first to hear Mr. Simon's amazing new idea for the show. I just know you're going to love this."
I braced myself. In Hollywood, the words "you're going to love this" are more plea than assurance.
"Rather than pepper our show with random seances, why not make it a theme?" She lifted her hands, punctuating her words with a jab as if pointing to them on a marquee. "One final curtain call for the tragic dead of Brentwood."
"You want us to contact more dead movie stars?" I said finally.
"Not just movie stars. Brentwood stars. Those killed under mysterious circumstances, like Tansy Lane. A theme, leading to the grand finale with Marilyn Monroe."
"It's an interesting concept," I said carefully. "Certainly ambitious-"
"We don't expect you to do as well with every ghost as you did with Tansy. You can ask how they died, but we won't expect any real revelations. We'll intercut with some talking heads giving their theories, some old detectives reminiscing about the cases, and by the end of the segment, no one will even notice that we didn't actually find out anything new."
"It sounds interesting."
Becky crumpled, bracing herself against the desk. "It's horrible. I'm so sorry. We're still having issues with Grady, and this is Mr. Simon's solution, knowing how much Grady loves working with mysterious deaths."
"I'm not comfortable with changing the format at this point. It's been changed once, when they set it in this house, and I was very understanding about that."
Terror filled Becky's eyes. Part of me wanted to stand my ground and tell her that if she wanted to make the show she envisioned, then she'd better grow a backbone and stand up to men like Bradford Grady. But another part of me remembered being young, ambitious and overwhelmed, and I wanted to be the one person not making this shoot a living hell for her.
"We should get you back to the house," Jeremy said finally. "I presume you have a segment to film tomorrow?"
"In the afternoon, plus an interview midmorning."
He helped me to my feet. "When things settle down with your costars, I'd like to watch a segment or two. I'm looking forward to that."
"It's not nearly as much fun as you'd think. It's a lot of standing around doing nothing."
"I'm not here to be entertained, Jaime."
He put his hand on my back and led me from the park.
SPIRITUALIST BIG BROTHER
BACK AT THE HOUSE, I grabbed a cold drink from the kitchen before heading to bed. I was backing away from the fridge when something moved along the far wall. I turned and braced myself, waiting for a ghost to materialize. Another flicker-just a flashlight beam from a guard doing a walk-around outside. As I'd stared at the wall, though, something else caught my eye. Resting above the chair rail was a dark dot, smaller than a dime. I walked over. The dot became a hole, and recessed within the hole was the lens of a camera.
There could be a logical explanation for this. Maybe the family that lived here suspected the cook of spitting in their food. Or they had a dieter with a midnight fridge-raiding habit. But tiny wood shavings still clung to the hole, meaning it'd been drilled recently.
Time to take a tour of the house.
I FOUND four pinhole cameras in the shared rooms where we spiritualists were most likely to congregate. The crew-only areas were surveillance-free.
So we were being taped. By whom? My first thought was the crew. But if someone hoped for an ugly photo he could sell to a tabloid or a compromising video to post on the Internet, he'd be filming in the private areas.
I thought of Todd Simon. Beer-commercial director turned reality-show producer.
Becky said we were all in this house for budget reasons. Entirely plausible, and I was sure she believed that. But someone was hoping for Big Brother-style footage. Was it legal? That depended on our contract.
I went upstairs, pulled out my contract and gave it a good read. I never sign without studying the contract and consulting with my lawyer. I don't care if it looks just like the boilerplate I've signed a hundred times-I don't take chances. But Hollywood contracts are notorious for their legalese and for their sheer size, and this one had covered every eventuality from Raising Marilyn Monroe: The Musical to Jaime Vegas action figures.
I found the clause about agreeing to be filmed at the Brentwood house. Seemed obvious-I was going to the house to tape segments, so naturally I'd agreed to be filmed. When I reread that clause after finding pinholecameras, it took on a whole new meaning.
I'd run this past my lawyer, but even if I had grounds for raising a fuss, I'd be labeled difficult, and my hopes for my own show would fly out the window. Better to tuck the knowledge into my back pocket and use it to my advantage. If I knew I was being taped, I could put on a good performance. And I could make damned sure I didn't pick my nose, scratch my ass or badmouth anyone in the common rooms. As long as they weren't taping me in my bedroom
I put down the contract and searched. No cameras. Whew.
AS I headed to breakfast the next morning, Becky called to me from the living room. When I caught up with her, she was already vanishing into the study that now served as a communal office.
"I wanted to thank you for helping us out with Grady yesterday," she said as she shut the door. "I really appreciate it, and I want you to be the first to hear Mr. Simon's amazing new idea for the show. I just know you're going to love this."
I braced myself. In Hollywood, the words "you're going to love this" are more plea than assurance.
"Rather than pepper our show with random seances, why not make it a theme?" She lifted her hands, punctuating her words with a jab as if pointing to them on a marquee. "One final curtain call for the tragic dead of Brentwood."
"You want us to contact more dead movie stars?" I said finally.
"Not just movie stars. Brentwood stars. Those killed under mysterious circumstances, like Tansy Lane. A theme, leading to the grand finale with Marilyn Monroe."
"It's an interesting concept," I said carefully. "Certainly ambitious-"
"We don't expect you to do as well with every ghost as you did with Tansy. You can ask how they died, but we won't expect any real revelations. We'll intercut with some talking heads giving their theories, some old detectives reminiscing about the cases, and by the end of the segment, no one will even notice that we didn't actually find out anything new."
"It sounds interesting."
Becky crumpled, bracing herself against the desk. "It's horrible. I'm so sorry. We're still having issues with Grady, and this is Mr. Simon's solution, knowing how much Grady loves working with mysterious deaths."
"I'm not comfortable with changing the format at this point. It's been changed once, when they set it in this house, and I was very understanding about that."
Terror filled Becky's eyes. Part of me wanted to stand my ground and tell her that if she wanted to make the show she envisioned, then she'd better grow a backbone and stand up to men like Bradford Grady. But another part of me remembered being young, ambitious and overwhelmed, and I wanted to be the one person not making this shoot a living hell for her.
