Shift
Page 13

 Rachel Vincent

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The room was damp, grimy, and one of few places in the house that my mother had attempted to neither clean nor decorate. It was strictly utilitarian, and well used.
It was also a prison.
The corner of the basement nearest the foot of the stairs was taken up by a cage formed by two of the room’s cinder-block walls and two walls of steel bars. The cell held only a cot in one corner, with no sheets or pillows. Just outside the bars stood a water dispenser and a single plastic cup, narrow enough to fit through the bars, if held by the top or bottom. A coffee can—serving as a temporary toilet—sat next to the water dispenser.
They were miserable accommodations. And yes, I knew from personal experience. I once spent an entire month in the cage—most of that time in cat form—when I threatened to run away again, after having been hauled back the first time. What can I say? I was intemperate in my youth. And in much of my early adulthood.
And I have to admit that I prefer the view from outside of the bars.
“He’s still out,” Marc said, and I followed his gaze to the half-bird still unconscious on the concrete floor, just as we’d left him. He lay on his back, weird, elongated wing-arms stretched to either side so that the feathers on one brushed the bars. The end of his opposite arm lay hidden from sight—and likely folded—beneath the cot.
Even half-Shifted, the creature’s arm span was at least ten feet.
“Suggestions?” I asked, my fury and fear muted a bit by sheer amazement as I stared at the bird up close, half-repelled by the thick, curved beak where his human mouth and nose should have been.
Marc never took his gaze from the cage. “Get the hose.”
I pulled open the door beneath the staircase and rummaged in the dark for a minute before my hand found the smooth, textured hose coiled around what could only be a broken weight bar. I slid my good arm through the coil and carried it to the utility sink near the weight rack. When I had the hose hooked up to the huge faucet—moderately encumbered by my cast but determined to do it on my own—I uncoiled it loop by loop until it stretched across the room to Marc.
He raised both brows, finger poised over the trigger of the high-pressure nozzle. “This should be interesting.…” Marc squeezed the trigger, and a long, straight, presumably cold stream of water shot between two bars of the cage, blasting the back concrete wall and lightly splattering the unconscious bird. Marc adjusted his aim, and the jet of water hit the bird squarely on his sparsely feathered chest.
The thunderbird sat up with a jolt, gasping in air—and a little water—through his malformed beak. His right wing-arm shot up an instant faster than his left, too quick to be anything other than instinct, protecting his face and torso, though his feathers were instantly drenched.
The bird made a horrible, pain-filled squawking sound and backed against the wall, where he slid to his knees and wrapped his long, feathered arms around his torso.
Marc released the trigger and the water stopped, but the bird remained huddled and dripping on the floor. In the sudden silence, he gasped for breath and I heard his heart racing with shock. But his pulse slowed quickly as he regained control of himself, and when he lowered his wings, the bird glared at us through small eyes as dark as my own fur, his expression as hard as the concrete blocks at his back.
“Stand up and Shift so you can speak,” I said, desperately hoping he spoke either English or Spanish. Because he could be from Chile, for all we knew. Or Pluto, for that matter.
For a moment, he only stared at us, hostility gleaming in his shiny eyes. Or maybe that was water from his rude awakening. But when Marc re-aimed the hose, the bird stood slowly and spread his arms. His left one was reluctant, and he flinched as he forced it into place, flexing his wing-claws as if to show them off. Then he cocked his head to one side, like he was thinking, and closed both eyes. A very soft, eerie whispering sound seemed to skitter across my spine, and I watched in fascination as his feathers receded into his skin and his arms began to shorten.
It happened in seconds.
Marc and I stood in silent shock.
The fastest Shift I’d ever accomplished was just under a minute, and I was one of the fastest Shifters I’d ever met. Probably because I’m smaller than most toms—thus have less body to change—and more experienced than most teenagers, who have less to change than even I do.
But this bird—every bird, if the sample we’d seen was any indication—had me beat, paws down. Or talons down, as the case may be. And his Shift was weird. The fur that receded in my own was only an inch long, and not much thicker than human hair, but feathers had long, stiff quills. There was no way feathers twelve to fourteen inches long should have slid so quickly and easily into his skin.
Yet there the thunderbird stood, fully human and unabashedly naked, watching us in obvious, wary hatred. He was short—no more than five foot four—and thin, with a disproportionately powerful upper body and spindly legs. He would pass for human if he were clothed, but he would definitely stand out, though most people would be unable to explain exactly why.
While we stared, he ran his right hand over his thick chest and narrow waist, casually touching the gashes Owen had carved into him. His hand came away bright red. The water had washed away dried and crusted blood and had reopened the wounds. He held his left arm stiffly at his side, and when I looked closer, I could see that it was lumpy. Obviously broken, and certainly very painful. But he made no sound, nor any move to cradle his injury.
“What is this?” The thunderbird’s voice was gravelly and screechy, as if he spoke in two tones at once. It was a strange sound, oddly fitting for his unusual build.