And then she’s there, falling on top of his blue-gray body and apologizing and kissing his unconscious face. “What happened? Why did you bring him back early?”
“I didn’t, Lucy. I waited exactly an hour.” Jay pushes her away, forcing air into Colin’s lungs and smacking his chest. “Wake the f**k up, C.”
Lucy’s hands curl into fists, a wave of anger flashing along her skin, and she shoves Jay’s arm away, causing him to cry out, stare at her for a beat in horror.
“What happened to you?” Jay asks, voice shaking. He squeezes his eyes shut and looks at her again before he reaches for another hand warmer to shove into the mittens covering Colin’s fingers. “What happened to your face?”
“My face?”
He shakes his head. “Nothing. I must have . . .” Lucy ignores Jay’s rambling and bends over Colin, hugging him through the heavy layer of blankets. “I’m here. You’re going to be okay. I’m here.”
Chapter 28 HIM
IT’S SO STRANGE TO BE IN THIS PLACE AGAIN, caught between life and life unraveling. Colin feels the faint burn of ice and snow against his skin, but he’s not cold. Flashes of light pulse beyond his closed lids, and the echo of his name rings through the air in panicked voices, but he can’t gather the strength to open his eyes. Despite the noise in his head, his chest is strangely silent. It’s taking too long, and the instinct to return grows fainter and fainter.
He feels a mild tickle of fear, but it’s gone quickly, the urge to slip back into darkness wrapping around him like a blanket. In a thick, creeping realization, Colin understands that his inclination to curl back into the lake is because it’s Lucy’s lake. He’s less surprised to feel positive that Lucy is the ghost at the lake than he is to feel in his frigid bones that she’s been waiting for him. For so long there hasn’t been anything for him here, and there is everything for him in the lake. It would be so easy to go back in and walk down the trail to Lucy.
That’s all he’s ever had to do.
Chapter 29 HER
HIS EYES OPEN AT ONCE. NOT THE CALM, fluttering awakening she expected, but one moment he’s blue and unconscious, the next he’s staring at her, gulping for air, his face burning red.
“Luce,” he gasps. He inhales roughly, as if he’s sucking oxygen through a straw.
She presses on his neck to feel his pulse.
“Colin.” She has a million questions. Can you feel me? Do you remember? Do you hurt? Can you move?
“I think I know where you go,” he mumbles thickly into her neck. His entire body has begun to shiver violently, and it takes him a moment to get the words out. “I think you live in the lake.”
Her veins run cold at the thought that her home is in that deep, isolated world. That she is the one haunting this school. But something about it rings true; she’s more peaceful at the lake than she is anywhere else on campus. And there are no waters entering or leaving it; it’s as landlocked as she is.
Sunlight steals the darkness from Colin’s bedroom inch by inch and finally shines a spotlight on his warm, breathing body. For the hundredth time she memorizes his face, his neck, the way his hair curls and falls over his forehead.
“Wake up. Talk to me,” she says. It’s been one of the longest nights she’s spent with him, waiting for him to come to and show that he’s not hurt. Or sick. Or brain damaged.
He makes some groggy waking-up noises, turning to face her. “Your skin feels so different lately.” He pauses, and Lucy hopes he’s realizing that this conversation seems familiar. “Do you think it has to do with me?” he says instead.
She pulls back to look at him. Really look at him, as in try to see if his pupils are reacting to light and his skin has taken on his normal color. Does he not remember that they’ve had this conversation before, twice now? “Maybe.”
“Do you think me being close to you, or even like you in the lake somehow makes you more . . . ?” He shakes his head, rubbing his face. “Like, more real?”
She smiles, trying to shake off the strange tickle in her spine she feels looking at his innocently wide-eyed expression. “I want to be a real girl, Geppetto.”
“I’m serious.”
“Me too.”
“Maybe we can shift into some dimension that shows us how to make you human again,” he says. “With more practice.” She gives him her best what-on-earth-are-you-talkingabout look. “I don’t think we’ll be doing any more interdimensional Colin travel. I worry you’ve used up your last ticket.”
He shakes his head, immediately riled up, and although her mind worries, her heart feels a silent, electric thrill. Something inside her begins beating. And it’s this that worries her: If she’s his Guardian, why does it feel so good that he’s falling apart?
Lucy’s never seen Jay rattled before. At least, that’s what she assumes is going on at lunch when he’s silent and fidgety. His usually piercing eyes are focused on his shoes, where he doodles with a black marker over older doodles. The fresh black ink stands out against the faded now-gray.
Over “ grenouille,” he writes “eau.” Over “papillon” he writes “froid.” Almost as an afterthought he adds CHAUD, in capital letters above it all.
Frog and butterfly become cold water, then hot. She digs in her thoughts for more words in French but is greeted by only a vast expanse of gray. She can’t puzzle out her memories, how they seem to be vaulted inside until they get the smallest nudge and then spill forward. She wonders what other things will tumble out when prodded. Maybe something to explain where she goes when she’s gone and what kind of Guardian lets her Protected dive into a frozen lake over and over just so she can touch him.
“I didn’t know you took French,” she says. Beside her, Colin is buried in a book about the acute effects of hypothermia.
“I don’t,” Jay says defensively, as if he’s been caught somehow. As if he’s the one who should be explaining himself.
They’re an awkward threesome, with a secret the size of the Pacific Ocean between them, carrying on with their normal lives in the strange world of private school. Sneakers squeak on the asphalt of the basketball court in the distance. A short, chubby kid makes three baskets in a row from the three-point line. Lucy wants to ask Jay how he knows the French word for frog if he doesn’t take French, but it also seems like the most inconsequential question she could ask after everything that happened this last weekend. “Are you okay, Jay?”
“My mom is French,” he says instead of answering.
“So that explains grenouille,” she says, and he grins, correcting her pronunciation under his breath. “But it doesn’t explain why you’re nonverbal today. Are you freaked out?”
His shrug is loose and slow. Jay is jerky and twitchy; the shrug is a decidedly non-Jay gesture. “Just thinking.” He reaches for a magazine inside his bag. The front is creased and covered in scribbled notes, drawings, and watermarks. The pages are dog-eared and torn on the edges, DIRT RAG emblazoned across the top in jagged green lettering.
“Jay,” Lucy begins, unsure of his mood and how to best phrase her thoughts. She looks over at Colin, satisfied that he’s sufficiently distracted. “Don’t either of you have that voice in your head saying that what you’re doing is crazy?”
“I do,” he says, then nods toward Colin. “He never has.”
Of course Colin picks that exact moment to look up from his book. “I never have what?”
“The self-preservation instinct. You never turn back from a hill or a jump. I’ve never seen you look at something and say, ‘I shouldn’t try that.’ It doesn’t mean you always land it, but you always try. You have no good angel on your shoulder.” Bending to his magazine, Jay adds quietly, “Only the devil.”
Colin laughs, and it feels like a fist squeezes Lucy’s heart.
Jay continues. “I can’t believe it went like it did at the lake.”
“How so?” Colin asks carefully.
Lucy starts to compile an apology to Jay, shifting words in her head to make the best, simplest statement, so he understands that she appreciates what he did more than he knows. She considers adding they would never ask it of him again, but the words feel slippery in her thoughts.
“I didn’t, Lucy. I waited exactly an hour.” Jay pushes her away, forcing air into Colin’s lungs and smacking his chest. “Wake the f**k up, C.”
Lucy’s hands curl into fists, a wave of anger flashing along her skin, and she shoves Jay’s arm away, causing him to cry out, stare at her for a beat in horror.
“What happened to you?” Jay asks, voice shaking. He squeezes his eyes shut and looks at her again before he reaches for another hand warmer to shove into the mittens covering Colin’s fingers. “What happened to your face?”
“My face?”
He shakes his head. “Nothing. I must have . . .” Lucy ignores Jay’s rambling and bends over Colin, hugging him through the heavy layer of blankets. “I’m here. You’re going to be okay. I’m here.”
Chapter 28 HIM
IT’S SO STRANGE TO BE IN THIS PLACE AGAIN, caught between life and life unraveling. Colin feels the faint burn of ice and snow against his skin, but he’s not cold. Flashes of light pulse beyond his closed lids, and the echo of his name rings through the air in panicked voices, but he can’t gather the strength to open his eyes. Despite the noise in his head, his chest is strangely silent. It’s taking too long, and the instinct to return grows fainter and fainter.
He feels a mild tickle of fear, but it’s gone quickly, the urge to slip back into darkness wrapping around him like a blanket. In a thick, creeping realization, Colin understands that his inclination to curl back into the lake is because it’s Lucy’s lake. He’s less surprised to feel positive that Lucy is the ghost at the lake than he is to feel in his frigid bones that she’s been waiting for him. For so long there hasn’t been anything for him here, and there is everything for him in the lake. It would be so easy to go back in and walk down the trail to Lucy.
That’s all he’s ever had to do.
Chapter 29 HER
HIS EYES OPEN AT ONCE. NOT THE CALM, fluttering awakening she expected, but one moment he’s blue and unconscious, the next he’s staring at her, gulping for air, his face burning red.
“Luce,” he gasps. He inhales roughly, as if he’s sucking oxygen through a straw.
She presses on his neck to feel his pulse.
“Colin.” She has a million questions. Can you feel me? Do you remember? Do you hurt? Can you move?
“I think I know where you go,” he mumbles thickly into her neck. His entire body has begun to shiver violently, and it takes him a moment to get the words out. “I think you live in the lake.”
Her veins run cold at the thought that her home is in that deep, isolated world. That she is the one haunting this school. But something about it rings true; she’s more peaceful at the lake than she is anywhere else on campus. And there are no waters entering or leaving it; it’s as landlocked as she is.
Sunlight steals the darkness from Colin’s bedroom inch by inch and finally shines a spotlight on his warm, breathing body. For the hundredth time she memorizes his face, his neck, the way his hair curls and falls over his forehead.
“Wake up. Talk to me,” she says. It’s been one of the longest nights she’s spent with him, waiting for him to come to and show that he’s not hurt. Or sick. Or brain damaged.
He makes some groggy waking-up noises, turning to face her. “Your skin feels so different lately.” He pauses, and Lucy hopes he’s realizing that this conversation seems familiar. “Do you think it has to do with me?” he says instead.
She pulls back to look at him. Really look at him, as in try to see if his pupils are reacting to light and his skin has taken on his normal color. Does he not remember that they’ve had this conversation before, twice now? “Maybe.”
“Do you think me being close to you, or even like you in the lake somehow makes you more . . . ?” He shakes his head, rubbing his face. “Like, more real?”
She smiles, trying to shake off the strange tickle in her spine she feels looking at his innocently wide-eyed expression. “I want to be a real girl, Geppetto.”
“I’m serious.”
“Me too.”
“Maybe we can shift into some dimension that shows us how to make you human again,” he says. “With more practice.” She gives him her best what-on-earth-are-you-talkingabout look. “I don’t think we’ll be doing any more interdimensional Colin travel. I worry you’ve used up your last ticket.”
He shakes his head, immediately riled up, and although her mind worries, her heart feels a silent, electric thrill. Something inside her begins beating. And it’s this that worries her: If she’s his Guardian, why does it feel so good that he’s falling apart?
Lucy’s never seen Jay rattled before. At least, that’s what she assumes is going on at lunch when he’s silent and fidgety. His usually piercing eyes are focused on his shoes, where he doodles with a black marker over older doodles. The fresh black ink stands out against the faded now-gray.
Over “ grenouille,” he writes “eau.” Over “papillon” he writes “froid.” Almost as an afterthought he adds CHAUD, in capital letters above it all.
Frog and butterfly become cold water, then hot. She digs in her thoughts for more words in French but is greeted by only a vast expanse of gray. She can’t puzzle out her memories, how they seem to be vaulted inside until they get the smallest nudge and then spill forward. She wonders what other things will tumble out when prodded. Maybe something to explain where she goes when she’s gone and what kind of Guardian lets her Protected dive into a frozen lake over and over just so she can touch him.
“I didn’t know you took French,” she says. Beside her, Colin is buried in a book about the acute effects of hypothermia.
“I don’t,” Jay says defensively, as if he’s been caught somehow. As if he’s the one who should be explaining himself.
They’re an awkward threesome, with a secret the size of the Pacific Ocean between them, carrying on with their normal lives in the strange world of private school. Sneakers squeak on the asphalt of the basketball court in the distance. A short, chubby kid makes three baskets in a row from the three-point line. Lucy wants to ask Jay how he knows the French word for frog if he doesn’t take French, but it also seems like the most inconsequential question she could ask after everything that happened this last weekend. “Are you okay, Jay?”
“My mom is French,” he says instead of answering.
“So that explains grenouille,” she says, and he grins, correcting her pronunciation under his breath. “But it doesn’t explain why you’re nonverbal today. Are you freaked out?”
His shrug is loose and slow. Jay is jerky and twitchy; the shrug is a decidedly non-Jay gesture. “Just thinking.” He reaches for a magazine inside his bag. The front is creased and covered in scribbled notes, drawings, and watermarks. The pages are dog-eared and torn on the edges, DIRT RAG emblazoned across the top in jagged green lettering.
“Jay,” Lucy begins, unsure of his mood and how to best phrase her thoughts. She looks over at Colin, satisfied that he’s sufficiently distracted. “Don’t either of you have that voice in your head saying that what you’re doing is crazy?”
“I do,” he says, then nods toward Colin. “He never has.”
Of course Colin picks that exact moment to look up from his book. “I never have what?”
“The self-preservation instinct. You never turn back from a hill or a jump. I’ve never seen you look at something and say, ‘I shouldn’t try that.’ It doesn’t mean you always land it, but you always try. You have no good angel on your shoulder.” Bending to his magazine, Jay adds quietly, “Only the devil.”
Colin laughs, and it feels like a fist squeezes Lucy’s heart.
Jay continues. “I can’t believe it went like it did at the lake.”
“How so?” Colin asks carefully.
Lucy starts to compile an apology to Jay, shifting words in her head to make the best, simplest statement, so he understands that she appreciates what he did more than he knows. She considers adding they would never ask it of him again, but the words feel slippery in her thoughts.
