The City of Mirrors
Page 206
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The violence of the crane’s movement intensified. Far below, the hooked chain was swaying like a pendulum. The glow of the glass was growing brighter. Where was the light coming from?
“What do you say? Perhaps the two of you could hold hands and throw yourselves off. I’ll be glad to wait.”
There was a flash. A ray of intense sunlight, angling off the steel crown of the Chrysler Building, had broken through the murk.
It shot Fanning directly in the face.
Suddenly the crane tipped away from the side of the building. The bolts attaching the mast to the structure’s outer girders were breaking away. With a groan, the boom began to arc over Fifth Avenue, slowly at first, then with gathering velocity. The mast was tipping from its base. They were moving both down and away, the boom falling like a hammer toward the glass tower across the street. It would spear the building at a forty-five-degree angle, going like a shot.
Oh please, thought Amy. She was hugging the edges of the catwalk. Make it stop.
Glass exploded around them.
—
The virals did not so much enter as pop into the room. The first one, the alpha, bounded straight over the table, landing in front of him. Michael thrust the pan out toward its face.
It froze.
The other two seemed confused, unable to decide what to do. It was as Michael had hoped; he had disrupted their chain of command. He moved the pan a little to the side; the viral’s gaze tracked it unerringly. This discovery would have intrigued him if he weren’t so terrified. Hardly daring to breathe, Michael slowly drew the pan toward himself. The viral obediently followed; it seemed utterly entranced. Inch by inch, the gap between them closed. Michael shifted the pan to the left, making the viral turn its face.
A broken butter knife, thought Michael. I better get this right.
He struck.
—
The end of the crane’s boom speared the glass tower at the northwest corner of Forty-third and Fifth at the thirty-second floor. Such was the force of impact that it continued its downward course through two more floors, while also embedding itself deeper within the structure. Here it came to rest in precarious balance, mast and boom forming the upper legs of an isosceles triangle suspended three hundred feet above the street.
Amy returned to consciousness with only partial recollection of these events: a sensation of wild descent, culminating in a chaos so total that her mind could not sort its components. She was lying on the floor, her body twisted and her knees drawn up, her left arm extended past her head. Ahead lay a region of light and wind and swirling dust, which, after a moment, showed itself to be a gaping hole in the side of the building. To her left, the end of the boom sloped downward into the floor, swaying from side to side with a soporific creaking sound. The air was otherwise weirdly still. Something rough and bulky lay beneath her: the chain. It was still attached to the tip of the boom. She felt profound puzzlement at having survived, at the mere fact of being alive. That was her only emotion. As she rolled onto her stomach, her center of gravity, distorted by her long plunge through space, swayed nauseatingly inside her. Nevertheless, she managed to push herself onto her hands and knees and crawled toward the end of the boom.
Peter was lying facedown on the catwalk. He did not, at first, appear to be living. There was blood everywhere, and his neck was bent away from her at an unnatural angle. One arm dangled over the edge. But as Amy inched forward, calling his name, she detected a faint respiratory stirring, followed by a twitch of his exposed hand. I’m coming, she cried, I’m coming to get you. Just hang on.
She didn’t have much time; the crane’s tenuous state of balance would not last long. At any moment the whole thing would wrench free and topple to the street below. Kneeling on the catwalk, Amy slid her hands beneath Peter’s shoulders. She was panting for air; perspiration dripped into her mouth and eyes. In a series of jerks, she drew him to the end of the boom and slid him onto the floor.
She rolled him onto his back. His body seemed completely inert, yet his eyes were open. Amy cupped his chin to make him look at her. His tongue swished behind his teeth with a gurgling sound; he was attempting to speak.
“You’re hurt,” she said. “Don’t try to talk.”
The muscles of his face compressed. His eyes were open very wide. She realized he wasn’t looking at her. He was looking behind her.
A single word, the last one of his life, burst from Peter’s lips: “Fanning.”
—
The fractured end of the butter knife sank into the creature’s eye with a spurt of clear fluid. Michael tried to hold on, but the metal slipped from his fingers as the creature emitted a high-pitched squeal and staggered backward, the blade still embedded. Now Michael had nothing but the pan to work with. As one of the others shot forward, he swung it as hard as he could, connecting with the side of the creature’s skull. He fell onto his side, still pressed to the wall. He raised the pan before his face.
The viral batted it away.
Michael rolled onto his stomach and buried his head in his arms.
—
Roaring with rage, Fanning blasted into her. A second of confusion and she was on her back, Fanning straddling her waist, claws coiled around her neck. The skin of his face was blackened and charred, the flesh separated in long, puckered slits that exposed the musculature beneath; his lips were gone, transforming his mouth into a skeleton’s grin of naked teeth. Bits of damp, stringy material dangled from his eye sockets; the orbs within had burst. She tried to breathe, but no air passed the knot of pressure on her throat. Jets of spittle flew from Fanning’s mouth into her eyes. Her hands batted at his arms and face, but her efforts were weak and vague. The floor began to shake; the crane was breaking loose. The walls of her vision were compacting around her like a narrowing tunnel. She abandoned her flailing and swept her hands along the floor. He’s blind, she told herself. He can’t see what you’re doing. The shaking deepened; with a shriek of torquing metal, the boom jerked upward.
“What do you say? Perhaps the two of you could hold hands and throw yourselves off. I’ll be glad to wait.”
There was a flash. A ray of intense sunlight, angling off the steel crown of the Chrysler Building, had broken through the murk.
It shot Fanning directly in the face.
Suddenly the crane tipped away from the side of the building. The bolts attaching the mast to the structure’s outer girders were breaking away. With a groan, the boom began to arc over Fifth Avenue, slowly at first, then with gathering velocity. The mast was tipping from its base. They were moving both down and away, the boom falling like a hammer toward the glass tower across the street. It would spear the building at a forty-five-degree angle, going like a shot.
Oh please, thought Amy. She was hugging the edges of the catwalk. Make it stop.
Glass exploded around them.
—
The virals did not so much enter as pop into the room. The first one, the alpha, bounded straight over the table, landing in front of him. Michael thrust the pan out toward its face.
It froze.
The other two seemed confused, unable to decide what to do. It was as Michael had hoped; he had disrupted their chain of command. He moved the pan a little to the side; the viral’s gaze tracked it unerringly. This discovery would have intrigued him if he weren’t so terrified. Hardly daring to breathe, Michael slowly drew the pan toward himself. The viral obediently followed; it seemed utterly entranced. Inch by inch, the gap between them closed. Michael shifted the pan to the left, making the viral turn its face.
A broken butter knife, thought Michael. I better get this right.
He struck.
—
The end of the crane’s boom speared the glass tower at the northwest corner of Forty-third and Fifth at the thirty-second floor. Such was the force of impact that it continued its downward course through two more floors, while also embedding itself deeper within the structure. Here it came to rest in precarious balance, mast and boom forming the upper legs of an isosceles triangle suspended three hundred feet above the street.
Amy returned to consciousness with only partial recollection of these events: a sensation of wild descent, culminating in a chaos so total that her mind could not sort its components. She was lying on the floor, her body twisted and her knees drawn up, her left arm extended past her head. Ahead lay a region of light and wind and swirling dust, which, after a moment, showed itself to be a gaping hole in the side of the building. To her left, the end of the boom sloped downward into the floor, swaying from side to side with a soporific creaking sound. The air was otherwise weirdly still. Something rough and bulky lay beneath her: the chain. It was still attached to the tip of the boom. She felt profound puzzlement at having survived, at the mere fact of being alive. That was her only emotion. As she rolled onto her stomach, her center of gravity, distorted by her long plunge through space, swayed nauseatingly inside her. Nevertheless, she managed to push herself onto her hands and knees and crawled toward the end of the boom.
Peter was lying facedown on the catwalk. He did not, at first, appear to be living. There was blood everywhere, and his neck was bent away from her at an unnatural angle. One arm dangled over the edge. But as Amy inched forward, calling his name, she detected a faint respiratory stirring, followed by a twitch of his exposed hand. I’m coming, she cried, I’m coming to get you. Just hang on.
She didn’t have much time; the crane’s tenuous state of balance would not last long. At any moment the whole thing would wrench free and topple to the street below. Kneeling on the catwalk, Amy slid her hands beneath Peter’s shoulders. She was panting for air; perspiration dripped into her mouth and eyes. In a series of jerks, she drew him to the end of the boom and slid him onto the floor.
She rolled him onto his back. His body seemed completely inert, yet his eyes were open. Amy cupped his chin to make him look at her. His tongue swished behind his teeth with a gurgling sound; he was attempting to speak.
“You’re hurt,” she said. “Don’t try to talk.”
The muscles of his face compressed. His eyes were open very wide. She realized he wasn’t looking at her. He was looking behind her.
A single word, the last one of his life, burst from Peter’s lips: “Fanning.”
—
The fractured end of the butter knife sank into the creature’s eye with a spurt of clear fluid. Michael tried to hold on, but the metal slipped from his fingers as the creature emitted a high-pitched squeal and staggered backward, the blade still embedded. Now Michael had nothing but the pan to work with. As one of the others shot forward, he swung it as hard as he could, connecting with the side of the creature’s skull. He fell onto his side, still pressed to the wall. He raised the pan before his face.
The viral batted it away.
Michael rolled onto his stomach and buried his head in his arms.
—
Roaring with rage, Fanning blasted into her. A second of confusion and she was on her back, Fanning straddling her waist, claws coiled around her neck. The skin of his face was blackened and charred, the flesh separated in long, puckered slits that exposed the musculature beneath; his lips were gone, transforming his mouth into a skeleton’s grin of naked teeth. Bits of damp, stringy material dangled from his eye sockets; the orbs within had burst. She tried to breathe, but no air passed the knot of pressure on her throat. Jets of spittle flew from Fanning’s mouth into her eyes. Her hands batted at his arms and face, but her efforts were weak and vague. The floor began to shake; the crane was breaking loose. The walls of her vision were compacting around her like a narrowing tunnel. She abandoned her flailing and swept her hands along the floor. He’s blind, she told herself. He can’t see what you’re doing. The shaking deepened; with a shriek of torquing metal, the boom jerked upward.
