The City of Mirrors
Page 4

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She abided in that place for two years. Leaving was not easy; the woods had become a solace. She had taken its rhythms as her own. But when Alicia’s third summer began, a new feeling stirred: the time had come to move on. To finish what she’d started.
She passed the rest of the summer preparing. This involved the construction of a weapon. She left on foot for the river towns and returned three days later, hauling a clanking bag. She understood the basics of what she was attempting, having watched the process many times; the details would come through trial and error. A flat-topped boulder by the creek would serve as her anvil. At the water’s edge, she stoked her fire and watched it burn down to coals. Maintaining the right temperature was the trick. When she felt she had it right, she removed the first piece from the sack: a bar of O1 steel, two inches wide, three feet long, three-eighths of an inch thick. From the sack she also withdrew a hammer, iron tongs, and thick leather gloves. She placed the end of the steel bar in the fire and watched its color change as the metal heated. Then she got to work.
It took three more trips downriver for supplies, and the results were crude, but in the end she was satisfied. She used coarse, stringy vines to wrap the handle, giving her fist a solid purchase on the otherwise smooth metal. Its weight was pleasant in her grip. The polished tip shone in the sun. But the first cut would be the true test. On her final trip downriver, she had wandered upon a field of melons, the size of human heads. They grew in a dense patch, tangled with vines of grasping, hand-shaped leaves. She’d selected one and carried it home in the sack. Now she balanced it atop a fallen log, took aim, and brought the sword down in a vertical arc. The severed halves rocked lazily away from each other, as if stunned, and flopped to the ground.
Nothing remained to hold her in place. The night before her departure, Alicia visited her daughter’s grave. She did not want to do this at the last second; her exit should be clean. For two years the place had gone unmarked. Nothing had seemed worthy. But leaving it unacknowledged felt wrong. With the last of her steel, she’d fashioned a cross. She used the hammer to tap it into the ground and knelt in the dirt. The body would be nothing now. Perhaps a few bones, or an impression of bones. Her daughter had passed into the soil, the trees, the rocks, even the sky and animals. She had gone into a place beyond knowing. Her untested voice was in the songs of birds, her cap of red hair in the flaming leaves of autumn. Alicia thought about these things, one hand touching the soft earth. But she had no more prayers inside her. The heart, once broken, stayed broken.
“I’m sorry,” she said.
Morning dawned unremarkably—windless, gray, the air compacted with mist. The sword, sheathed in a deer-hide scabbard, lay across her back at an angle; her blades, tucked in their bandoliers, were cinched in an X over her chest. Dark, gogglelike glasses, with leather shields at the temples, concealed her eyes. She fixed the saddlebag in place and swung onto Soldier’s back. For days he’d roamed restlessly, sensing their imminent departure. Are we doing what I think we’re doing? I rather like it here, you know. Her plan was to ride east along the river, to follow its course through the mountains. With luck, she’d reach New York before the first leaves fell.
She closed her eyes, emptying her mind. Only when she had cleared this space would the voice emerge. It came from the same place dreams did, like wind from a cave, whispering into her ear.
Alicia, you are not alone. I know your sorrow, because it’s my own. I’m waiting for you, Lish. Come to me. Come home.
She tapped Soldier’s flanks with her heels.
* * *
2
The day was just ending when Peter returned to the house. Above him, the immense Utah sky was breaking open in long fingers of color against the deepening blue. An evening in early autumn: the nights were cold, the days still fair. He made his way homeward along the murmuring river, his pole over his shoulder, the dog ambling at his side. In his bag were two fat trout, wrapped in golden leaves.
As he approached the farmstead, he heard music coming from the house. He removed his muddy boots on the porch, put down his bag, and eased inside. Amy was sitting at the old upright piano, her back facing the door. He moved in quietly behind her. So total was her concentration that she failed to notice his entry. He listened without moving, barely with breath. Amy’s body was swaying slightly to the music. Her fingers moved nimbly up and down the keyboard, not so much playing the notes as calling them forth. The song was like a sonic embodiment of pure emotion. There was a deep heartache inside its phrases, but the feeling was expressed with such tenderness that it did not seem sad. It made him think of the way time felt, always falling into the past, becoming memory.
“You’re home.”
The song had ended without his noticing. As he placed his hands on her shoulders, she shifted on the bench and tilted her face upward.
“Come here,” she said.
He bent to receive her kiss. Her beauty was astonishing, a fresh discovery every time he looked at her. He tipped his head at the keys. “I still don’t know how you do that,” he said.
“Did you like it?” She was smiling. “I’ve been practicing all day.”
He told her he did; he loved it. It made him think of so many things, he said. It was hard to put into words.
“How was the river? You were gone a long while.”
“Was I?” The day, like so many, had passed in a haze of contentment. “It’s so beautiful this time of year, I guess I just lost track.” He kissed the top of her head. Her hair was freshly washed, smelling of the herbs she used to soften the harsh lye. “Just play. I’ll get dinner going.”