The Night Circus
Page 22

Bailey resists the urge to ask her when, and instead waits to see if she has anything else to add about the cards. The fortune-teller moves a card here and there. She picks up the card with the knight from where it sits and places it on top of the crumbling castle.
“Do you like the circus, Bailey?” she asks, looking up at him again.
“It’s like no place I’ve ever been,” Bailey says. “Not that I’ve been many places,” he adds quickly. “But I think the circus is wonderful. I like it very much.”
“That would help,” the fortune-teller says.
“Help with what?” Bailey asks, but the fortune-teller does not answer. Instead, she flips over another card from the deck, placing it over the card with the knight. It is a picture of a lady pouring water into a lake, a bright shining star over her head.
It is still difficult to discern her expressions through her veil, but Bailey is certain that she frowns at the card as she places it on the table, though when she looks back up at him the frown is gone.
“You will be fine,” the fortune-teller says. “There may be decisions to make, and surprises in store. Life takes us to unexpected places sometimes. The future is never set in stone, remember that.”
“I will,” Bailey says. He thinks the fortune-teller looks a bit sad as she begins to gather up the cards on the table, putting them back into a neat pile. She saves the knight for last, placing him on the top of the deck.
“Thank you,” Bailey says. He did not receive as clear an answer about his future as he had expected, but somehow the issue does not seem as heavy as it had before. He debates whether to leave, unsure of proper fortune-telling etiquette.
“You’re welcome, Bailey,” the fortune-teller says. “It was a pleasure to read for you.”
Bailey reaches into his pocket and pulls out the bag of chocolate mice and offers it to her.
“Would you like a mouse?” he asks. Before he can mentally berate himself for doing something so silly, the fortune-teller smiles, though for a moment there is something almost sad beneath it.
“Why, yes, I would,” she says, pulling one of the chocolate mice out of the bag by its licorice tail. She places it on the top of the crystal sphere. “They’re one of my favorites,” she confides. “Thank you, Bailey. Enjoy the rest of your time at the circus.”
“I will,” Bailey says. He stands up and walks back to the beaded curtain. He reaches to part the strings of beads and stops, suddenly, and turns around.
“What’s your name?” he asks the fortune-teller.
“You know, I’m not sure any of my querents have ever asked that before,” she says. “My name is Isobel.”
“It was nice to meet you, Isobel,” Bailey says.
“It was nice to meet you, too, Bailey,” Isobel says. “And you might want to go down the path to your right when you leave,” she adds. Bailey nods and turns back, pushing through the strands of beads into the still-empty vestibule. The beads are not so loud as they settle, and when they quiet, everything is soft and still, as though there is no other room behind them, no fortune-teller sitting at her table.
Bailey feels oddly at ease. As though he is closer to the ground, but taller at the same time. His concerns about his future no longer weigh so heavily on him as he exits the tent, turning right down the curving path that winds between the striped tents.
The Wizard in the Tree
BARCELONA, NOVEMBER 1894
The rooms hidden behind the multitude of tents in Le Cirque des Rêves are a stark contrast to the black and white of the circus. Alive with color. Warm with glowing amber lamps.
The space kept by the Murray twins is particularly vivid. A kaleidoscope of color, blazing with carmine and coral and canary, so much so that the entire room often appears to be on fire, dotted with fluffy kittens dark as soot and bright as sparks.
It is occasionally suggested that the twins should be sent to boarding school to receive a proper education, but their parents insist that they learn more from living with such a diverse company and traveling the globe than they would confined by schoolrooms and books.
The twins remain perfectly pleased with the arrangement, receiving irregular lessons on innumerable subjects and reading every book they can get their hands on, piles of them often ending up in the wrought-iron cradle they would not part with after it was outgrown.
They know every inch of the circus, moving from color to black and white with ease. Equally comfortable in both.
Tonight they sit in a striped tent beneath a rather large tree, its branches black and bare of leaves.
At this late hour there are no patrons lingering in this particular tent, and it is unlikely that any other visitors to the circus will stumble upon it in the remaining hours before dawn.
The Murray twins lean against the massive trunk, sipping steaming cups of mulled cider.
They have finished with their performances for the evening, and the remaining hours before dawn are theirs to spend as they please.
“Do you want to read tonight?” Widget asks his sister. “We could take a walk, it’s not that cold.” He pulls a pocket watch from his coat to check the time. “It’s not that late yet, either,” he adds, though their definition of late is what many would consider quite early.
Poppet bites her lip in thought for a moment before answering.
“No,” she says. “Last time everything was all red and confusing. I think maybe I should wait a bit before I try again.”
“Red and confusing?”
Poppet nods.
“It was a bunch of things overlapping,” she explains. “Fire and something red, but not at the same time. A man without a shadow. A feeling like everything was unraveling, or tangling, the way the kittens pull yarn into knots and you can’t find the beginning or the end anymore.”
“Did you tell Celia about it?” Widget asks.
“Not yet,” Poppet says. “I don’t like to tell her things that don’t make any sense. Most times things make sense eventually.”
“That’s true,” Widget says.
“Oh, and another thing,” Poppet says. “We’re going to have company. That was in there somewhere, too. I don’t know if it was before or after the other things, or sometime in between.”
“Can you see who it is?” Widget asks.
“No,” Poppet answers simply.
Widget is not surprised.
“What was the red something?” he asks. “Could you tell?”
Poppet closes her eyes, remembering.
“It looks like paint,” she says.
Widget turns to look at her.
“Paint?” he asks.
“Like spilled paint, on the ground,” Poppet answers. She closes her eyes again, but then opens them quickly. “Dark red. It’s all sort of jumbled and I don’t really like the red bit, when I saw it, it hurt my head. The company part is nicer.”
“Company would be nice,” Widget says. “Do you know when?”
Poppet shakes her head.
“Some of it feels soon. The rest of it feels far away.”
They sit quietly sipping their cider for a bit, leaning against the trunk of the tree.
“Tell me a story, please,” Poppet says after a while.
“What kind of story?” Widget asks. He always asks her, gives her an opportunity to make a request, even if he has one in mind already. Only preferred or special audiences receive such treatment.
“A story about a tree,” Poppet says, looking up through the twisting black branches above them.
Widget pauses before he starts, letting the tent and the tree settle into silent prologue while Poppet waits patiently.
“Secrets have power,” Widget begins. “And that power diminishes when they are shared, so they are best kept and kept well. Sharing secrets, real secrets, important ones, with even one other person, will change them. Writing them down is worse, because who can tell how many eyes might see them inscribed on paper, no matter how careful you might be with it. So it’s really best to keep your secrets when you have them, for their own good, as well as yours.
“This is, in part, why there is less magic in the world today. Magic is secret and secrets are magic, after all, and years upon years of teaching and sharing magic and worse. Writing it down in fancy books that get all dusty with age has lessened it, removed its power bit by bit. It was inevitable, perhaps, but not unavoidable. Everyone makes mistakes.
“The greatest wizard in history made the mistake of sharing his secrets. And his secrets were both magic and important, so it was a rather serious mistake.
“He told them to a girl. She was young and clever and beautiful—”
Poppet snorts into her cup. Widget stops.
“I’m sorry,” she says. “Go on, please, Widge.”
“She was young and clever and beautiful,” Widget continues. “Because if the girl had not been beautiful and clever, she would have been easier to resist, and then there would be no story at all.
“The wizard was old and quite clever himself, of course, and he had gone a very, very long time without telling his secrets to anyone at all. Maybe over the years he had forgotten about the importance of keeping them, or maybe he was distracted by her youth or beauty or cleverness. Maybe he was just tired, or maybe he had too much wine and didn’t realize what he was doing. Whatever the circumstances, he told his deepest secrets to the girl, the hidden keys to all his magic.
“And when the secrets had passed from wizard to girl, they lost bits of their power, the way cats lose bits of fur when you pet them thoroughly. But they were still potent and effective and magical, and the girl used them against the wizard. She tricked him so that she could take his secrets and make them her own. She did not particularly care about keeping them; she probably wrote them down somewhere as well.
“The wizard himself she trapped in a huge old oak tree. A tree like this one. And the magic she used to do so was strong, since it was the wizard’s own magic, ancient and powerful, and he could not undo it.
“She left him there, and he could not be rescued since no one else knew he was inside the tree. He was not dead, though. The girl might have killed him if she could, after she had coerced his secrets out of him, but she could not kill him with his own magic. Though maybe she didn’t want to at all. She was more concerned with power than with him, but she might have cared about him a little, enough to want to leave him with his life, in a way. She settled for trapping him, and to her mind it served the same purpose.
“Though really she did not succeed quite as well as she liked to think. She was careless in keeping her new magic secret. She flaunted it, and generally did not take very good care of it. Its power faded eventually, and so did she.
“The wizard, on the other hand, became part of the tree. And the tree thrived and grew, its branches spreading up to the sky and its roots reaching farther into the earth. He was part of the leaves and the bark and the sap, and part of the acorns that were carried away by squirrels to become new oak trees in other places. And when those trees grew, he was in those branches and leaves and roots as well.
“So by losing his secrets, the wizard gained immortality. His tree stood long after the clever young girl was old and no longer beautiful, and in a way, he became greater and stronger than he had ever been before. Though if he were given the chance to do it all over again, he likely would have been more careful with his secrets.” As Widget finishes, the tent settles into silence again, but the tree feels more alive than it had before he started.
“Thank you,” Poppet says. “That was a good one. Kind of sad, though, but kind of not at the same time.”
“You’re welcome,” Widget says. He takes a sip of his cider, now more warm than hot. He holds his cup in his hands and brings it to eye level, staring at it until a soft curl of steam rises from the surface.
“Do mine, too, please,” Poppet says, holding out her cup. “I can never do it right.”
“Well, I can never levitate anything right, so we’re even,” Widget says, but he takes her cup without complaint and concentrates until it too is steaming and hot again.
He moves to hand it back to her and it floats from his hand to hers, the surface of the cider wavering with the motion but otherwise moving as smoothly as if it were sliding across a table.
“Show-off,” Widget says.
They sit sipping their newly warmed cider, looking up at the twisting black branches reaching toward the top of the tent.
“Widge?” Poppet asks after a long silence.
“Yes?”
“Is it not that bad to be trapped somewhere, then? Depending on where you’re trapped?”
“I suppose it depends on how much you like the place you’re trapped in,” Widget says.
“And how much you like whoever you’re stuck there with,” Poppet adds, kicking his black boot with her white one.
Her brother laughs and the sound echoes through the tent, carried over the branches that are covered in candles. Each flame flickering and white.
Temporary Places
LONDON, APRIL 1895
Tara Burgess does not realize until after she has returned to London that the address on the card given to her by Mr. Barris is not a private residence at all but the Midland Grand Hotel.
She leaves the card sitting out on a table in her parlor for some time, glancing at it whenever she happens to be in the room. Forgetting about it for stretches of time until she remembers it again.
Lainie attempts to persuade Tara to join her for an extended holiday in Italy, but she refuses. Tara tells her sister little about her visit to Vienna, saying only that Ethan asked after her.