“I don’t believe I will justify that insinuating tone in your voice with a response. We were discussing the book after all.”
“Yes, quite a stunning little book you waltzed out of Rose’s party with Monday night.”
“I’m a professional,” Zach said calmly. “I don’t shag my writers.”
He omitted mentioning how shamefully close he’d come to asking Nora up after the cab ride to his building. He still couldn’t believe she’d gotten to him that fast. In ten years of marriage he’d never once been unfaithful to Grace, never even wanted to be. And then in one day Nora Sutherlin was putting thoughts in his head he hadn’t let himself have in years.
“I’ve seen her. I wouldn’t blame you if you did. But it’s just a shock. I’m surrounded by postfeminists and neo-Freudians. Whatever happened to that ‘forgot the author, only the book matters’ philosophy?”
“One cab ride and one good conversation hardly makes me a Freudian. I’ll admit I was a bit of a prig about her. She is a good writer and the book has potential. If I’m warming up to her it’s only because I’m warming up to the book. But she is starkers. That I was right about.”
“She’s a writer. She’s supposed to be mad.”
“At least she’s also a mad worker. She’s already sent me a full synopsis of every chapter and the new outline I ordered.”
“How’s the new outline?”
“Better,” Zach said and glanced at his notes. “But still, more sex than substance. I think she’s capable of substance. Just afraid of it.”
“She does seem fairly married to her bad-girl writer persona,” J.P. said, and Zach nodded his agreement. “It lends her credibility if she makes people think that she practices what she preaches. Getting her to retire her proverbial whip and take up the pen full-time won’t be easy.”
“But if she did…” Zach glanced down at the manuscript and remembered his reaction Tuesday morning when he’d forced himself to read it again, this time with an open mind. The words had simmered on the page, flared into life and burned. He’d gotten so engrossed in the story he’d forgotten that he was supposed to be editing it. “If she did, she could set the world on fire, and she wouldn’t even need a candle. And don’t you dare tell her anything I just said. I’ve got to keep her afraid of me if I’m going to keep her writing.”
J.P. laughed to himself, and Zach stared at him.
“What?” Zach demanded.
J.P. took the newspaper out from under his arm and unfolded it. It was a copy of the New Amsterdam Noteworthy, a biweekly New York trade publication that carried the most recent news in publishing. J.P. threw the paper on Zach’s desk. On the bottom front page was a small photo of him and Nora on the staircase at Rose Evely’s party. Zach hadn’t remembered a camera flash. Apparently the photographer had been far enough away he’d missed it. In the photo Nora leaned toward Zach with her mouth near his ear. It looked as if she was about to kiss him on the neck. Zach knew exactly what moment that was. It was when he’d said he couldn’t believe he was doing this and she’d responded with a seductive “I can.” The caption under the photograph read, “Nora Sutherlin—the only writer who could make Anaïs Nin blush.”
“She doesn’t look scared to me,” J.P. said. “You look a little petrified, however.”
“J.P., I—”
“I don’t want to have to find another editor for Sutherlin. But I will if I must. I don’t mind if the book sells because of the sex in it. But I don’t want anyone thinking that writers have to do more than write when they come to Royal.”
Zach rubbed his forehead.
“I swear it’s just about the book. And no, you don’t have to find another editor for her. I know we can make something good together.”
“I think you can, too. If you stay focused.” J.P. sounded skeptical.
“I am focused.”
“Easton, I’m an old man. My hearing’s going and I’ve got two knees on the way out. But my eyes can still see. Since the day you arrived here, you haven’t once smiled like you meant it. And when I walked into this office and caught you reading her book, you were smiling like a lad who just found his father’s Playboy stash. I’ve tried writing in bed before. I never seem to get much done.”
Zach opened his mouth again, but J.P. raised his hand to cut him off.
“You can keep working with Sutherlin. For now. Just take a little advice—”
“I’d rather not.”
J.P. reached across Zach’s desk and grabbed the manuscript. He flipped it open and whistled. No doubt his eyes had landed on one of the myriad erotic encounters in the book.
“In the words of Charlotte Brontë,” J.P. began, “‘Life is so constructed, that the event does not, cannot, will not, match the expectation.’ Or in the words of me… Keep it on paper, Easton.”
Zach clenched his jaw and did not reply. J.P. grabbed the newspaper with Zach and Nora’s picture and left him alone once again with her book.
Closing his eyes, Zach conjured an image of Grace. God, he was glad she was in England where she wouldn’t see that photo. But why worry? Even if she saw it, saw him with another woman, would she care? Of course not. If she did, she’d be with him in New York right now.
“Yes, quite a stunning little book you waltzed out of Rose’s party with Monday night.”
“I’m a professional,” Zach said calmly. “I don’t shag my writers.”
He omitted mentioning how shamefully close he’d come to asking Nora up after the cab ride to his building. He still couldn’t believe she’d gotten to him that fast. In ten years of marriage he’d never once been unfaithful to Grace, never even wanted to be. And then in one day Nora Sutherlin was putting thoughts in his head he hadn’t let himself have in years.
“I’ve seen her. I wouldn’t blame you if you did. But it’s just a shock. I’m surrounded by postfeminists and neo-Freudians. Whatever happened to that ‘forgot the author, only the book matters’ philosophy?”
“One cab ride and one good conversation hardly makes me a Freudian. I’ll admit I was a bit of a prig about her. She is a good writer and the book has potential. If I’m warming up to her it’s only because I’m warming up to the book. But she is starkers. That I was right about.”
“She’s a writer. She’s supposed to be mad.”
“At least she’s also a mad worker. She’s already sent me a full synopsis of every chapter and the new outline I ordered.”
“How’s the new outline?”
“Better,” Zach said and glanced at his notes. “But still, more sex than substance. I think she’s capable of substance. Just afraid of it.”
“She does seem fairly married to her bad-girl writer persona,” J.P. said, and Zach nodded his agreement. “It lends her credibility if she makes people think that she practices what she preaches. Getting her to retire her proverbial whip and take up the pen full-time won’t be easy.”
“But if she did…” Zach glanced down at the manuscript and remembered his reaction Tuesday morning when he’d forced himself to read it again, this time with an open mind. The words had simmered on the page, flared into life and burned. He’d gotten so engrossed in the story he’d forgotten that he was supposed to be editing it. “If she did, she could set the world on fire, and she wouldn’t even need a candle. And don’t you dare tell her anything I just said. I’ve got to keep her afraid of me if I’m going to keep her writing.”
J.P. laughed to himself, and Zach stared at him.
“What?” Zach demanded.
J.P. took the newspaper out from under his arm and unfolded it. It was a copy of the New Amsterdam Noteworthy, a biweekly New York trade publication that carried the most recent news in publishing. J.P. threw the paper on Zach’s desk. On the bottom front page was a small photo of him and Nora on the staircase at Rose Evely’s party. Zach hadn’t remembered a camera flash. Apparently the photographer had been far enough away he’d missed it. In the photo Nora leaned toward Zach with her mouth near his ear. It looked as if she was about to kiss him on the neck. Zach knew exactly what moment that was. It was when he’d said he couldn’t believe he was doing this and she’d responded with a seductive “I can.” The caption under the photograph read, “Nora Sutherlin—the only writer who could make Anaïs Nin blush.”
“She doesn’t look scared to me,” J.P. said. “You look a little petrified, however.”
“J.P., I—”
“I don’t want to have to find another editor for Sutherlin. But I will if I must. I don’t mind if the book sells because of the sex in it. But I don’t want anyone thinking that writers have to do more than write when they come to Royal.”
Zach rubbed his forehead.
“I swear it’s just about the book. And no, you don’t have to find another editor for her. I know we can make something good together.”
“I think you can, too. If you stay focused.” J.P. sounded skeptical.
“I am focused.”
“Easton, I’m an old man. My hearing’s going and I’ve got two knees on the way out. But my eyes can still see. Since the day you arrived here, you haven’t once smiled like you meant it. And when I walked into this office and caught you reading her book, you were smiling like a lad who just found his father’s Playboy stash. I’ve tried writing in bed before. I never seem to get much done.”
Zach opened his mouth again, but J.P. raised his hand to cut him off.
“You can keep working with Sutherlin. For now. Just take a little advice—”
“I’d rather not.”
J.P. reached across Zach’s desk and grabbed the manuscript. He flipped it open and whistled. No doubt his eyes had landed on one of the myriad erotic encounters in the book.
“In the words of Charlotte Brontë,” J.P. began, “‘Life is so constructed, that the event does not, cannot, will not, match the expectation.’ Or in the words of me… Keep it on paper, Easton.”
Zach clenched his jaw and did not reply. J.P. grabbed the newspaper with Zach and Nora’s picture and left him alone once again with her book.
Closing his eyes, Zach conjured an image of Grace. God, he was glad she was in England where she wouldn’t see that photo. But why worry? Even if she saw it, saw him with another woman, would she care? Of course not. If she did, she’d be with him in New York right now.
