Vision in White
Page 4
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“I’ll take care of it.”
“Thanks. The MOB—”
“I’m on it,” Parker said.
“I need to—” Emma broke off as Laurel walked in.
“I’m not late,” Laurel announced.
“Tink’s a no-show,” Parker told her. “Emma’s short.”
“I can fill in. I’ll need to set the centerpiece of the cake and arrange the desserts, but I’ve got time now.”
“Let’s go over the timetable.”
“Wait.” Emma lifted her can of Diet Coke. “Toast first. Happy New Year to us, to four amazing, stupendous, and very hot women. Best pals ever.”
“Also smart and kick-ass.” Laurel raised her bottle of water. “To pals and partners.”
“To us. Friendship and brains in four parts,” Mac added, “and the sheer coolness of the whole we’ve made with Vows.”
“And to 2009.” Parker lifted her coffee mug. “The amazing, stupendous, hot, smart, kick-ass best pals are going to have their best year ever.”
“Damn right.” Mac clinked her mug to the rest. “To Wedding Day, then, now, and always.”
“Then, now, and always,” Parker repeated. “And now. Timetable?”
“I’m on the bride,” Mac began, “from her arrival, switch to groom at his. Candids during dressing event, posed as applies. Formal portraits in and out. I’ll get the shots of the cake, the arrangements now, do my setup. All family and wedding party shots separate prior to the ceremony. Post-ceremony I should only need forty-five minutes for the family shots, full wedding party, and the bride and groom.”
“Floral dressing in bride and groom suites complete by three. Floral dressing in foyer, Parlor, staircase, Grand Hall, and Ballroom by five.” Parker glanced at Emma.
“We’ll be done.”
“Videographer arrives at five thirty. Guest arrivals from five thirty to six. Wedding musicians—string quartet—to begin at five forty. The band will be set up in the Ballroom by six thirty. MOG, attended by son, escorted at five fifty, MOB, escorted by son-in-law, directly after. Groom and groomsmen in place at six.” Parker read off the schedule. “FOB, bride, and party in place at six. Descent and procession. Ceremony duration twenty-three minutes, recession, family moments. Guests escorted to Grand Hall at six twenty-five.”
“Bar opens,” Laurel said, “music, passed food.”
“Six twenty-five to seven ten, photographs. Announcement of family, wedding party, and the new Mr. and Mrs. seven fifteen.”
“Dinner, toasts,” Emma continued. “We’ve got it, Parks.”
“I want to make sure we move to the Ballroom and have the first dance by eight fifteen,” Parker continued. “The bride especially wants her grandmother there for the first dance, and after the father-daughter, mother-son dance, for her father and his mother to dance. She’s ninety, and may fade early. If we can have the cake cutting at nine thirty, the grandmother should make that, too.”
“She’s a sweetheart,” Mac put in. “I got some nice shots of her and Alison at the rehearsal. I’ve got it in my notes to get some of them today. Personally, I think she’ll stay for the whole deal.”
“I hope she does. Cake and desserts served while dancing continues. Bouquet toss at ten fifteen.”
“Tossing bouquet is set,” Emma added.
“Garter toss, dancing continues. Last dance at ten fifty, bubble blowing, bride and groom depart. Event end, eleven.” Parker checked her watch again. “Let’s get it done. Emma and Laurel need to change. Everyone remember their headsets.”
Parker’s phone vibrated, and she glanced at the readout. “MOB. Again. Fourth call this morning.”
“Have fun with that,” Mac said and escaped.
She scouted room by room, staying out of the way of Emma and her crew as they swarmed over the house with flowers, ribbons, voile. She took shots of Laurel’s cake, Emma’s arrangements, framed others in her head.
It was a routine she never allowed to become routine. She knew once it became rote, she’d miss shots, opportunities, bog down on fresh angles and ideas. And whenever she felt herself dulling, she thought of a blue butterfly landing on a dandelion.
The air smelled of roses and lilies and rang with voices and footfalls. Light streamed through the tall windows in lovely beams and shafts, and glittered on the gold and silver ribbons.
“Headset, Mac!” Parker rushed down the main staircase. “The bride’s arriving.”
As Parker hurried down to meet the bride, Mac jogged up. She swung out on the front terrace, ignoring the cold as the white limo sailed down the drive. As it eased to a stop she shifted her angle, set, and waited.
Maid of honor, mother of the bride. “Move, move, just a little,” she muttered. Alison stepped out. The bride wore jeans, Uggs, a battered suede jacket and a bright red scarf. Mac zoomed in, changed stops. “Hey! Alison!”
The bride looked up. Surprise turned to amused delight, and to Mac’s pleasure, Alison threw up both arms, tossed back her head, and laughed.
And there, Mac thought as she caught the moment, was the beginning of the journey.
Within ten minutes, the Bride’s Suite—once Parker’s own bedroom—bustled with people and confusion. Two hairdressers plied their tools and talents, curling, straightening, styling, while others wielded paints and pots.
Utterly female, Mac thought as she moved through the room unobtrusively, the scents, the motions, the sounds. The bride remained the focus—no nerves on this one, Mac determined. Alison was confident, beaming, and currently chattering like a magpie.
The MOB, however, was a different story.
“But you have such beautiful hair! Don’t you think you should leave it down? At least some of it. Maybe—”
“An updo suits the headdress better. Relax, Mom.”
“It’s too warm in here. I think it’s too warm in here. And Mandy should take a quick nap. She’s going to act up, I just know it.”
“She’ll be fine.” Alison glanced toward the flower girl.
“I really think—”
“Ladies!” Parker wheeled in a cart of champagne, with a pretty fruit and cheese tray. “The men are on their way. Alison, your hair’s gorgeous. Absolutely regal.” She poured a flute, offered it to the bride.
“Thanks. The MOB—”
“I’m on it,” Parker said.
“I need to—” Emma broke off as Laurel walked in.
“I’m not late,” Laurel announced.
“Tink’s a no-show,” Parker told her. “Emma’s short.”
“I can fill in. I’ll need to set the centerpiece of the cake and arrange the desserts, but I’ve got time now.”
“Let’s go over the timetable.”
“Wait.” Emma lifted her can of Diet Coke. “Toast first. Happy New Year to us, to four amazing, stupendous, and very hot women. Best pals ever.”
“Also smart and kick-ass.” Laurel raised her bottle of water. “To pals and partners.”
“To us. Friendship and brains in four parts,” Mac added, “and the sheer coolness of the whole we’ve made with Vows.”
“And to 2009.” Parker lifted her coffee mug. “The amazing, stupendous, hot, smart, kick-ass best pals are going to have their best year ever.”
“Damn right.” Mac clinked her mug to the rest. “To Wedding Day, then, now, and always.”
“Then, now, and always,” Parker repeated. “And now. Timetable?”
“I’m on the bride,” Mac began, “from her arrival, switch to groom at his. Candids during dressing event, posed as applies. Formal portraits in and out. I’ll get the shots of the cake, the arrangements now, do my setup. All family and wedding party shots separate prior to the ceremony. Post-ceremony I should only need forty-five minutes for the family shots, full wedding party, and the bride and groom.”
“Floral dressing in bride and groom suites complete by three. Floral dressing in foyer, Parlor, staircase, Grand Hall, and Ballroom by five.” Parker glanced at Emma.
“We’ll be done.”
“Videographer arrives at five thirty. Guest arrivals from five thirty to six. Wedding musicians—string quartet—to begin at five forty. The band will be set up in the Ballroom by six thirty. MOG, attended by son, escorted at five fifty, MOB, escorted by son-in-law, directly after. Groom and groomsmen in place at six.” Parker read off the schedule. “FOB, bride, and party in place at six. Descent and procession. Ceremony duration twenty-three minutes, recession, family moments. Guests escorted to Grand Hall at six twenty-five.”
“Bar opens,” Laurel said, “music, passed food.”
“Six twenty-five to seven ten, photographs. Announcement of family, wedding party, and the new Mr. and Mrs. seven fifteen.”
“Dinner, toasts,” Emma continued. “We’ve got it, Parks.”
“I want to make sure we move to the Ballroom and have the first dance by eight fifteen,” Parker continued. “The bride especially wants her grandmother there for the first dance, and after the father-daughter, mother-son dance, for her father and his mother to dance. She’s ninety, and may fade early. If we can have the cake cutting at nine thirty, the grandmother should make that, too.”
“She’s a sweetheart,” Mac put in. “I got some nice shots of her and Alison at the rehearsal. I’ve got it in my notes to get some of them today. Personally, I think she’ll stay for the whole deal.”
“I hope she does. Cake and desserts served while dancing continues. Bouquet toss at ten fifteen.”
“Tossing bouquet is set,” Emma added.
“Garter toss, dancing continues. Last dance at ten fifty, bubble blowing, bride and groom depart. Event end, eleven.” Parker checked her watch again. “Let’s get it done. Emma and Laurel need to change. Everyone remember their headsets.”
Parker’s phone vibrated, and she glanced at the readout. “MOB. Again. Fourth call this morning.”
“Have fun with that,” Mac said and escaped.
She scouted room by room, staying out of the way of Emma and her crew as they swarmed over the house with flowers, ribbons, voile. She took shots of Laurel’s cake, Emma’s arrangements, framed others in her head.
It was a routine she never allowed to become routine. She knew once it became rote, she’d miss shots, opportunities, bog down on fresh angles and ideas. And whenever she felt herself dulling, she thought of a blue butterfly landing on a dandelion.
The air smelled of roses and lilies and rang with voices and footfalls. Light streamed through the tall windows in lovely beams and shafts, and glittered on the gold and silver ribbons.
“Headset, Mac!” Parker rushed down the main staircase. “The bride’s arriving.”
As Parker hurried down to meet the bride, Mac jogged up. She swung out on the front terrace, ignoring the cold as the white limo sailed down the drive. As it eased to a stop she shifted her angle, set, and waited.
Maid of honor, mother of the bride. “Move, move, just a little,” she muttered. Alison stepped out. The bride wore jeans, Uggs, a battered suede jacket and a bright red scarf. Mac zoomed in, changed stops. “Hey! Alison!”
The bride looked up. Surprise turned to amused delight, and to Mac’s pleasure, Alison threw up both arms, tossed back her head, and laughed.
And there, Mac thought as she caught the moment, was the beginning of the journey.
Within ten minutes, the Bride’s Suite—once Parker’s own bedroom—bustled with people and confusion. Two hairdressers plied their tools and talents, curling, straightening, styling, while others wielded paints and pots.
Utterly female, Mac thought as she moved through the room unobtrusively, the scents, the motions, the sounds. The bride remained the focus—no nerves on this one, Mac determined. Alison was confident, beaming, and currently chattering like a magpie.
The MOB, however, was a different story.
“But you have such beautiful hair! Don’t you think you should leave it down? At least some of it. Maybe—”
“An updo suits the headdress better. Relax, Mom.”
“It’s too warm in here. I think it’s too warm in here. And Mandy should take a quick nap. She’s going to act up, I just know it.”
“She’ll be fine.” Alison glanced toward the flower girl.
“I really think—”
“Ladies!” Parker wheeled in a cart of champagne, with a pretty fruit and cheese tray. “The men are on their way. Alison, your hair’s gorgeous. Absolutely regal.” She poured a flute, offered it to the bride.
