“I don’t know. Some encouraging words?”
Hideo raises an eyebrow at me in amusement. “Very well.” He takes a step closer to me. “I’m checking in because I miss hearing from you,” he says. “Does that help?”
I pause with my mouth open, my momentary bravado disappearing. Before I can reply, he bids me good night and disconnects our chat. Hideo’s image vanishes, replaced with empty air, but not before I get one last glimpse at his face, his eyes still on me.
• • • • •
THAT NIGHT, I dream that Hideo and I are back at Sound Museum Vision, except we’re not in the middle of the dance floor. Instead, we’re upstairs, tucked in some dark corner of the balcony overlooking the space, and he has me pushed against the wall. He’s kissing me hard.
I startle awake from the dream, flustered and irritated with myself.
His words are still ringing in my thoughts when the day comes for Ren to go into the Dark World. As the others get ready to grab lunch, I lock my door and log in to Warcross.
Instead of heading into the usual game, I bring up a hovering keyboard and type in a series of extra commands, my fingers tapping against the floor. The room flickers, and suddenly it goes dark, leaving me suspended in complete blackness.
I hold my breath. I visit the Dark World often enough, but no matter how many times I go, I’ll never get used to the suffocating black that descends over my eyes before I can enter.
Finally, horizontal red lines appear in my vision, lines that—when I zoom in—turn into code. It fills my vision, page after page, until it finally hits the bottom and gives me a blinking cursor. I type in a few more commands, and a new ream of code fills my view.
Then, suddenly, the dark red code vanishes, and I’m standing in the middle of a gritty city’s streets, my typical [null] name hanging over my head. Other darkened figures bustle past, none of them paying any attention to me. I stand underneath a series of endless, glowing neon signs running along the buildings overhead. They illuminate me in different colors.
I smile. I’m past the shields that protect the surface level of Warcross and have dived into the sprawling, encrypted, anonymous underground world of virtual reality that has sprung up right under the Warcross platform. It’s a second home, this place where everyone speaks my language, and where those who might otherwise be powerless in real life can now be incredibly powerful.
Most people who frequent the Dark World don’t even bother with a name for it. If you’re here, you’re “down under,” and anyone who knows what they’re doing should know that you’re not talking about Australia. The world I walk through now makes no logical sense, at least not in the usual way. Narrow, dilapidated buildings stand right in the middle of the street, while some doors leading into buildings hang upside down, as if impossible to get into. The main street intersects with other streets in midair that lead from windowsill to windowsill, connecting the impossible. Like one giant Escher painting. When I look skyward, a series of dark trains run parallel to one another, disappearing into both horizons. They look weird, stretched out, as if distorted through some sort of circus mirror. Water drips nearby, running into the gutters and pooling in potholes.
I glance up at the neon signs. If you look closely at them, you’ll notice that they aren’t really signs at all, but lists of names highlighted in neon. If you’re stupid enough to visit the Dark World without knowing how to protect your identity, then in no time, you’ll see your real name and your personal info—Social Security numbers, home addresses, private phone numbers—listed up there on those signs. That’s what the names are: a running list of all the users who dared to come down here unprepared, broadcast to the rest of the Dark World and leaving them at the mercy of those who walked these streets.
That’s where I’d been listed, the first time I went down here.
I pass a sign for the main street. Silk Road, it says. Underneath the lists are rows of shops with their own neon signs. Some of them sell illegal goods—drugs, mostly. Others have a little red lantern hanging outside their door, offering virtual sex. Still others have a video icon over their doors, signaling live virtual voyeurism. I look away and hurry on. I may be hidden behind a black suit and a randomized face, but just because I frequent this world doesn’t mean I’m ever comfortable with it.
Now I bring up a search, then tap Pirate’s Den when the result scrolls by. The world blurs around me, and an instant later, I’m standing at a part of the street where the buildings give way to a pier. A pirate ship looms along the shore, lit up with strings of lanterns that dangle in intervals to the top of its masts, the lights reflecting against the water in a sheet of glitter.
The Pirate’s Den is one of the more popular hangouts down here. The ship’s bow displays an ornate wooden carving in the semblance of a backward copyright symbol. Information wants to be free, I mouth the Den’s slogan silently. A scarlet banner hangs over the gangplank leading up to its main deck, where a steady stream of anonymous avatars are now walking.
Today, the banner advertises betting on a Warcross game happening inside. These are matches with haphazard rules run by gangsters, the matches where I find and catch the gamblers who get in trouble with the law. Darkcross games, everyone jokingly calls them. I can only imagine how many indebted Warcross gamblers are going to come out of this one.
Ren’s probably here for this, I add to myself as I head up the gangplank.
On board the ship, the speakers are playing an electronic track pirated from an unreleased Frankie Dena album. A glass cylinder looms in the center of the deck, upon which a list of names and numbers constantly updates and loops. The names on this list are famous ones—prime ministers, presidents, pop stars—and beside each name is an amount of notes offered. The assassination lottery. People pitch in money to whichever person they’d like to see killed. Whenever one of these pots rises high enough, some assassin in the Dark World is bound to be motivated to assassinate that person and win the pot.
It happens rarely, of course. But the Pirate’s Den has existed in one form or another almost as long as the internet’s been around, and every decade or so, there’s an assassination that actually goes through. In fact, Ronald Tiller, a universally hated diplomat acquitted of a rape charge, had died several years ago in a mysterious car explosion. I’d seen his name at the top of the assassination lottery list a week before it happened.
I glance up to a balcony that overlooks the cylinder of names. There are a couple of avatars sitting there, watching. One of them is leaning forward with his elbows on his knees, observing the list silently. Potential assassins, waiting for the right amounts of money. I shiver and look away.
On the other walls are lists of statistics about each official Warcross team. The stats on the Phoenix Riders and Demon Brigade take up one entire wall. Beneath it runs a scrolling list of betting odds against the two teams. The favor is overwhelmingly on the Demon Brigade’s side.
Groups of unnamed avatars cluster here and there, deep in their own conversations. Many of them are hulking in appearance, even monstrous—bulging arms and long claws, black pools in the place of eyes. Some Dark World folks really like to look the part. I search for Ren. He could be any of these avatars, disguised just like we are.
I check the time. Almost one. I crane my neck, scanning the crowd as I tap out commands, searching for any sign of Ren’s signature in here. Nothing.
Then—
The gold dot reappears on my map. As I make my way through the crowd, I suddenly see an alert telling me that Ren is in the room. Sure enough, when I check his data, I see the WC0 marker pop up in his info. My heart starts to beat faster. He’s the silhouette I’d seen in the arena. What—or who—is he here for?
I glance around as the crowd quiets, an expectant hush in the air.
Suddenly, the assassination list on the glass cylinder temporarily disappears. It’s replaced with the following:
OBSIDIAN KINGS vs WHITE SHARKS
The Dark World has its own set of famous teams, too—except these players stay anonymous and play very, very dirty. Regular Warcross teams are sponsored by wealthy patrons; Dark World teams are owned by gangsters. When you win, you win money for the gang that owns you. When you lose, the audience casts bets for you to go onto the assassination lottery. Lose enough times, and you just might see yourself listed at the top of the lottery. And then even your own sponsor might be the one to assassinate you.
Everyone who is looking at the cylinder now sees a JOIN button hovering in the center of their vision. I press it. A field pops up to ask me how many notes I want to bet. I look around the room, staring at the numbers that hover over each of the other gamblers: N1,000. N5,000. N10,000. I even see a few who have cast bets of well over N100,000.
I cast a bet of N100. No need to stand out here.
The world around us changes, and suddenly we are no longer standing on the deck of the Pirate’s Den, but on top of a skyscraper, illuminated by a bloodred sky. Neon-white players pop up in the world, glowing alongside power-ups. The view of the Pirate’s Den minimizes to a smaller screen in the corner of my vision, one that will appear over the center of my view whenever I glance down at it. Now I use it, searching for Ren’s gold dot.
Hideo raises an eyebrow at me in amusement. “Very well.” He takes a step closer to me. “I’m checking in because I miss hearing from you,” he says. “Does that help?”
I pause with my mouth open, my momentary bravado disappearing. Before I can reply, he bids me good night and disconnects our chat. Hideo’s image vanishes, replaced with empty air, but not before I get one last glimpse at his face, his eyes still on me.
• • • • •
THAT NIGHT, I dream that Hideo and I are back at Sound Museum Vision, except we’re not in the middle of the dance floor. Instead, we’re upstairs, tucked in some dark corner of the balcony overlooking the space, and he has me pushed against the wall. He’s kissing me hard.
I startle awake from the dream, flustered and irritated with myself.
His words are still ringing in my thoughts when the day comes for Ren to go into the Dark World. As the others get ready to grab lunch, I lock my door and log in to Warcross.
Instead of heading into the usual game, I bring up a hovering keyboard and type in a series of extra commands, my fingers tapping against the floor. The room flickers, and suddenly it goes dark, leaving me suspended in complete blackness.
I hold my breath. I visit the Dark World often enough, but no matter how many times I go, I’ll never get used to the suffocating black that descends over my eyes before I can enter.
Finally, horizontal red lines appear in my vision, lines that—when I zoom in—turn into code. It fills my vision, page after page, until it finally hits the bottom and gives me a blinking cursor. I type in a few more commands, and a new ream of code fills my view.
Then, suddenly, the dark red code vanishes, and I’m standing in the middle of a gritty city’s streets, my typical [null] name hanging over my head. Other darkened figures bustle past, none of them paying any attention to me. I stand underneath a series of endless, glowing neon signs running along the buildings overhead. They illuminate me in different colors.
I smile. I’m past the shields that protect the surface level of Warcross and have dived into the sprawling, encrypted, anonymous underground world of virtual reality that has sprung up right under the Warcross platform. It’s a second home, this place where everyone speaks my language, and where those who might otherwise be powerless in real life can now be incredibly powerful.
Most people who frequent the Dark World don’t even bother with a name for it. If you’re here, you’re “down under,” and anyone who knows what they’re doing should know that you’re not talking about Australia. The world I walk through now makes no logical sense, at least not in the usual way. Narrow, dilapidated buildings stand right in the middle of the street, while some doors leading into buildings hang upside down, as if impossible to get into. The main street intersects with other streets in midair that lead from windowsill to windowsill, connecting the impossible. Like one giant Escher painting. When I look skyward, a series of dark trains run parallel to one another, disappearing into both horizons. They look weird, stretched out, as if distorted through some sort of circus mirror. Water drips nearby, running into the gutters and pooling in potholes.
I glance up at the neon signs. If you look closely at them, you’ll notice that they aren’t really signs at all, but lists of names highlighted in neon. If you’re stupid enough to visit the Dark World without knowing how to protect your identity, then in no time, you’ll see your real name and your personal info—Social Security numbers, home addresses, private phone numbers—listed up there on those signs. That’s what the names are: a running list of all the users who dared to come down here unprepared, broadcast to the rest of the Dark World and leaving them at the mercy of those who walked these streets.
That’s where I’d been listed, the first time I went down here.
I pass a sign for the main street. Silk Road, it says. Underneath the lists are rows of shops with their own neon signs. Some of them sell illegal goods—drugs, mostly. Others have a little red lantern hanging outside their door, offering virtual sex. Still others have a video icon over their doors, signaling live virtual voyeurism. I look away and hurry on. I may be hidden behind a black suit and a randomized face, but just because I frequent this world doesn’t mean I’m ever comfortable with it.
Now I bring up a search, then tap Pirate’s Den when the result scrolls by. The world blurs around me, and an instant later, I’m standing at a part of the street where the buildings give way to a pier. A pirate ship looms along the shore, lit up with strings of lanterns that dangle in intervals to the top of its masts, the lights reflecting against the water in a sheet of glitter.
The Pirate’s Den is one of the more popular hangouts down here. The ship’s bow displays an ornate wooden carving in the semblance of a backward copyright symbol. Information wants to be free, I mouth the Den’s slogan silently. A scarlet banner hangs over the gangplank leading up to its main deck, where a steady stream of anonymous avatars are now walking.
Today, the banner advertises betting on a Warcross game happening inside. These are matches with haphazard rules run by gangsters, the matches where I find and catch the gamblers who get in trouble with the law. Darkcross games, everyone jokingly calls them. I can only imagine how many indebted Warcross gamblers are going to come out of this one.
Ren’s probably here for this, I add to myself as I head up the gangplank.
On board the ship, the speakers are playing an electronic track pirated from an unreleased Frankie Dena album. A glass cylinder looms in the center of the deck, upon which a list of names and numbers constantly updates and loops. The names on this list are famous ones—prime ministers, presidents, pop stars—and beside each name is an amount of notes offered. The assassination lottery. People pitch in money to whichever person they’d like to see killed. Whenever one of these pots rises high enough, some assassin in the Dark World is bound to be motivated to assassinate that person and win the pot.
It happens rarely, of course. But the Pirate’s Den has existed in one form or another almost as long as the internet’s been around, and every decade or so, there’s an assassination that actually goes through. In fact, Ronald Tiller, a universally hated diplomat acquitted of a rape charge, had died several years ago in a mysterious car explosion. I’d seen his name at the top of the assassination lottery list a week before it happened.
I glance up to a balcony that overlooks the cylinder of names. There are a couple of avatars sitting there, watching. One of them is leaning forward with his elbows on his knees, observing the list silently. Potential assassins, waiting for the right amounts of money. I shiver and look away.
On the other walls are lists of statistics about each official Warcross team. The stats on the Phoenix Riders and Demon Brigade take up one entire wall. Beneath it runs a scrolling list of betting odds against the two teams. The favor is overwhelmingly on the Demon Brigade’s side.
Groups of unnamed avatars cluster here and there, deep in their own conversations. Many of them are hulking in appearance, even monstrous—bulging arms and long claws, black pools in the place of eyes. Some Dark World folks really like to look the part. I search for Ren. He could be any of these avatars, disguised just like we are.
I check the time. Almost one. I crane my neck, scanning the crowd as I tap out commands, searching for any sign of Ren’s signature in here. Nothing.
Then—
The gold dot reappears on my map. As I make my way through the crowd, I suddenly see an alert telling me that Ren is in the room. Sure enough, when I check his data, I see the WC0 marker pop up in his info. My heart starts to beat faster. He’s the silhouette I’d seen in the arena. What—or who—is he here for?
I glance around as the crowd quiets, an expectant hush in the air.
Suddenly, the assassination list on the glass cylinder temporarily disappears. It’s replaced with the following:
OBSIDIAN KINGS vs WHITE SHARKS
The Dark World has its own set of famous teams, too—except these players stay anonymous and play very, very dirty. Regular Warcross teams are sponsored by wealthy patrons; Dark World teams are owned by gangsters. When you win, you win money for the gang that owns you. When you lose, the audience casts bets for you to go onto the assassination lottery. Lose enough times, and you just might see yourself listed at the top of the lottery. And then even your own sponsor might be the one to assassinate you.
Everyone who is looking at the cylinder now sees a JOIN button hovering in the center of their vision. I press it. A field pops up to ask me how many notes I want to bet. I look around the room, staring at the numbers that hover over each of the other gamblers: N1,000. N5,000. N10,000. I even see a few who have cast bets of well over N100,000.
I cast a bet of N100. No need to stand out here.
The world around us changes, and suddenly we are no longer standing on the deck of the Pirate’s Den, but on top of a skyscraper, illuminated by a bloodred sky. Neon-white players pop up in the world, glowing alongside power-ups. The view of the Pirate’s Den minimizes to a smaller screen in the corner of my vision, one that will appear over the center of my view whenever I glance down at it. Now I use it, searching for Ren’s gold dot.
