"I'm determined to talk to you," he said.
"You strike me as a man who either doesn't give up easily or never gives up at all."
"I'll camp out right here on your porch until I get what I've come for."
She sighed. "That won't be necessary. I've given the situation a great deal of thought since you called yesterday. What I decided was--you can't do anything to me. Not a thing. I'm seventy-five years old, and they don't just throw women my age into jail. So I might as well tell you what it was all about, because, if I don't, you'll just keep pestering me."
She stepped back, opened the door wide, and they went inside.
***
In the attic of the clifftop house, in the king-size bed, Bruno woke, screaming.
The room was dark. The flashlight batteries had gone dead while he'd slept.
Whispers.
All around him.
Soft, sibilant, evil whispers.
Slapping at his face and neck and chest and arms, trying to brush away the hideous things that crawled on him, Bruno fell off the bed. There seemed to be even a greater number of bustling, skittering things on the floor than there had been on the bed, thousands of them, all whispering, whispering. He wailed and gibbered, then clamped a hand over his nose and mouth to prevent the things from slithering inside of him.
Light.
Threads of light.
Thin lines of light like loose, luminescent threads hanging from the otherwise tenebrous fabric of the room. Not many threads, not much light, but some. It was a whole lot better than nothing.
He scrambled as fast as he could toward those faint filaments of light, flinging the things from him, and what he found was a window. The far side of it was covered by shutters. Light was seeping through the narrow chinks in the shutters.
Bruno stood, swaying, fumbling in the dark for the window latch. When he found the lock, it would not turn; it was badly corroded.
Screaming, brushing frantically at himself, he stumbled back toward the bed, found it in the seamless blackness, got hold of the lamp that stood on the nightstand, carried the lamp back to the window, used it as a club, and glass shattered. He threw the lamp aside, felt for the bolt on the inside of the shutters, put his hand on it, jerked on it, skinned a knuckle as he forced the bolt out of its catch, threw open the shutters, and wept with relief as light flooded into the attic.
The whispers faded.
***
Rita Yancy's parlor--that was what she called it, a parlor, rather than using a more modern and less colorful word--almost was a parody of the stereotypical parlor in which sweet little old ladies like her were supposed to spend their twilight years. Chintz drapes. Handmade, embroidered wall hangings--most of them inspirational sayings framed by penny-sized flowers and cute birds--
were everywhere, a relentless display of good will and good humor and bad taste. Tasseled upholstery. Wingback chairs. Copies of Reader's Digest on a dainty occasional table. A basket filled with balls of yarn and knitting needles. A flowered carpet that was protected by matching flowered runners. Handmade afghans were draped across the seat and the back of the sofa. A mantel clock ticked hollowly.
Hilary and Tony sat on the sofa, on the edge of it, as if afraid to lean back and risk rumpling the covering. Hilary noticed that each of the many knickknacks and curios was dustfree and highly polished. She had the feeling that Rita Yancy would jump up and run for a dust cloth the instant anyone tried to touch and admire those prized possessions.
Joshua sat in an armchair. The back of his head and his arms rested on antimacassars.
Mrs. Yancy settled into what was obviously her favorite chair; she seemed to have acquired part of her character from it, and it from her. It was possible, Hilary thought, to picture Mrs. Yancy and the chair growing together into a single organic-inorganic creature with six legs and brushed velvet skin.
The old woman picked up a blue and green afghan that was folded on her footstool. She opened the blanket and covered her lap with it.
There was a moment of absolute silence, where even the mantel clock seemed to pause, as if time had stopped, as if they had been quick-frozen and magically transported, along with the room, to a distant planet to be put on exhibition in an extraterrestrial museum's Department of Earth Anthropology.
Then Rita Yancy spoke, and what she said totally shattered Hilary's homey image of her. "Well, there's sure as hell no point in beating around the bush. I don't want to waste my whole day on this damn silly thing. Let's get straight to it. You want to know why Bruno Frye was paying me five hundred bucks a month. It was hush money. He was paying me to keep my mouth shut. His mother paid me the same amount every month for almost thirty-five years, and when she died, Bruno started sending checks. I must admit that surprised the hell out of me. These days it's an unusual son who would pay that kind of money to protect his mother's reputation--and especially after she's already kicked the bucket. But he paid."
"Are you saying you were blackmailing Mr. Frye and his mother before him?" Tony asked, astonished.
"Call it whatever you want. Hush money or blackmail or anything you want."
"From what you've told us so far," Tony said, "I believe the law would call it blackmail and nothing else."
Rita Yancy smiled at him. "Do you think the word bothers me? Do you think I'm afraid of it? All quivery inside? Sonny, let me tell you, I've been accused of worse than that in my time. Is blackmail the word you want to use? Well, it's all right by me. Blackmail. That's what it is. We won't put a prettier face on it. But of course, if you're stupid enough to drag an old lady into court, I won't use the same word then. I'll just say that I did a great favor for Katherine Frye a long time ago, and that she insisted on repaying me with a monthly check. You don't really have any proof otherwise, do you? That's one reason I set it up on a monthly basis in the first place.
I mean, blackmailers are supposed to strike and run, take it in one big bite, which is easy for the prosecutor to trace. But who's going to believe that a blackmailer would agree to a modest monthly payment on account?"
"We don't have any intention of bringing criminal charges against you," Joshua assured her. "And we haven't the slightest interest in attempting to recover the money that was paid to you. We realize that would be futile."
"Good," Mrs. Yancy said. "Because I'd make a bloody battle of it if you tried."
She straightened her afghan.
I've got to remember this one, everything about her, Hilary thought. She'd make a great little character role in a movie some day: Grandma with spice and acid and a touch of rot.
"All we want is some information," Joshua said. "There's a problem with the estate, and it's holding up the disbursement of funds. I need to get answers to some questions in order to expedite the final settlement. You say you don't want to waste your whole day on this 'damn silly thing.'
Well, I don't want to waste months on the Frye estate either. My only motivation in coming here is to get the information I need to wrap up this damn silly thing of mine."
Mrs. Yancy stared hard at him, then at Hilary and Tony. Her eyes were shrewd, appraising. Finally, she nodded with evident satisfaction, as if she had read their minds and had approved of what she'd seen in them. "I think I believe you. All right. Ask your questions."
"Obviously," Joshua said, "the first thing we want to know is what you had on Katherine Frye that made her and her son pay you nearly a quarter of a million dollars over the past forty years."
"To understand about that," Mrs. Yancy said, "you'll need a bit of background on me. You see, when I was a young woman, at the height of the Great Depression, I looked around at all the kinds of work I could do to make ends meet, and I decided that none of them offered more than mere survival and a life of drudgery. All but one. I realized that the only profession that offered me a chance at real money was the oldest profession of them all. When I was eighteen, I became a working girl.
In those days, in mixed company like this, a woman like me was referred to as a 'lady of easy virtue.' Today, you don't have to tiptoe around it. You can use any damn word you want these days." A strand of gray hair had slipped out of her bun. She pushed it away from her face, tucked it behind her ear. "When it comes to sex--the old slap-and-tickle, as it was sometimes called in my day--I'm amazed at how times have changed."
"You mean you were a ... prostitute?" Tony asked, expressing the surprise that Hilary felt.
"I was an exceptionally good-looking girl," Mrs. Yancy said proudly. "I never worked the streets or bars or hotels or anything like that. I was on the staff of one of the finest, most elegant houses in San Francisco. We catered exclusively to the carriage trade. Only the very best sort of men. There were never fewer than ten girls and often as many as fifteen, but every one of us was striking and refined. I made good money, as I had expected I would. But by the time I was twenty-four, I realized that there was a great deal more money to be made operating my own house than there was in working in someone else's establishment. So I found a house with a lot of charm and spent nearly all of my savings redecorating it. Then I lined up a stable of lovely and polished young ladies. For the next thirty-six years, I worked as a madam, and I ran a damned classy place.
I retired fifteen years ago, when I was sixty, because I wanted to come here to Hollister where my daughter and her husband lived; I wanted to be close to my grandchildren, you know. Grandchildren make old age a lot more rewarding than I'd ever thought it would be."
Hilary leaned back on the couch, no longer worried about rumpling the afghans that were draped across it.
Joshua said, "This is all quite fascinating, but what does it have to do with Katherine Frye?"
"Her father regularly visited my place in San Francisco," Rita Yancy said.
"Leo Frye?"
"Yes. A very strange man. I was never with him myself. I never serviced him. After I became a madam, I did very little bedwork; I was busy with the management details. But I heard all the stories that my girls told about him. He sounded like a first-class bastard. He liked his women docile, subservient. He liked to insult them and call them dirty names while he was using them. He was a strong disciplinarian, if you know what I mean. He had some nasty things he liked to do, and he paid a high price for the right to do them with my girls. Anyway, in April of 1940, Leo's daughter, Katherine, showed up on my doorstep. I'd never met her, I didn't even know he had a child. But he'd told her about me. He'd sent her to me so that she could have her baby in total secrecy."
Joshua blinked, "Her baby?"
"She was pregnant."
"Bruno was her baby?"
"What about Mary Gunther?" Hilary asked.
"There never was such a person as Mary Gunther," the old woman said. "That was just a cover story that Katherine and Leo made up."
"I knew it!" Tony said. "Too smooth. It was just too damn smooth."
"Nobody in St. Helena knew she was pregnant," Rita Yancy said. "She was wearing several girdles.
You wouldn't believe how that poor girl had bound herself up. It was horrible. From the time she missed her first period, long before she ever began to swell up, she started wearing tighter and tighter and tighter girdles, then one girdle on top of another. And she starved herself, trying to keep off all the weight she could. It's a miracle she didn't either have a miscarriage or kill herself."
"And you took her in?" Tony asked.
"I'm not going to claim I did it out of the goodness of my heart," Mrs. Yancy said. "I can't stand old women when they're smug and self-righteous, like a lot of the ones I see when I go to the bridge games at the church. Katherine didn't touch my heart or anything like that. And I didn't take her in because I felt I had an obligation to her father. I didn't owe him a thing. Because of what I'd heard about him from my girls, I didn't even like him. And he'd been dead six weeks when Katherine showed up. I took her in for one reason, and I'm not going to pretend otherwise. She had three thousand bucks with her to cover room and board and the doctor's fee. That was a good deal more money then than it is today."
Joshua shook his head. "I can't understand it. She had a reputation as a cold fish. She didn't care for men. She didn't have a lover that anyone knew about. Who was the father?"
"Leo," Mrs. Yancy said.
"Oh, my God," Hilary said softly.
"Are you sure?" Joshua asked Rita Yancy.
"Positive," the old woman said. "He'd been fooling around with his own daughter since she was four years old. He forced her to perform or*l s*x when she was a small child. Later, as she grew up, he did everything to her. Everything."
***
Bruno had hoped that a good night's sleep would clear his befuddled mind, wash away the confusion and the disorientation that had plagued him last night and early this morning. But now, as he stood in front of the broken attic window, basking in the gray October light, he was no more in command of himself than he had been six hours ago. His mind was writhing with chaotic thoughts and doubts and questions and fears; pleasant and ugly memories tangled like worms; mental images shifted and changed like puddles of quicksilver.
He knew what was wrong with him. He was alone. All alone. He was only half a man. Torn in half.
That's what was wrong with him. Ever since the other half of him had been killed, he'd been increasingly nervous, increasingly unsure of himself. He no longer had the resources that he'd had when both halves of him had been alive. And now, trying to stumble along as only half a person, he was unable to cope; even the smallest problems were beginning to seem insoluble.
He turned away from the window and staggered heavily to the bed. He knelt on the floor beside the bed and put his head on the corpse, on its chest.
"Say something. Say something to me. Help me figure out what to do. Please. Please, help me."
But the dead Bruno had nothing to say to the one who was still alive.
***
Mrs. Yancy's parlor.
The ticking clock.
A white cat strolled in from the dining room and jumped up on the old woman's lap.
"How do you know that Leo molested Katherine?" Joshua asked. "Surely he didn't tell you about it."
"He didn't," Mrs. Yancy said. "But Katherine did. She was in a terrible state. Half out of her mind. She'd expected her father to bring her to me when her time drew near, but then he died. She was alone and terrified. Because of what she'd done to herself--the girdles and the dieting--her labor was damned difficult. I called in the doctor who gave my girls their weekly health examinations because I knew he would be discreet and willing to handle the case. He was sure the baby would be born dead. He thought there was a pretty good chance Katherine would die, too. She was in hard, agonizing labor for fourteen hours. I've never seen anyone endure the kind of pain that she went through. She was delirious a lot of the time, and when she had her wits about her, she was desperate to tell me what her father had done to her. I think she was trying to patch up her soul. She seemed to be afraid to die with the secret, and so she sort of treated me as if I was a priest listening to her confession. Her father forced her to provide or*l s*x shortly after her mother died. When they moved into the cliff house, which I gather is fairly isolated, he virtually set about training her to be a sex slave to him. When she was old enough for intercourse, he took precautions, but eventually, after years and years of it, they made a mistake; she got pregnant."
